It’s perfectly acceptable to become dangerously obsessed with a face in a painting – countless viewers have been knocked sideways by the gaze of Vermeer’s Girl with a Pearl Earring, not to mention the many in-head love affairs people have had with Manet’s bar girl in the last century. The same feeling hit me when flicking through Stephan’s portfolio and coming face to face with the boy in the picture below (bottom left, hand on chin) who turns out to be just one of the many of Stephan’s characters you can fall in love with.
Predominantly working in black and white (unless you count his earlier, weirder work) his ability to cram whole personalities into some relatively basic illustration is nothing short of magnificent.
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?