One day news might reach us of a Unit Editions publication that doesn’t knock our socks off but to paraphrase Gladiator “not yet…not yet.” Type Plus is the latest title from Adrian Shaughnessy and Tony Brook’s imprint and it sets out “to investigate the practice of combining typography with images to increase effectiveness, potency and visual impact.”
The editors believe this practice of partnering type and graphic elements – which is particularly prevalent in the contemporary design climate – can “turbo-charge meaning and impact…The era of type as a passive, semi-invisible holder of meaning is long gone.”
As ever Unit’s team draws on its unparalleled breadth of reference to support the book’s thesis, and there’s work to enjoy from the likes of Kevin Chao and Paula Scher plus studios like Hoax and Ilg/Trüb Grafik. There’s also interviews with Non-Format, TwoPoints.Net and Erik Brandt as well as an introductory essay from leading design critic Yves Peters.
While we’re here it would be remiss not to mention that Spin – Tony Brook’s studio and designers of all the Unit Editions oeuvre – have just unveiled a tremendous new website, a sleek black affair which showcases their work brilliantly.
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s