Damien Hirst, the grand old duke of modern British art, need only sneeze to plunge journalists, collectors and art aficionados everywhere into a right tizzy, so it’s no surprise his new sculptures at the Sotheby’s show at Chatsworth House have attracted a lot of attention. But alongside his elegantly anatomical pieces, there’s plenty of other really interesting work in the exhibition, as this slideshow proves.
Hirst’s two pieces Myth and Legend combine classical grandeur and visceral cross-section, in dramatic, soul-searching sculptures that sit above the magnificent grounds, both complementary and confrontational.
Elsewhere Takashi Murakami’s Flower Matango (A) uses his trademark eyes motif in a technicolour, organic explosion that sits beautifully in a neo-classical temple, Mark Quinn’s Burning Desire is a huge, psycho-sexual exploration of beauty and exotica, whose pulsating red petals are reflected in the lake it sits next to, and Nadim Karam’s totemic Desert Sand looks as though it is throwing down a challenge to the famous old house.
The exhibition is open until October 30, and every piece is for sale.
- Studio Zwupp’s festival identity combines found type with abstract imagery
- Meet Jack Pearce: the illustrator drawing skate tribes
- Anna Haas’ structured yet anarchic approach to graphic design
- “Made for designers, not 3D experts”: Adobe Stock demystifies 3D renders
- Tanawat Sakdawisarak’s crisp illustrations reference pop music and video games
- Photographer Jay Wolke remembers gambling spots in the US during the 80s and 90s
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books