It’s all too easy for landscape photographs to fall into clumsily-recognisable tropes – which in the case of the Arctic often manifests as “serene, imposing, beauty.” But having spent 30 years photographing the Arctic in Greenland, Ragnar Axelsson has an intuitive empathy for the region. His pictures can be beautiful but they can also be bleak – unsettling in a gnawing, subtle way. Of course the name of this show at Proud Chelsea makes his agenda fairly clear, and so through his sparse snowscapes, and particularly the faces of the men, women and children he captures, Ragnar invites us to witness the end of something that’ll never return.
The show runs until March 18.
- Enter your work for the chance to be an It’s Nice That Graduate of 2016!
- Kyle Weeks’ photos portray the traditional and contemporary identity of the Himba people
- Ace & Tate commissions Hanna Putz to launch its Creative Fund
- Smart geometry-led identity for east London venue Brilliant Corners by Studio Remote
- Superb designs by Bureau Mirko Borsche for Tush magazine
- Artist Mona Hatoum electrifies the senses in her first retrospective at the Tate Modern
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Stack founder Steven Watson shares five of his top magazines
- Photography: New show at LCC shows young travelling communities of the 90s
- Hilarious and charming new Maynards Bassetts' Liquorice Allsorts ad by Jack Sachs