It’s all too easy for landscape photographs to fall into clumsily-recognisable tropes – which in the case of the Arctic often manifests as “serene, imposing, beauty.” But having spent 30 years photographing the Arctic in Greenland, Ragnar Axelsson has an intuitive empathy for the region. His pictures can be beautiful but they can also be bleak – unsettling in a gnawing, subtle way. Of course the name of this show at Proud Chelsea makes his agenda fairly clear, and so through his sparse snowscapes, and particularly the faces of the men, women and children he captures, Ragnar invites us to witness the end of something that’ll never return.
The show runs until March 18.
- Photographer Maxwell Conrad Granger shows the goofy beauty of youth
- Serpentine appoints Francis Kéré to build "tree-inspired" 2017 pavilion
- Director Nick Roney on taking The Lemon Twigs to his grandparents’ house
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Meet the speakers: Carl Burgess, Oscar Hudson, Mirka Laura Severa and Olivia Ahmad
- Varied, playful and slightly odd drawings from Japanese illustrator Summer House
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio