Animation Archive

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    To announce the results of the 2014 Wallpaper* Design Awards, Christian Borstlap and his team at Part Of A Bigger Plan have produced this beautifully simple film that takes us through the roster of judges and winners one by one. But why should you watch this video when you could just read the names from a list? Well, the guys at Part Of A Bigger Plan are particularly adept at crafting terrifically slick animations and this one is no exception to that rule, showing off the winning fashion, architectural and interior collections with geometric precision and style. Enjoy!

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    We’re not ones for gushing, sweeping statements (cough) BUT this is the best film we’ve ever seen. Remember Don’t Hug Me I’m Scared? The video that managed to sum up the perils of creativity in both a hilarious and utterly terrifying way? Well, if you don’t then go and rectify that immediately. Once you’re done, have a look at Becky and Joe’s latest creation – a magnificent, hysterical, gruesome, surprising, spectacular sequel, aptly named Don’t Hug Me I’m Scared 2 which deals with the rather broad, universal theme of time.

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    Berlin-based sound designer David Kamp has worked for all the best animators around. You name them, he’s collaborated with them, from cult directors like David O’Reilly and Johnny Kelly, experimental studios like field.io Quayola and Sagmeister & Walsh to MTV and Google. Why do they all go to him for him music and sound effects? Because he’s really, really good at making sensational sounds that add depth and emotion to already beautiful moving image pieces.

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    This animation is described as “a film for everyone who has ever been on a shit night out,” and is a super-fun tribute to those evenings in dingy clubs where the music is too loud, the drinks are too pricey and the clientele is too dickhead-y. Compiled by Kristian Antonelli, James Duveen, Wesley Louis, Tim McCourt, Jonathan Djob Nkondo, Sam Taylor and Bjorn-Erik Aschim (who also directs), there’s a great deal to identify with alongside some more off-the-wall characters. Also keep your eyes peeled for a little Keith Haring cameo about half way through.

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    Ryan Todd is back with his tremendous Christmas GIFs project and once again he’s secured a host of top illustrator talents to provide short visual meditations on the festive season. So from Malika Favre to Jack Hudson, Supermundane to Animade, these weird and wonderful Christmas treats range from the fun and silly to the poignant and lonely (here’s looking at you Ross Phillips). An excellently creative way to kickstart the Yuletide madness.

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    Few things get us as excited in the studio as the prospect of a new animated film of Michel Gondry in conversation with legendary activist Noam Chomsky, not to mention the fact that it has been animated by Michel himself – so you can imagine the way coffee cups flew across the room when we came across his “making of” Is the Man Who is Tall Happy. Fortunately for us Michel talks to himself almost incessantly while working, so this short film gives an unbelievable insight into his painstaking animation process, plus the measures he went to to connect with Noam even writing words down when they found themselves lost in translation.

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    When it comes to thinking up a way for the New York Times to show off their holiday books review, I’ll be damned if there’s anything better than an animated clip by Johnny Kelly of tiny little books dancing along to a plinky-plonk tune. It does get better, though, because as the all seeing camera slowly zooms out your realise that each little dancing book is a part of the next one’s cover! Meta-madness!

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    Whether we admit or not, jealousy plays a not insignificant role in the creative industries. In fact D&AD is honest enough to address this head on; when it comes to choosing pencil-winning work judges are asked to consider whether the entry stokes their creative envy and make them wish they’d done that piece.

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    The lyric video is a bit of a new phenomenon, but has given creatives confident with typography the opportunity to really strut their stuff. U2’s latest is beautifully penned and filmed by New York based creatives Oliver Jeffers (yes you probably recognise his handwriting) and filmmaker Mac Premo. Aptly shot, seductive type and some handy location scouting make this a beauty. Check it out here on Facebook.

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    Grace Helmer, Jake Evans and Luiz Stockler are all illustrators and animators that we’ve featured on the site before, either as part of our 2012 Graduates or in our Introducing feature. This is the first time we’ve seen there names listed together on the credits of creative project through, as they’ve all collaborated on the animation for Powster’s director’s cut of Bombay Bicycle Club’s latest track Carry Me. The original video was an interactive number that you could manipulate on screen, but that’s no good on YouTube, so Grace and co were enlisted to add some animated punch to a beautifully-shot project under the guidance of expert animator Anna Ginsburg.

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    Former Student of the Month and RCA animator extraordinaire Nicolas Ménard has just delivered his magnum opus, a 7-minute animation about a lost spaceman and a beautiful twelve-page risographed booklet about a couple of alien beings falling madly in love in the wilderness. I’m not really sure that I can do justice to Nicolas’ extraordinary efforts without ruining the magic of seeing this animation with fresh eyes; suffice to say it’s been one of the best seven minutes I’ve spent this week and I’m buying the zine later today. This guy kicks ass!

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    Love it or hate it, it’s been nigh on impossible to escape John Lewis’s new Christmas ad over the past few days. The pressure was on Adam&Eve/DDB to follow up their much-talked-about offerings from the past couple of years, and early indications suggest that whatever the cynics may say, the public have been charmed anew. But regardless of whether The Bear & The Hare makes you feel nicely festive or a bit nauseous, this “making of” is really interesting. Elliot Dear and Yves Geleyn of Blinkink/Hornet were the duo charged with bringing the ideas to life and you get a nice sense of the painstaking stop-motion process they went through over a period of several months. The song will be stuck in your head all day though.

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    Drawer of drawings, singer of songs, deziner of zines and doodler of doodles Joey Fourr has never gotten over that frantic childhood habit of drawing in the margins, letting the pure unbridled thoughts of a dreamer’s mind spill out onto pages of paper. His big, messy, psychedelic images take us back to a simpler time when all we wanted to do was carve elaborate cartoons into our desks and sack off learning maths.

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    Animation, when it’s done right, is such a thing to behold. Somehow the absence of reality allows you to become completely absorbed into the world you’re presented with to the point where monsters, aliens and the end of the world all seeming like plausible outcomes.

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    I’m going to level with you dear readers, I don’t really know what’s going on here; I just know that I like it. Murat Sayginer is a Czech-born, Istanbul-based artist whose work spans photography, graphics and digital animations such as this one. Ratio is weird, unsettling and dramatic with a level of technical finesse that is pretty astounding. There really isn’t much else we can suggest here apart from give it a proper watch, and try not to have nightmares…

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    Did you know that Elton pronounced backwards is “piano?” Well, now you did thanks to the guys over at Manchester animation studio Young. They’ve just released a charming and informative video teaching us all we need to know about lilac-spectacled ivory-tinkler Sir Elton John which we’ve been chuckling about to ourselves for the whole weekend. Why? Because this short animation is probably funnier than everything Elton John has ever done in his life. Mmmm, perhaps barring the time when he wore novelty piano-shaped glasses to sing heartfelt ballad Sorry Seems to be the Hardest Word (not the Blue version). We cannot wait to see what this studio full of talented funny-men are going to come up with next in episode two of I Didn’t Know That.

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    Personally, the idea of a novelty CV or résumé kind of makes me want to turn around and hurl into the nearest bin. But when the novelty CV is a colourful pastiche, nay homage to Super Mario, I’m prepared to swallow the vomit and get playing immediately. Animator and designer Robby Leonardi has clocked on to a few things in making this interactive CV, predominantly that people like to complete small games therefore will probably read the entire CV in order to do so. His animation skills are clear, his personality comes straight through and you can even get a pretty good idea of what he looks like. Robby, you’re hired.

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    When I was a kid there was a huge encyclopaedia in the school library that had a great selection of different eye tests in it, designed to screen for colourblindness, highlight blind spots and just generally demonstrate the quirks of the human visual system. That book was INcredible and I used to kill a lot of lunch breaks staring at the pictures inside of it.

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    There’s a nice juxtaposition which occurs when you bring craft-intensive stop-motion together with big, significant themes and this latest work from east London-based Andersen M studio is a case in point. For a new show on the Discovery Channel documenting Ernest Shackleton’s perilous Antarctic rescue mission of 1914, they developed this stunning promo animation made solely from antique navigation maps of the South Pole region. This is a really beautiful and powerful piece of stop-motion excellence and manages to create a terrifyingly tense ambience: – Andersen M at their very very best.

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    Guillermo del Toro wakes up in his luxurious yet tasteful ocean-side condo. It is 2am. He pads down his hallway to his study where mementos of his various films are kept alongside his awards and an old printer he never got round to throwing out. His eyes scan the posters, the props and the ephemera; Pan’s Labyrinth, HellBoy, Pacific Rim, And yet Guillermo feels sad; kind of empty.

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    Back in January we reflected on the absolute marvel that is Jack Cunningham whose hilarious animations and bloody brilliant illustrations melted the coldness of that bitter, bitter month. So we kept him close; his animations of punching ducks, robotic space men and smoothly boiling kettles reassuring us with all their wonderful weirdness on those darker days. So obviously we were ridiculously excited when we saw his blog updates announcing his new website covered in new work. And it’s all changed, his style refined but stronger than ever. Stripping back to finer lines and some brilliant black and white animations, this simplifying somehow just adds to their hilarity, articulating the giant conks and their flared nostril sneezing, the chair that walks to catch its owner at the end of the day or the businessman dreaming of water skiing. Peruse at your leisure.

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    If you thought that Johnny Depp made for a charming drug lord playing George Jung in Blow, please allow yourself to be swept away by the papier mâché realness being brought to you directly from the very skilled hands of William Child. For his final project the freelance illustrator, animator and designer made a brilliant short film about the bloody work of Colombian drug lord Pablo Escobar, complete with hand-built sets, bags of powder stuffed into gutted fish, scuba divers and a jacuzzi. I know. I have no idea how he did it either.

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    Normally when I get really excited about things my ability to speak eloquently goes out the window, my verbal communication reduced to a short series of expletives. Sadly, writing for a website means that I have to curb that tendency and find other ways of getting my excitement across. SOMETIMES BY BEING REALLY SHOUTY and sometimes by trying to fit as many words into a really long but snappy, slightly confusing but communicative nevertheless sentence that wordily expresses that I’ve crossed over the threshold to a whole new level of frantic hysteria.

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    Desmondo Ray, aged 33 years and 3/4, enjoys peeing in the rain, altering offensive graffiti, collecting memorabilia, listening to sad music while having happy thoughts and watching old family footage, while his dislikes include the smell of burnt hair and magicians. Sound like somebody you want to know? If so that works out well, as he is (cue said voice) “Lonely, with love to give.”

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    Kids these days are spoilt. Not content with their televisions, laser tag, Subbuteo and Tomy products they’ve now got iPads, iPhones, miniature projectors, virtual reality headsets and each newborn child is surgically equipped with its own telescopic micro-scooter that folds out of the left leg for seamless travel to and from school. Those grinning little blighters have it all, except that last one – I made that up. Now they’ve got their grubby little hands on the very best animators around too with Cartoon Network recently commissioning some of the world’s best young talent to produce a spot for them.

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    “Keep well away from animation, it’s dangerous, nasty stuff, could be catching and most definitely will leave some very nasty scars, especially on those knee caps of yours.” Terry Gillam, flowing locks in tow, cardboard ventriloquist doll on his lap, speaks out from the screen of Bob Godfrey’s 1974 DIY Animation Show. The voice throwing alone was enough to win us over.

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    There’s nothing like a brilliantly illustrated short to get you thinking about somebody you see every day in new and perhaps unexpected ways. And I can assure you that the Anete Melece’s delightful short The Kiosk will evoke in you a newfound sympathy for the nice chap in the corner shop who sells your your Sunday paper, and who never judges you when you pick up the occasional lottery ticket.

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    In March last year Canadian animator Nicolas Ménard was studying at the Université du Québec à Montréal, making his way through a graphic design degree. We crowned him Student of the Month for his beautifully abstract animations and strangely beguiling characters. Since then he’s relocated to the RCA to pursue a masters in animation, maintaining the same creative rigour as he did during his undergraduate study with some remarkably polished results.

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    Ronan Keating is a wise man. Sometimes people really do say it best when they say nothing all. Take this wordless animation about a boxer by recent Kingston graduate Joe Sparkes. It’s one of the most beautiful, affecting, quietly sad little pieces I have ever seen – the simple tale of a man at odds with the world’s expectations of him. It looks great, there’s a tautness to the storytelling and Joe steers just the right course between poignancy and sentimentality. The shoulder drop near the end absolutely did for me. I’m excited to see more from Joe in the future.

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    What separates us from the animals (yeah I’m getting all philosophical on yo’ ass on a Monday afternoon – deal with it)? Is it that we wear clothes? Or invented the meal deal? Well yes, and yes, but there’s other stuff too, including a concept of desires that extend beyond our immediate existential needs. Enter Wish List an enjoyably weird exploration of this idea from animator Griff and illustrator Scot Garrett. Its rogue gallery of oddball characters articulating their innermost dreams is compelling, funny, poignant, unsettling and wonderfully, undeniably weird.

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    What is it about animation that makes your heart rate quicken and pupils dilate? Nothing else seems to offer the same childlike sense of awe. Perhaps it’s seeing the impossible made possible in front of your very eyes, or the simple, fluid movement of objects that have no business moving as they do, or maybe it’s just because it takes a really, really long time to animate anything. Either way Maciek Janicki’s latest animated offering is breathtakingly beautiful and delivers on all the aforementioned levels – model cars can’t drive on their own, paper doesn’t move like that in the real world, and it must’ve taken him a hell of a long time to create. So sit back and enjoy as Maciek creates and destroys a paper metropolis before your very eyes.

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    Hold the f*****g phone (it’s imperative that I use an expletive here to emphasise just how excited I am about the news I’m preparing to divulge). Mikey Please has just released a 30 second trailer for his latest short film Marilyn Myller! Bomb. Dropped. In typical Please fashion, Mikey’s giving away little/nothing of the storyline and you’ll get almost no bearing on any narrative from the trailer (someone gets punched, hard, by a disembodied fist) but it feels really good to know that the brilliant mind behind The Eagleman Stag is up to his old tricks again, making pure, unadulterated stop-motion magic for us all to enjoy. Be excited, more will follow!

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    Laura Sicouri and Kadavre Exquis’s new animation has been doing the internet rounds of late, but it only took one watch of the short video to decide that this was a bandwagon we absolutely had to jump on. LSD ABC is a beautifully trippy visual exploration of the alphabet, illustrated by gorgeous animation which recalls the retro quality of 1980s graphics and technology in the absolute best light. The music and sound, designed by Kadavre, are the icing on this impeccably-executed cake; the ideal combination of sweet, funny, and cool slices of music cut with fuzzy feedback and crackling to match illustrations, such as “U is for Ultrafast” and “V is for VHS”." Educational is one way to describe it, but LSD ABC definitely trumps learning the conventional alphabet any day of the week.

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    So London has welcomed at last a bit of belated summer sunshine today and what better way to celebrate than with this beach-tastic animation from Joseph Mann? Sandy is a stop-frame piece which took eight months to create – “a lot of sand and hours of moulding anatomically correct private parts to create the film and its handmade set, complete with a bubble wrap sea and miniature rubber dinghy.”

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    There’s a suspension of reality that always seems to take place in airports –in a situation where everything is dedicated to transience, to impermanence the normal rules don’t seem to apply. That is, I believe, why so many people will have a pint before their plane no matter what time they’re travelling. This amazing new animation by Eoin Duffy encapsulates this weird otherworld perfectly; a quietly discombobulating few minutes following a lone traveller through his journey. Very, very impressive stuff.

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    Do you like Vespas? Because if you don’t think that Piaggio’s greatest mechanical creation is a monument to Italian design just yet, we’re willing to bet that French creative agency Nomoon can change your mind with this craftily put-together little animation Vespalogy documenting the advancement of the classic scooter.

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    If your Twitter feed’s anything like mine, last night it would have been dominated with breathless reactions to Apple’s iOS7 launch. That’s not to say it was all positive; Apple’s way of talking about its products can split opinion and we’ve previously posted two very good spoofs in the form of this cider promo and this chewing gum spot.

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    Well this may well be the happiest animation ever to grace the pages of It’s Nice That. Sit back and watch as a fun, watercolour girl prances through Tokyo with some kind of 1960s art-house dance moves and some snacks to munch on as she goes. This film was made a few years ago and has since won a handful of animation awards and has been screened at places like SXSW.

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    One of the real keys to getting music video creation right is to appreciate and respect the tune you’re accompanying; to add a layer of understanding, rather than distract from the musical main event. Jack Featherstone’s latest animated effort (alongside Will Samuel) for Holden does exactly that, accompany the “appetite-whetting arpeggio extravaganza” with beautifully expressive and honest animated hieroglyphics that feel as though they were born with the track. Jack’s behind all of the visuals for Holden’s upcoming The Inheritors, so watch this space for some more where this came from.

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    What do you want to see when you sit down bleary-eyed and heavy-headed first thing on a Wednesday morning? Is it, by any chance, a lovely animated short featuring a spaceship, a rogue asteroid, a tiny chubby astronaut and a giant spinning vortex? Fortunately for you, this delightful animation, Spacetime Fabric Softener by Professor Soap, provides all of those things. Otherwise known as Ryan Mauskopf, the professor’s latest illustrated interstellar adventure hints at a whole galaxy of audiovisual treats to come.