Art Archive

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    The press release for a new series of digital paintings by husband and wife duo Rob and Nick Carter states that it “creates rare intersection between Old Master connoisseurship and contemporary new media art.” Technically that’s true, but it’s a bit like describing a parachute jump purely in terms of physics, shorn of the visceral emotional response so central to the experience. Because Transforming is (to coin a phrase) f**k-me fantastic. Working with visual effects experts MPC, Rob and Nick have taken four 16th and 17th Century paintings and turned them into staggeringly impressive living pieces; so flowers wilt, maggots ooze out of a dead frog and the reclining nude stirs in her sleep.

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    At this year’s Here conference I introduced Andy Rementer to the stage saying that “we feature him so often on the site he probably thinks we have a bit of a crush on him, which we basically do.” I’m not saying I regret saying that necessarily but I have replayed it in my mind a few times wondering just how appropriate it was. Nonetheless Andy got in touch a few weeks ago telling us about his new project which sees his bright and colourful cavalcade of characters go all 3D.

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    When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.

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    I am getting to an age where more and more of my friends are getting married (2013 was the year of the gift list). Getting to know friends as part of a couple is an interesting experience, seeing how their personalities manifest separately and together in this new context. Longtime friend of the site Lenka Clayton has found an innovative way to explore this idea in her new project One Brown Shoe. She asked 100 married couples around the world to make a single brown shoe using materials found in their houses. They were asked to do this in secret and not discuss the project with their significant other. The results came in various shapes and sizes, made from materials as varied as cat food boxes to Cuban cigars.

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    Kuhl and Leyton are Brad Kuhl and Monique Leyton, two graduates from Miami who began collaborating while studying at Cornell University, Ithaca. Their fine art practice deals predominantly with illuminating the darker side of contemporary culture, creating pieces that act as a social commentary and a critique of capitalism. In this series, Elite Deviance, the pair explore the fraudulent crimes of the United States’ super-rich, creating a day-glo visual indictment of their extraordinary crimes.

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    I saw Jules’ work at Frieze this year, glowing like a beacon through the endless throngs of people flocking to see their reflections in a Koons. His paintings are huge, which is probably because he likes to cram a tonne of stuff inside them making each masterpiece like a scene from an exciting, adventurous novel. I don’t know if he’s taking these incredible epic snapshots from old books on blunderbusses or italian romance or if he’s drawing inspiration merely from his own memories. Either way, his foggy rays of sunlight, breezy boat outings and portraits of Clint Eastwood are transporting me to different and far more favourable worlds, and I’m incredibly glad I came across his work.

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    How’s this for a platter full of surrealist artwork to tuck right into? Eun Ji Ryu’s abstract paintings call up notions of weird wonderlands and graphic art inspired landscapes, and with two of these very unique paintings named “Living Room” I can barely contain my curiosity as to what Eun’s house might look like. Just to add to my already inquisitive mind, the series is called Gaze Inside raising all kinds of interesting questions about interiority, visual architecture and the like.

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    What is Daniel Gordon? Photographer? Artist? A hybrid of the two? We’ll go for hybrid. See, Daniel’s practice is made up of both photographic and sculptural processes, using found photos, magazine cuttings and coloured paper to build three-dimensional collages that are then photographed as a final 2D piece. It’s a complex journey for individual images, but one that Daniel travels expertly. The results feel like props from a Peter Gabriel video or a Guy Bourdin photograph made from paper; all bold colours, pouting lips and sensuously placed fruits. That’s what you get when you undertake an MFA at Yale; compositional perfection!

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    “Art is not always things created by people who call themselves artists,” said writer Barry Schwabsky, an observation that sums up an interesting new book from Phaidon. As shifting cultural, social and technological contexts change the way we look at art and how we define what is or isn’t worthy of this appellation, authors David Carrier and Joachim Pissarro have put together a collection of work that explores this brave new world. It’s a celebration of the kind of imagery which blows up the blogosphere but which wouldn’t normally trouble the so-called art establishment.

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    Oh, the hours of my childhood spent with my nose pressed up against the TV screen watching every tiny pixel change colour, my mum barking in the background to “get back or you’ll ruin your eyes!” (Insert the voice of Brian’s mum from Life of Brian here). Nicolas Sassoon makes computer art that induces my tender memories of that experience, and to very cool effect. Alas, screenshots just do not do it justice; to understand the full impact of Nicolas’ mind-bending, headache-inducing creations you need to spend a good couple of hours on his website, gaping open-mouthed like you couldn’t care less what either a caring parent or your ophthalmologist might think. And frankly, we don’t. Sorry mum.

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    Late on a Friday night, when city boys spill out of the bars with the smell of entitlement in their nostrils (that and cocaine), Shoreditch can feel a little bit like hell on earth. But this underworld connection became more literal last week when to mark their new show, Warren du Preez and Nick Thornton Jones installed an amazing mural of the Gates of Hell on an east London wall. The huge piece full of nightmarish writhing torsos was to help promote Erebus a new film piece from the talented duo. The photos are nice enough but the time-lapse below gives you a real sense of how this eye-catching work came together.

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    Times when bigger is DEFINITELY better; burgers, hugs, nights out, thread installations. This last truth is proved beyond doubt by Chiharu Shiota’s new piece for Eastbourne’s Towner Gallery, where she has created a jaw-dropping piece using thousands of metres of black wool that seem to have colonised the space like some sort of organic nightmare. The piece includes five wooden doors (taken from old Berlin apartments) which suggest beginnings and endings within a context that seems to have neither. This is an astonishing piece of work that probably needs to be seen in the flesh to be properly appreciated, but these photos do a darn fine job as the next best thing,

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    Bruised sunsets, sleek vintage cars, twisted album covers and distorted movie stills are all subjects that preoccupy Eric White, a New York-based painter whose work is laden with surrealist flourishes. Looking at Eric’s work feels like sitting in some grubby Brooklyn cinema, watching a late-night special that gets weirder and weirder as you give in to sleep, or browsing in a record store run by some lunatic that paints his own covers. That’s not to say that Eric’s a lunatic – although he does paint his own versions of classic record sleeves – but he’s channeling something darker and more urgent than the pop-culture images he references, imbuing them with sinister connotations that unsettle and unnerve.

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    It’s been ages since we last wrote about Tom Sewell but that hasn’t stopped him coming over for lunch, hanging about at the pub in the evenings and generally being ever-present in our lives. On Friday he came over and decorated some of our computer screens with Post-It notes advertising his website, so we thought maybe it was time to feature him again if only to stop him ruining all the office hardware with adhesives. He’s been a busy little fellow since last time, refining his luminous imagery to reach maximum, show-stopping effect; printing on fabrics, developing animations and going rogue in the woods. There’s fewer luncheon meats in his work than in previous years though which, if we’re honest, we miss a little bit. Sausage comeback?

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    Matthew Weston Taylor’s artwork makes for perfect coffee break viewing. On first glance his paintings might seem like a hazy collection of obscure blobs, but if you scrunch up your eyes and remove yourself from the chaos surrounding you for just a minute you’ll see dozens of little characters squatting on tropical beaches, hunched up about to dive into pools and brooding in the midst of a copse of trees. The raw edges and muted colours make for a welcome break from the sharp angles and defined lines which usually regulate the images we find around us, and Matthew’s dreamworld is one we’re happy to drift into.

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    I have to admit, I’ve developed a bit of an obsession with miniatures of late; from Alber Napoleon Wildner to William Child the concept of building a universe only to make an artwork from it fascinates me. Amy Bennett is another artist whose practice is based on miniatures, but her process differs in an important way; Amy creates whole intricate sets complete with miniature models not to photograph but to paint detailed narrative paintings from, allowing her complete control over lighting, composition and vantage point.

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    You might remember us talking about Ai Weiwei’s impressive Forever Bicycles installation in January (if you don’t you should – we made a terrible but unavoidable joke about Katie Melua) and this weekend he recreated it in Toronto for La Nuit Blanche, an all night arts and culture festival.

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    American illustrator and designer Skip Hursh was born and raised in the mid-west before making the hallowed pilgrimage to New York to ply his trade as a freelance creative among the ramshackle warehouse conversions of Brooklyn. By day (like many of our favourite US illustrators) he can be found animating and designing for kids’ TV channel Nickelodeon and by night he keeps himself busy with personal projects when he’s not working slavishly for freelance clients.

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    Dayanita Singh may take photographs but she is most definitely an artist before she is a photographer – a fact which the Hayward Gallery seem to be acutely aware of in their new exhibition of her work entitled GO AWAY CLOSER.

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    Keiichi Tanaami is arguably the Milton Glaser of Japan – he’s only seven years younger and enjoyed a similar level of success – a prolific image-maker, designer and artist with a penchant for the off-beat and psychedelic. Unlike Glaser however, Tanaami enjoyed phenomenal success as a fine artist. In fact, his ability to operate simultaneously as designer, artist and illustrator is pretty much unprecedented allowing him the freedom to produce a truly intimidating body of work over his lifetime – and he’s still going.

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    SITUATION, the new Sarah Lucas exhibition at London’s Whitechapel Gallery, is a bit of a shock to the system to say the least. Giant black and white portraits of the artist adorn almost every wall in the first room looming over visitors who already find themselves ducking underneath mobiles and tiptoeing between plinths.

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    Artist Cadi Froehlich co-ordinates something very beautiful out of her own kind of chaos. She makes sculpture on large and small scales from salvaged copper and materials which have a Rauschenberg-esque “found object” quality to them, resulting in artwork which is both curiously inviting and strangely detached at the same time.

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    They have a day for everything now, spurious PR-driven celebrations like National Soft Cheese Day. But some of them are actually quite interesting, particularly when creatively-minded institutions get involved, and these videos by the Tate Britain for National Poetry Day kick bandwagon-jumping to the kerb in some style. The gallery invited three poets to react to some of the work in its collection and create works inspired by it; so we are treated to Scroobius Pip on the Chapman brothers, George the Poet on photographer Paul Graham and John Hegley on a CRW Nevinson painting called The Arrival which has a particularly personal resonance for him.

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    We came across Alex Chinneck a few years back when he was smashing windows of an old factory so that each pane of glass cracked in exactly the same way. Brilliant. Now he’s up to no good again in Margate, where he’s taken an abandoned house and slid the entire front off it. No big deal. As you’ll see from this video, Alex is the perfect combination of creative, slightly mad and very friendly, making the project a joy for himself and the locals alike. More photos of "From the Knees of my Nose to the Belly of my Toes can be found over here on his site.

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    The hipsters like to think they discovered everything. Brooklyn, beards, Berlin; all co-opted into the cause with scant regard for their past, simply championed for the role they play in their Flat-White dreams. But a new show just opened in London reminds us that Berlin has felt like the centre of a countercultural world before, as realised by the artist George Grosz.

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    It’s hard to process just how good this collaborative project between painter Elizabeth Peyton and joy-bringing publishing house Nieves is. Peyton has carved out a very comfortable niche for herself in the art world, with stark, romantic paintings of iconic figures of pop culture. Her works suggest late nights, frank discussions and hedonistic lifestyles of the kind of people that have fantastic dance moves and record collections as big as their drinking habits. Cool people. So with her work plus a generous spoonful of sincere loveliness on Nieves’ part, this publication is pretty much the best thing you can get your hands on in the world today. The book, entitled The Age of Innocence is a homage to Edith Wharton’s novel of the same name, and a reminder that whatever era you reside in there will always be love, and kissing.

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    It’s common knowledge that in Iran attitudes towards women are largely defined by very traditional Islamic codes, but it’s not often you stop to think about how this really impacts on everyday life. This excellent new work by artist Mr. Toledano brings the far-reaching ramifications of this cultural conservatism to life in an unexpected way. He has sourced packaging from Iran which has had female figures inked out so as not to offend moral probity. By then decontextualising these oddly erased female forms, Mr. Toledano creates what he calls “A portrait not of a person, but of absence. Of suppression. A portrait of a point of view.”
 He adds: “The censor, a person whose function is to erase, becomes the person who makes us see.”

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    Amanda Greenberg is something of a rare gem. Residing and working in Brooklyn, NY, she creates digitally refined pencil and ink drawings which seem to resist being pinned down to any clear category. Executed in black on white and peaches and cream pastel shades, the characters she conceives are as original as they are beguiling. Repeated in series to create whole crowds of cool-looking girls, or clad in ethereal leaves and deep in thought – this is desktop screensaver candy if ever I saw it! We caught up with Amanda to talk about autumn in New York, balcony gardens and to find out how she goes about her working day.

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    It’s pleasant to escape to a pencilled world of meadows and willow trees when you’re in an office all day, which is probably why Dukhoon Gim’s images appeal so much to us. Rather than a showcase of skill and dedication with no real idea behind it – which so often hyper-real art can be – Dukhoon’s images have these weird little touches to them that tempt you to lean in even further. A bit like the girl in the painting in The Witches, there are tiny characters lost in these drawings, added on as if afterthoughts, that beckon to you to come and join them on their inflatable whale, or whatever it is they’re playing with. Don’t mind if I do.

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    It doesn’t matter how creative you might be – every now and again the sheer monotony of the daily slog can drag you into a little grey pit of dullness and boredom. You can’t help it, it’s just how it goes. Peaks and troughs, right?

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    If you tend to find yourself drawn to the bright, the colourful and the ever so slightly obscure then artist Michael Swaney is definitely one to add to your bookmarks bar. His own very unique brand of painting treads the fine line between the familiar and the strange, with brightly coloured faces, mouse people, beautiful mosaic-like pottery and a whole heap of thumbs pointed skywards.

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    There’s something fascinating about artwork which transcends its own medium to masquerade as another, and artist Mathilde Roussel has perfected the mastery of making paper look like anything but. Using graphite (lots of it) and a well-loved scalpel, Mathilde transforms large pieces of paper into what appears to be rubber, causing them to behave almost like organic forms draped over walls. Appropriately, then, and instead of being exhibited in frames, the final pieces are then hung from hooks and left to fall naturally. Droopy ears, abandoned socks, butterfly chrysalises – they look like any number of things, but paper is certainly not one of them.

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    The lovely Nathalie du Pasquier (I say that like I know her, though tragically I don’t) has just released a new book through Nieves, collecting together a selection of her still life paintings made between 2001 and 2012. The aptly-titled Square Paintings demonstrates beyond reasonable doubt why so many people revere this magnificent woman; she founded Memphis, one of the most respected collectives of its day, then sacked it off to have an equally successful career in painting. There\s not many out there who can boast the same.

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    There’s space for the strange, the absurd and the surreal on It’s Nice That, so we couldn’t help but nod our assent when faced with the incredible miniature photography of (brilliantly-named) Alber Napoleon Wildner. Alber’s model making is eye-wateringly accurate – every image is created using 1:100 scale diorama models which he builds himself and then photographed with unbelievable precision to simulate domestic and urban environments. These images, from a series entitled The Infinite Green of Paper Lawns, address the daily crossovers which occur between reality and the glamorous fiction of Hollywood film scripts.

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    “Childhood is a place I long to return – a place of safety and comfort, where I exist happy; careless; fearless; unencumbered by adult experience.” Through her explorations of fear, loss and the unknown, shown through her wistful sculptures, artist Alex Simpson leaves us in limbo, uncertain whether we are taken by her works’ complete beauty or haunted by the ominous air that cloaks it. Yet it is hard not to be drawn in by their delicacy, the sculpture’s sunken eyes and curious features luring us into a menacing world where creatures of nightmares exist.

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    It was London Design Festival last week and so creative stores city-wide joined in the excitement; perhaps none more so than Darkroom. The design accessories store launched a season of products based on the work of Italian architect and designer Ettore Sottsass using themes he introduced during his time with the legendary Memphis group.

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    “When I draw people in profile, it’s like sitting down to a favourite meal” writer and illustrator Leanne Shapton says. Her drawings, paintings and prints are infused with so much happiness and affection, leafing through them is like eating the meal and then sitting back with a hot chocolate, shortbread on the side, smiling to yourself. Her new book Sunday Night Movies is filled with beautifully painted profiles, two-shot, capturing those romantic eye-gazing moments between couples in films – a collection of so much beauty.

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    As someone who spent all of their formative years in the city of Oxford, I feel that Radiohead are much more than just a band. They’re part of my history, my childhood and the childhood of pretty much everyone I grew up with. They are my band. Back off! As a result I’ve always been pretty keen on the artistic products of their honorary sixth member, Stanley Donwood, who, from his Somerset studio has produced the artwork for almost every Radiohead release, developing his own visual language as the band developed their sound.

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    Inspired by the testing task of piecing together archaeological remains within a museum context, Matthew Craven’s new exhibition Oblivious Path has a fun time of recreating the opaqueness which its title suggests. The works included in the show are collages composed of drawings, relics, and images from lost cultures, and to see them gathered together in a collective seems to recreate the sensation one has when walking around a haughty museum with impenetrable captions. The pieces are all there – it’s just the act of placing them in a comprehensible order which proves tricky.

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    Dan Singer burst fresh from the seams of Kingston’s Illustration and Animation BA in May, and he has wasted no time about getting his work into the world. He’s currently relying on friends with comfy sofas and goodwill to keep him away from his hometown Kent, so we were all the more chuffed when he popped in last week to show us what he’s been up to.