Exhibition Archive

  1. List

    With the unfurling discussion surrounding the USA’s place in the world in relation to events in Syria, the time is ripe for a coruscating exploration of contemporary American culture and society. Few artists working today are more adept at such an exploration as the mercurial Eric Yahnker, whose work jabs, laughs at, questions, ridicules and satirically mythologises the Land of the Free.

  2. Georgeosodi-list

    Nigerian photographer George Osodi is a photojournalist of extraordinary skill. The Lagos-based creative has spent an enormous amount of time on the African continent documenting the social and economic struggles of its native population, consequently earning the respect of The New York Times, Time, The Guardian, The Telegraph, USA Today and the International Herald Tribune. Not a bad haul of international newspapers really. When he’s not immersed in documenting the economic path of his country, he’s busy cataloguing the social structure – its unusual monarchy in particular – the fruits of which can be seen in London at The Bermondsey Project next month.

  3. List

    Gregory Gallant, aka Seth, has an almost mythical status in the minds of comic book aficionados. The Canadian cartoonist has been creating comic books since well before I started eating school dinners, and his strong and very recognisable style harks back to the illustration of years gone by. He’s best known for the excellent series Palookaville and his mock-autobiographical graphic novel It’s a Good Life, If You Don’t Weaken which is the focus of the new exhibition at New York’s Adam Baumgold Gallery.

  4. List

    If his artwork is anything to go by, Shan Hur was a true champion of hide and seek as a child. The Korean-born, London-based sculptor specialises in the partial and illusory deconstruction of gallery spaces, be it a twisted column, a hole in the wall or a broken pillar, in which he often conceals unexpected items of treasure. A porcelain vase for example or a handful of coins stuck in the cement of a crumbling wall, or even a basketball in the centre of a pillar. Taking his inspiration from closed shops and construction sites, his work directly confronts the confines of a gallery space and the viewer as participant to create brilliantly stalling work which questions what we know even as it sits in front of our very eyes.

  5. List

    A fantastic new show opening in London today celebrates half a century of the best international poster design. Posters from the likes of Wim Crouwel, Roger Hargreaves and Julian Palka are among the 45 works selected from the amazing archive of the Icograda (the International Council of Communication Design) by 15 leading contemporary design figures including Anthony Burrill, Noma Bar, Emma Thomas from A Practice For Everyday Life and our very own Will Hudson.

  6. List

    If you’re going to get a brilliant artist to have an enormous show at your gallery, you may as well give them full run of the place and make it one of the most eye-catching exhibitions in the country. To step inside the Palazzo Grassi in Venice now is to step inside a world that resembles the depths of an eastern souq, and it’s all down to Rudolf Stingel. Rather than simply hang 30 of his conceptual paintings on the already beautiful walls of this magnificent, crumbling gallery by the famous canals, he chose to completely cover the interior of the building in blood-red, ottoman-influenced carpets. Wow. Can’t get to Venice to have a look yourself? Here’s a virtual tour.

  7. List

    If you’ll allow me to get a bit literary on yo’ asses for a second, Mitch Dobrowner’s utterly spellbinding photographs of storms bring to mind Alexander Pope’s 1734 poem An Essay to Man. In bombastic couplets, Pope rails against what he saw as the arrogant philosophical questioning of the world around us, and warns that God and his plans are unknowable. Mitch’s work feels like a visual exploration of the same ideas; terrifying photographs of storms that could have come straight from a admonitory Renaissance painting.

  8. List

    As if you needed any more reasons to take an interest in the work of Finnish graphic powerhouse Kustaa Saksi he’s recently added more skills to his already impressive arsenal, making use of the jacquard loom to move his work into exciting new territory. Kustaa’s latest exhibition, Hypnopompic takes inspiration from the state of sensory confusion that exists between sleep and wakefulness, using the visual delusions experienced during this strange period of consciousness to inspire a set of intricate psychedelic tapestries, busy with distorted flora and fauna. There’s strobing monkeys clambering through trees, some giant technicolour grasshoppers and a particularly ominous looking spider haunting a tapestry of deep reds and blues.

  9. List

    In the latest episode of The New Yorker’s terrific Out Loud podcast, the writer Nicholson Baker talks about how the internet can lead to “a present tense assault of simultaneity” and the effect this has on our attention spans. He goes on: “I think that a necessary precondition for the appreciation of art is the feeling that the thing you are looking at or reading or listening to is all that there is at that moment and you have to give yourself to it.”

  10. Feixen-list

    Ficciones Typografika is a pretty humble personal project created by Erik Brandt, a Minneapolis native with some talented international mates. The project offers a platform for type and graphic designers to create one-off experiments to be produced as posters and wheat-pasted onto a designated exhibition space in the Powderhorn area of Minneapolis. The space is on the side of Erik’s garage though, in an area just big enough to fit three 24″ × 36″ posters. So far the exhibitors have included Benoît Bodhuin, Lauren Thorson and Erik himself, but these abstract pieces from the excellent Feixen are some of our favourites.

  11. 2xe-list

    This month west London-based design studio Two Times Elliott turned five and naturally felt some kind of celebration was in order. To ensure that the event passed with an appropriate amount of revelry, they commissioned 22 design studios to produce prints based on the number two. Friends from far and wide, including Colophon, Hyperkit, Studio Makgill and Hort, all produced a unique screen print that was hand-pulled by Thomas Murphy and displayed last Thursday in a one-off show. If you couldn’t make it down for a slice of the action the prints are now for sale online with proceeds going to Cancer Research UK. If only all fifth birthdays were so well-planned.

  12. Gee-list

    He’s spoken at our events, drawn pictures for books we’ve produced, sent us sweet records he’s illustrated – and we follow him on the Instagram like a bunch of obsessive stalkers – but somehow, SOMEHOW, we’ve not dedicated a proper post to the master of laid-back-wave-riding and frenzied-cycling illustration that is Stevie Gee. Until now. Sorry Stevie.

  13. List2

    Hactivism, 3D printing, the idea of a new industrial revolution – all of this will be familiar to anyone with an interest in design and technology (and particularly to anyone who’s been to a design conference in the past couple of years). But a new show at London’s Design Museum, The Future Is Here, takes these terms and ideas – thrown about often quite loosely – and makes a real effort to explain and engage with them in a remarkably practical, interesting and effective way.

  14. List

    Spanish restaurant elBulli helped change the way the world thinks about food through its ceaseless innovation and experimentation. A new show at London’s Somerset House charts its remarkable story but it does much more than that – presenting one of the most insightful and inspirational studies of the creative process I have ever come across.

  15. List

    This week there was great excitement after London’s Kemistry Gallery announced details of a raft of upcoming shows. Much attention was (rightly) lavished on the celebration of Seymour Chwast and Milton Glaser’s collaborations as Pushpin Studio scheduled for September, but before that there’s another exhibition which really caught our eye.

  16. List

    London’s V&A has long been curating exhibitions which showcase otherwise overlooked elements of British history, and their latest offering is no exception, placing the huge outburst of creative energy which took place in London’s club scene in the 1980s at the very centre of the museum’s focus. Showing 85 outfits, from Katharine Hamnett’s slogan tees to Malcolm McLaren and Vivienne Westwood’s era-defining Pirate collection, the show looks at the way 1980s club culture, from New Romantic to High Camp and Goth styles all moved out of underground culture to infiltrate mainstream fashion, with London at its core.

  17. List

    The celebration of the new vibrancy in independent publishing has taken many forms, but a new show at Munich’s Haus der Kunst is one of the most interesting. Paper Weight – Genre-defining magazines 2000 to Now is curated by PIN-UP editor Felix Burrichter and focuses on 15 titles produced since the turn of the millennium including Apartamento, 032c, BUTT, Picnic, Girls Like Us, Sang Bleu, Bidoun and White Zinfandel (which at just two years old is the most recent tome on show).

  18. List

    Thought up one day by Timba Smits and Gordon “Flash” Shaw on the bus to a hospital appointment, the brilliantly named Not For Rental currently on show at London’s 71A Gallery exhibits work by hundreds of the most exciting emerging talent in art, illustration, photography and graphic design. This isn’t just any exhibition, however; as the title infers, each piece of work looks to condense the plot of the artist’s favourite film into one image, and it’s then exhibited as the sleeve art in a VHS case. It’s like all of your nineties teenage dreams merged in one Blockbuster basement!

  19. List

    Despite being one of the most sought-after fashion and portrait photographers of the mid 20th Century, the story of Berlin-born Erwin Blumenfeld is not widely known. A new show at London’s Somerset House aims to rectify that, focusing in particular on his studio at 222 Central Park South and the work he made while based there for the likes of Vogue and Harper’s Bazaar. Teo Connor Studio was tasked with creating the visual identity and printed collateral for the exhibition and, unsurprisingly, they have done a really excellent job. It’s an elegant, restrained look and feel, resonant of a stylised world of yesteryear, where poise reined supreme (at least until cocktail hour fell). The identity works perfectly with both Erwin’s work with the airy spaces of Somerset House, and proves once again that Teo’s is a studio of the very highest calibre.

  20. List

    Young’uns might well think the Radio Times is but another mere listings magazine that sits on their Gran’s coffee table – one to read with your feet up on the pouf while dunking your custard cream for an irresponsible third time. But over the years this well-read and highly-esteemed publication has become something of a British institution, so, to celebrate its 90th birthday, the Museum of London will be exhibiting magazines, clips, broadcast artefacts and original photography and artwork from their archive.

  21. List

    It’s almost been a full calendar year since we last checked in with Polish, German-based illustrator Roman Klonek but his new show in Hamburg gives us the perfect excuse to revisit this master of the woodcut. There’s a dreamlike quality running throughout his new series, with odd animalistic figures, strange unidentifiable objects and totemistic patterns combining to form scenes (or in the case of Fat of the Land above, entire worlds) which have unsettling echoes of the creations of our subconscious. Occasionally little snippets of what looks like Cyrillic text add to the otherworldly experience, but on the whole Roman is happy to let his magisterial image-making speak for itself.

  22. List

    Why Not Associates is one of London’s foremost graphic design studios whose brilliance across branding, print, motion and environmental design has been proved time and time again. Celebrating a quarter of a century since its foundation, a show at the ggg gallery in Tokyo brings together their greatest hits, allowing visitors to immerse themselves in the studio’s many successes, in particular those which push the possibilities of typography in innovative and exciting ways.

  23. List-2

    The new exhibition in Brooklyn’s Colab Projectspace, Wood and Pulp, sees artists Scotty Albrecht and Damion Silver discern new common ground between the strikingly different mediums of wood and paper. Taking the concept of balance as the central idea, the artwork is founded upon the notion of craftsmanship, reinventing and reforming found objects in muted kaleidoscopic works of collage and assemblage. Craftmanship is a key influence in the show; both artists are self-taught woodworkers and their mastery of their medium is evident in the beautifully constructed pieces they have contributed.

  24. List

    A great show here from Brandon Graham, a highly acclaimed comic strip and graphic novel artist whose work acts as a well-illustrated bridge between day-to-day mundanity and life on far-off planets. This exhibition celebrates the launch of his new book, Walrus, which is “a punning, humorous and sexy universe of machines, logos, women, and bumbling men, all cast in an alternate sci-fi universe.”

  25. Main

    Exhibitions as brilliant as this don’t come along very often, and prove not just that function can be as necessary as form, but also that fascinating, contemporary objects placed in archaic interiors nearly always look spectacular. Dans le Jardin, dans le Ciel, dans la Cave by Alberto Biagetti is currently running at Galerie Italienne and is a collection of fascinating objects, each with their own individual stories to tell.

  26. Llllist

    American cartoonist and illustrator Charles Burns first acquired a gaggle of avid comic book fans in the early 1980s with his drawings for avant-garde comic magazine RAW and his portfolio of stomach-churningly visceral ink illustration, not least the seminal graphic novel Black Hole. He’s had us screwing up our eyes in equal parts tense astonishment and discomfort ever since.

  27. List

    The Design Museum has already announced its winners of the annual Designs of the Year showcase and we were thrilled to see the GOV.UK site scoop the top prize. But with just a few weeks of the accompanying exhibition set to run, now is YOUR chance to have a say on which designs really knocked your socks off. The Visitor Vote throws the power to the people and anyone can cast their vote at the pop-up polling station as to which of the 99 entries is their favourite.

  28. Sw-list

    What Sam Winston doesn’t know about text and experimental typography isn’t worth knowing. The London-based artist and educator has spent his working life examining the way we approach all manner of literary artefacts, from giant dictionaries to the works of William Shakespeare, finding new and innovative ways for his audience to engage with text in a visually intuitive fashion. For an upcoming show at the V&A, Sam has been commissioned to produce work in response to a specially written piece by the author Hari Kunzru, illustrating the text in a fashion that references mankind’s worship of the periodic table through a combination of western scientific symbolism and eastern religious geometry. The final works are totemic slabs of zinc, deeply etched with Sam’s trademark typographic flair.

  29. Serpentine-list

    The Serpentine Gallery’s annual Pavilion has become something of a landmark in London’s art and design calendar. In its 13 years it’s seen some of the most prominent figures in global architecture showcasing the breadth of their skills in a fast-paced, experimental environment that allows them to produce a structure that best demonstrates their architectural philosophy – a kind of temporary calling card for the world to enjoy. Frank Gehry, Peter Zumthor, Zaha Hadid and the late Oscar Niemeyer have all produced pavilions in the past decade or so, and it’s safe to say they’re all household names now, though some were not before their pavilions took shape.

  30. List

    “Last year I sent a postcard to a stranger called Jonathan Hopkins. It said on it ‘Fuck you Jonathan, fuck you and fuck your shit legs’.” So begins Mr Bingo’s manifesto of meanness; the illustrator has been hard at work churning out those brief, hilarious insults with accompanying drawings, so that you can skip that daily dose of self-administered loathing and order for it to be delivered to your doormat, in postcard-form, from a stranger instead!

  31. List-lka

    Have you ever popped out to pick up a pint of milk and inadvertently found yourself captivated by the neo-classical detail on the lamp-post outside the corner shop? Have you actually?

  32. List

    We’re already licking our lips in anticipation at the host of shows opening in east London this week and prominent among those we’re looking forward to is lovely-looking new work from Supermundane. His exhibition Super-Alpha “takes his love of typography to its natural conclusion” creating bold letterforms filled with intricate, detailed imagery.

  33. List

    Cool London exhibitions are like buses – someone will often be eating fried chicken a few feet away from you. No, wait, they’re like buses because you wait for one and then several come along at once, as proved this week when east London witnesses the unveiling of more great shows than you can shake a tepid bottle of beer at. One of the most anticipated must be Ryan Todd’s new exhibition at Kemistry Gallery, which boasts maybe the best title of 2013 thus far – No Fun Intended.

  34. Listimagemichael

    It’s not abnormal to enjoy exhibitions, after all, thats the idea but when you come across a show that blows your mind to smithereens – now that’s uncommon. This is how I felt when I attended Michael Landy’s “Saints Alive” at the National Gallery. Armed only with the knowledge that Michael had “constructed robotic saints that move around,” I had no idea what to expect.

  35. Christianiroux-list

    When not referring to themselves as VLF and designing a myriad different things together, Thomas Cristiani and Antoine Roux go by the names their parents gave them and maintain an exciting, highly-aestheticised fine art practice that seems to be heavily grounded in pop cultural references and unique personal mythologies. As big fans of their design we’re happy to say they can count us as fans of their gallery shows too, particularly the recent Education and Work exhibition at Artisan Social Designer in Paris. Talented chaps indeed!

  36. Listimagehindland

    Photographers Tim Bowditch and Nick Rochowski have recently completed an unusual project, taking it upon themselves to visit every single underpass on the M25 and document them at night – some feature streams running underneath, others are footpaths or tunnels just big enough to let tractors through. By using a camera that specialises in taking photographs in total darkness, the black and white images pick up tiny details of these desolate environments and transform them into “lunar-like” landscapes. Tim and Nick also noticed the noise created above them on the motorway itself and decided to record the sounds they heard as an accompaniment to the work, adding to the uncanny atmosphere of a place whose aesthetics you usually wouldn’t look at twice.

  37. Boucle-list

    Whether you speed about town on a mighty chrome steed or amble about on foot, pull skid stops at traffic lights or wait politely as the signals change on your train you must have noticed your local area filling up with bikes. If you live in a city the summery streets are now teeming with lycra-clad roadies, moustachioed skidders and one or two smartly-dressed gentlemen on Bromptons. Like it or not, bicycle culture is here to stay, and its influence on contemporary image-making is profound.

  38. Smalley-list

    If you like your art with a psychedelic twist and an enormous amount of cutting and pasting then Travess Smalley may well be the artist for you. His process is as convoluted as they come, examining process and materials with experimental rigour – printing textures and colours on a deskjet printer before cutting, pasting and rescanning for further digital manipulation. He does this repetitively. The resulting images are utterly striking, traditionally psychedelic in their colour ways yet contemporary in their creation.

  39. Bourellec-list

    One of the finest gallery experiences I’ve had in the past few years took place during the London Design Festival 2011 when Ronan and Erwan Bouroullec decked out the V&A’s Raphael Court with Textile Field, a giant carpeted surface raised above the ground that allowed you to pad around the gallery in only your socks, enjoying the works on display in a most decadent and relaxing fashion. Of course the Bouroullecs’ practice extends to much more than carpeting galleries; they design furniture, interiors, functional products and other, fine art-directed work.

  40. List

    With this year’s Crafts Council extravaganza COLLECT now just a week away, it’s a good time to take a closer look at some of the creatives whose work will be on display at the exhibition’s Project Space. As usual they’re an eclectic bunch and whatever your crafty passions you’re sure to find something that floats your boat, but here’s three that we’re particularly excited to see included.