Film Archive

  1. Oneminutewondr-peterblake-int-list

    “I think an artist is never happy with their work. Occasionally you make a mark that you like but that’s a good thing because you’re still aiming higher than you can physically attain.” This lovely line comes from the latest One Minute Wonder video profile, featuring the inimitable Sir Peter Blake. The short-but-sweet snapshots from Dutch agency Present Plus are among the best creative films out there, managing to pack enough insight into 60 seconds to give you a great introduction to the subject but also leave you hungry for more. I hadn’t actually been to the site for a while but I was delighted to find a raft of great new profiles, including Sam Bompas, Lucy McRae, Matilda Tristram and Craig Ward.

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    John Nolan may have the coolest job title on earth, described as he is as “a designer and creator of robots.” An animatronics expert who’s worked on a whole heap of blockbusters (from Harry Potter and Hellboy to Where The Wild Things Are and Clash Of The Titans), John was the go-to guy when Poke and directorial team The Theory wanted to do something pretty special to promote Here East, a new maker space on the site of the Olympic Park in east London.

  3. Flylo-coronus-the-terminator-int-list

    Coronus, The Terminator is the latest single from Flying Lotus, taken from the album You’re Dead! As the album title suggests, it’s a moody, atmospheric tune, backed up by an equally heavyweight video. The five minute epic comes courtesy of Young Replicant and Pulse films and follows a dying man through his last minutes on Earth, hovering between conscious and unconscious worlds, battling the demons of his past before he moves into the next world.

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    There are a lot of people talking about this documentary. It’s something of a whirlwind 12 minutes in which Guardian writer Kieran Yates and director Marcus Plowright immerse themselves in one of London, or perhaps the world’s most intriguing, exciting countercultures: Muslim drag queens. Through east London bedrooms and the back seats of taxis we are led into the world of men whose lives revolve around transforming into women and performing in increasingly packed-out drag clubs across the country. Kieran, who originally pitched this idea to The Guardian, kindly allowed us to ask her some questions on what is a small but phenomenally informative and powerful short.

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    For all the fashion world’s beauty and prestige – both in the clothes and those who wear them – it really can be a little daft sometimes. In fashion films in particular the seriousness, the peculiar facial expressions and the melodrama are rife for a gentle, affectionate ribbing: a route that director Danny Sangra took in his refreshing and brilliant Fashion Creatives film for Mercedes-Benz, A Fistful of Wolves.

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    “Each film is a roll of the dice. You don’t know what you’re going to get,” says Fred Wiseman, director of the brilliant new film National Gallery rather philosophically, chatting to The Telegraph’s Mark Hudson at the film’s screening in its titular home last week.

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    Simon Porte Jacquemus is a Paris-based, self-taught designer who started his label at 19. He cites “off” taste and juvenile humour as inspiration for his clothes, and each collection has a narrative through not only the fabrics and colour-ways but a sense of identity, place and character. Simon works with filmmaker and photographer Bertrand le Pluard on the films and lookbooks.

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    Self-taught artist Jesse Kanda makes dystopian, macabre films made up of distorted images of alien car crashes, dancing dead babies and everything in between. You’ll no doubt have seen his work on the brilliant and now ubiquitous cover for FKA Twigs’ LP1.

  9. Lsit

    Whether in the art world or in the tabloids, the Turner Prize has no small amount of artistic baggage to schlep about from year to year. As such, creating designs around the awards ceremony itself is something not to be treated either too flippantly or with too much deference to its heritage, a bridge crossed very deftly indeed in the promotional video by Why Not Associates for this year’s Channel Four Turner Prize broadcast.

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    Scott Carthy only graduated from Kingston University’s Graphic Design course last summer, but the 22-year-old Irish creative looks like he has a very big 2015 in front of him if the first week is anything to go by. Uploaded just seven days ago, Scott’s new film Litefeet has racked up thousands of views and been featured on many of the leading creative blogs around. The film – which follows New York subway dancers against the backdrop of a city-wide crackdown on their activities – is the follow-up to 1050.6© Scott’s first look at the same issue which we featured back in May.

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    Ever wondered what your furniture gets up to when you’re out the house? All sorts of naughtiness, if the video for Dan Deacon’s Feel the Lightning is to be believed. Directed by Andrew Jeffrey Wright, we see a pair of mischievous armchairs get up to no good; defacing pictures, knocking sweeties all over the shop and learning about sex, then practising it. The party might be over for most of us, but not for these sneaky seats, who are joined in their revelry by a book about colours and shapes, which apparently parps the contents of his pages into being, resulting in a glorious carnival of dancing and brightly-hued frivolity. And like only the most meticulously planned (and lucky) teenage house parties, everything is perfectly back in order once the master of the house returns home. Almost…

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    Lernert & Sander’s brilliance lies in their ability to see a brief from a point of view that manages to be both really obvious and completely novel at the same time. So when the Dutch artists and directors were commissioned by 3.1 Phillip Lim to promote their new shoe range, they went back to basics and realised that footwear, in essence, is all about feet. They then tracked down and interviewed four of the world’s leading foot models, pedicured professionals who have stood in for the likes of Brad Pitt, Sarah Jessica Parker and Madonna in the past.

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    Some video directors like to head straight to the lyrics of a song for inspiration. The lyrics of Tom Rosenthal’s song Watermelon are as follows: “It’s watermelon time, I said boom boom boom boom boom boom boom. It’s watermelon time, I said boom boom boom boom boom boom boom. It’s watermelon time, I said boom boom boom boom boom boom boom. It’s watermelon time, I said boom boom boom boom boom boom boom. It’s a fruit based love.” It only seems fitting then that the video accompaniment to this tune is footage of a man in an extremely well-crafted watermelon suit, bounding around the British countryside willy-nilly. Hats off to Sidd Khajuria, Ben Elwyn, Nathan Jones, and Tom Rosenthal himself for keeping things simple, with fantastic results.

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    A little while back we wrote about this very cool music video directed by Sophia Bennett Homes for Frankie Cosmos, in which Frankie dances dreamily around her Justin Bieber-bedecked bedroom in the guise of a teenage girl, and generally makes us wish we were 14 again. Happily this led us to Sophia’s website, where we found enough projects to justify the creation of a fully-fledged fan club in Sophia’s honour. We’re hoping for badges, dedicated Tumblrs, hand-drawn T-shirts and weekly meetings.

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    The secluded French port of Le Havre is a very particular place. Closed off by barriers, it is staffed solely by men, and jobs there are strictly only passed on from father to son. All of which made it the perfect backdrop for artist JR’s contribution to the Women Are Heroes project, which saw him collaborate with the dockers to create a huge image of a woman’s eyes on a 363-metre long container ship.

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    With our leftovers lunches and biro-stained jeans, we don’t feel overly confident as experts in “modern luxury.” One man who is, however, is Johannes Torpe, creative director of slick Danish brand Bang & Olufsen. A hilarious and rather surreal new short directed by Bo Mirosseni plays on Johannes’ luxury savvy to rather comical effect, pitting him as a sort of cool saving grace for a less-than-cool entrepreneur frantically trying to prepare a speech for the International Luxury Conference.

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    Coming up with new ways of doing things is pretty hard, especially in our culture of instant gratification where we’re bored within 30 seconds if it doesn’t make us gasp in amazement. So when I saw Stark Films’ video for FontFont, I was bowled over by the imagination used to inject some fun and flair into their launch of new online typefaces.

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    It’s pretty rare that I give two hoots about dubstep/trap/beats as a musical genre – my dancing sucks and I’m never anything but awkward in a club. But – and this is a big but – stick some slamming bass over sci-fi visuals and I can’t get enough of that stuff. Daniel Swan and David Rudnick’s latest collaboration is exactly that; a brutal mix of intense beats, wailing synth and some incredibly futuristic wartime visuals. There’s a swarm of stealth jets, laser-equipped helicopters and a seriously badass tank. It’s like being in the thick of the best computer game you’ve not yet had the chance to play. Nice!

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    With its shadowy narrative, a disquieting undertone of suggested violence and sexuality and unflinching portraiture, the stunning new video for Danish band Iceage’s solemn and equally uncomfortable song Against the Moon is a fantastically haunting apportion of film noir tropes.

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    It’s generally accepted that society gets the celebrities it deserves, that fame doesn’t just happen and we have to understand why certain people get put on a pedestal. Nowhere is this more interesting than in the case of Ron Jeremy, the world’s most recognisable porn star. Recently Ron went to Sydney to promote a new rum that bears his name, and filmmakers Ingvar Kenne and Cameron Gray were given full access to him for 48 hours, travelling in his stretched Hummer to various parties whose organisers had applied on Facebook to have him turn up.

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    It’s fair to say that at some point towards the end of last year we reached peak process video, subsumed by a wave of formulaic offerings that were neither interesting nor exciting. So when we came across this new film from Aesop, slightly pompously called The Guild of Artisans it didn’t quicken our pulses. But in actual fact beyond the title, this is a rare example of a process film that’s well worth a watch. The promo “pay respects to materials frequently employed in Aesop spaces” and although there’s one or two things we’ve seen before, the moody imagery is brilliantly shot and there’s a few moments which set the teeth on edge. Anyone planning a craft process film in the near future take note; this is how it should be done!

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    This year, before the fire at the Glasgow School of Art, Frieze travelled up to the city to speak to some its most integral artists and curators about the nature of Glaswegian creativity. From the community “come one, come all” vibes of the 1970s, to the work inspired by the flattening of the tenements to make way for high-rise blocks, these wise talking heads portray a tough city of freedom and spontaneity, underlined with a brutal sadness from times when things weren’t too great. They speak of the time Allen Ginsberg came to town, the wonder of Charles Rennie Mackintosh, the gallery boom of the 1990s, and the appeal of the grand buildings in Glasgow with their sweeping staircases and enormous, trademark bay windows providing such beautiful white, Scottish light.

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    Remember that incredible Action Bronson music video that saw him tearing down a highway in the style of Easy Rider? Well the director, Tom Gould, is back with some more sound and vision to get you going today. For his latest piece, Tom ventured into a well-known strip club in New Zealand called LAS VEGAS, which happens to be the oldest in the country. Rather than making a run-of-the-mill gritty doc about an old club in decay, Tom decided to concentrate on a curious story within the establishment by way of Adrian, the DJ at the nightclub who has worked there for over 40 years. The clincher? Adrian strictly refers to himself as the “Sound & Lighting Technician,” and is something of an eccentric, wizened old man with a good story to tell. Intrigued? See for yourself.

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    “Family is like a soup, everyone adds an extra scoop, mix an ounce of smiles so sweet, a dash of cool to add the heat and you’ve got….too many cooks!” So goes the lyrics for a theme-tune to what looks like a 1980s/90s family sitcom à la Third Rock From The Sun or Home Improvement. It’s actually the latest work of the lords of online comedy, Adult Swim. This insane new infomercial is a homage to the opening credits of yore, featuring smiling children and chino-donning dads smiling and tossing baseballs at a seemingly unexpected camera.

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    Describing himself as a ‘stuffmaker’, Mac Premo is a Washington DC-born, trilby-sporting collagist, animator, commercial director and carpenter. For a man with a name that sounds a bit like a burger chain ice-cream sundae, he’s really not done too badly. His fascinating, genre-spanning practice and semblance as an all-round good guy has now been brought to life in a charming film by Bas Berkhout, which is so beautifully shot that every frame could stand alone as a documentary snap of Mac’s life.

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    Just when Dark Igloo had surpassed all of our expectations with Bored Game, a parody of every Christmas board game advert ever made combined into one super film presented by a creepy wizard, they’ve come back with This is GIPHY, an of-the-moment news report about the state of the online world. The only way to enjoy it is to allow yourself to be completely bamboozled by a talking dog with a penchant for basketball, a man wearing a pizza going over the weather report (which is actually a report on the state of the Giphy homepage) and a rapid exchange of GIFs so prolific and so great that you’ve probably already emailed them to a workmate at some point or other. Those Dark Igloo guys are completely and utterly nuts, and we love, LOVE them for it.

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    London’s a little greyer now one of our favourite illustrators Jean Jullien is trying out a new life across the pond in New York. Luckily for us his agent Handsome Frank grabbed him for a little while before he scooted off and made this lovely little film about his work. It seems we always talk about Jean, but to see him draw and actually speak honestly about his practice is a true joy.

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    Hardly anyone’s been on an uphill-climb as fast as Tyrone Lebon. One day he plopped into our lives with his photographs and films, and then the next minute he’s everywhere – shooting people all over the world and being talked about by countless magazines and websites. Just to reassure us that he’s no flash in the pan he’s just created this fantastic, informed collage of a film.

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    If you’re slightly unhappy in your day-to-day job and secretly feel that perhaps you should be doing something a tad more creative, look away now. This film leads you up whitewashed stairs to a gargantuan, high-ceilinged New York studio, inhabited by two well-known artists, Ana Kras and Devendra Banhart. We’ve featured Ana’s work a few times on the site for her beautiful, simplistic, friendly furniture design and works on paper.

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    I’m happy to admit that after watching all three minutes and 47 seconds of Stevie Gee’s new music video for Archie Bronson Outfit, my computer desktop is littered with so many screenshots of boobs, beers and motorbikes in psychedelic hues that I can scarcely find anything else. And the thing is I don’t even mind.

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    This is nuts. When you thought OK GO couldn’t do any better in one take than their last, famed effort then think again. The foursome are back with one of the most staggering efforts in the history of music videos, this time set in some sort of airport where the gang ride around on electronic unicycles popping umbrellas with about 1000 extras to form kaleidoscopic patterns when shot from above. The jaw dropping first few minutes is totally trumped in the last minute where the whole formation quadruples in size leaving you with your jaw resting on the desk in front of you. Unreal.

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    There are moments in life when Abba really seem to speak to us. Not just in how the band really seems to get how it feels to be seeing the winner smugly taking it all, or to be terribly grateful for the music, but in the literal sense that they’re actually talking to us. This nonsense is all now a reality thanks to the superb video for beatboxer Roy Kafri’s single Mayokero that’s been doing the internet rounds for a few days.

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    Some writers create page-turners; masters of narrative and plot that compel you to keep on reading. In some ways Joan Didion is the opposite, although her writing is no less compelling. When reading her work, its brilliance stops me dead over and over again, such is her ability to analyse a person, a place or a concept and then articulate her thoughts.

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    Peter Brookes is a demigod among political cartoonists. The septuagenarian is now in his 22nd year at The Times where he still produces a cartoon every day, distilling the frustrations, jibes and political unrest of the nation into one biting image to a looming and unmoveable deadline. This short film The Art of Satire examines Peter’s work in the contexts both of political cartooning and of The Times, who recognise Peter’s exceptional skill by allowing him to contradict the editorial direction of the paper in favour of following his own line.

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    New York-based artist Daniel Arsham is a figure with fingers in a lot of different conceptual pies, from installation works to short films. While architecture plays an important part in his work, so too do the paradoxes and oddities of human nature, and that’s what’s under the microscope here.

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    CANADA are the epitome of supercool; everything our favourite Barcelona-based filmmakers and producers touch turns to chic, so it’s time the rest of us just put down our on-trend moccasins, blacked-out sunglasses and tiny man-buns and just let them get on with it. What better way to retire our cool-hunting ways than to watch the collective’s latest short, Laberinto (Labyrinth), directed by Marc Oller, which sees the classic love story of a boy chasing an aloof girl played out sublimely.

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    In the design world, the brief plays many different roles – ubiquitous, all-important, loathed, misunderstood; it can be a starting point, a back-up and a battleground. And yet we don’t often hear that much about the brief and its place in the creative industry – enter design strategy firm Bassett & Partners. Posing the question “if every project starts with a brief, why aren’t there more projects that end up with exceptional results?” the San Francisco-based company have tried to rectify this imbalance with their interesting short film Briefly.

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    Guillermo Del Toro usually associates himself with the darker side of filmmaking, but the Mexican director and producer has just finished work on an altogether more upbeat and life-affirming movie. The Book Of Life follows the story of Manolo, a young man caught in the middle of a wager between two deities who must embark on an epic adventure in order to see the woman he loves again.

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    Gothenburg’s Goat are probably one of the most interesting bands out there at the moment. Their infectious fusion of world music, psych and heavy rock has captured the imagination of a now massive fan base, and their live performances are notoriously theatrical; the whole band costumed and gyrating like some kind of ancient Dionysian cult. Their music videos are pretty nuts too.

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    It actually takes a lot of hard work to make something seem effortlessly cool, but it helps if the raw ingredient you’re working with is, well, Jude Law. And your backdrop is the tranquil waters of the British Virgin Islands. This great new short for Johnnie Walker Blue Label opens with two men entering into a wager: if one wants to win the other’s vintage yacht, he’ll have to dance for it.