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    Last week an interesting Twitter debate sprang up after a comment by graphic designer Andy Pressman who admitted that on a recent series he worked on it wasn’t always possible to read the books before designing the covers. So we decided to speak to a few other book cover designers and find out where they stand on this apparently quite divisive design issue; as ever you can add your thoughts using the comment thread below…

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    As part of the digital design showcase we are running with Represent, we interviewed Marc Kremers and found him in an unflinching mood as he detailed some of the issues he felt were affecting the industry. Such was the reaction to Marc’s piece both on the microsite and social media, we have decided (with his permission) to republish an excerpt of his interview here. You can add your thoughts using the comment thread below, and check out the dedicated digital design showcase here.

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    As CEO of Wolff Olins, Ije Nwokorie is well-versed in the creative landscape; the forces that shape it and in turn how it shapes our world. Describing himself as “born in the US, bred in Nigeria and enlightened in England” he also has a global sensibility that sets him apart from many of his peers.

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    A new survey has identified what clients see as the four worst types of design agency, and Rob Alderson suggests we should listen to what they had to say. As ever you can add your thoughts using the discussion thread below..

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    The intern debate is still one of the most talked-about issues whenever we meet young designers. This week Robert Bye wrote an interesting article about why, after three months interning in a design consultancy, he believes doing crappy jobs did sometimes make sense.

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    Assistant editor Maisie Skidmore chimes in on the debate about the presence of full-frontal male nudity in Rick Owens’ AW15 collection which showed in Paris a few days ago. Do you think penises on the catwalk are a step too far? Leave your comments below!

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    Following this week’s news that plain cigarette packaging could be introduced in England as soon as next year, Studio Minerva co-founder and creative strategy lead Silas Amos tells us about the designs that made his relationship with smoking “always equally one with the branding.”

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    Earlier this week James Blunt’s open letter to shadow culture secretary Chris Bryant went viral, in which the musician hit back at the MP’s assertion that the arts was dominated by those from privileged backgrounds. But Jonathan Wakeham of Arts Emergency and The London Comedy Film Festival believes James’ (admittedly amusing) letter missed the point. As ever you can add your thoughts using the comments thread below.

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    Branding agency Morillas’ chief executive officer Marc Morillas considers the way advertising agencies commandeer symbols of protest for use in advertising campaigns and commercial branding. What do you think about the reappropriation of these symbols? As ever, you can add your comments in the discussion thread below.

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    It is now one week since the terrorist attack on French satirical magazine Charlie Hebdo in which 12 people were killed, including some of France’s best-known and best-loved cartoonists. We have already covered the immediate responses of the illustration community but in the past seven days so much has been said and written about satire, cartoons, free speech and the subversive magazine that it’s been tricky to try and make sense of it all.

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    Back to school, back to work – it’s not surprising everyone’s got anxious, upside down smiles at this time of the year. Most fresh starts are usually followed by fresh resolutions – and we’re no stranger to looking ahead and trying to predict what’s going to happen in our own lives, as well as that of the creative world. With that in mind, we’ve put our slightly mushy heads together and concocted a list of ten animators, designers, illustrators, magazines and artists who are about to spring from the perfectly acceptable “small time” to the much-lauded “big time.” Ready? Here they are in no particular order…

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    Last week features editor Liv Siddall put out a call to arms to the illustration community, inviting practitioners young and old to push their discipline further and keep their work exciting and fresh. She cited in particular the regurgitation of the same established names at illustration fairs and events as a cynical way to flog tickets and boost sales instead of creating a platform for new, innovative work.

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    This week, Features Editor Liv Siddall wonders whether the world of illustration, and the events that champion them, have perhaps become a bit stale. And maybe we should take steps to champion as many new and exciting artists as possible, as opposed to falling back on the same names time and time again.

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    This week Rob Alderson welcomes the excellent Dazed 100 list of defining creative pioneers but wonders why readers are being asked to help rank the entries. As ever you can join the debate using the comment thread below….

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    This week It’s Nice That director Will Hudson talks about why he reckons the new Randall Wright-directed documentary Hockney is so brilliant. You can let us know your thoughts in the comment thread below.

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    This week assistant editor Maisie Skidmore asks what it is about weekly podcast Serial that has got the whole world talking. As ever, we want to hear what you think! Add your two pennies in the comment thread below.

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    This week Rob Alderson examines Paper Magazine’s attempts to “break the internet” with their nude Kim Kardashian photoshoot. He asks if it’s actually a good cover, and what (if anything) it tells us about the magazine industry. As ever you can add your thoughts below…

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    Ahead of a panel discussion we’re hosting at London College of Communication next week we’re keen to explore whether the gap between design schools and the creative industries is a problem that needs addressing. You can add your thoughts using the discussion thread below…

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    In a special Opinion piece, Rob Alderson explains why the closure of London’s Kemistry Gallery is a cause for concern, but why its ambitious future plans need to be encouraged. You can add your thoughts using the discussion thread below…

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    This week online editor Emily Gosling looks at who can really claim authorship of artworks created using technology designed by someone else. Who can really take the credit for art that might not be possible without the tech know-how of others?

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    This week Rob Alderson reflects on an interesting blog by Chloe Markowicz which suggests that people are ashamed to call what they do advertising. As ever you can join the debate and add your comments using the discussion thread below.

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    Wake up! Freshers’ Week is done – all that colourful IKEA kitchenware your mum got you is nowhere to be seen and you’ve gained 478 new friends on Facebook and an awkward conversation with your home friends about who you’re actually going to Glastonbury with next year. To be honest, being a fresher usually goes on for way longer than a week. After a month or so of partying and drinking Glenn’s Vodka and Robinson’s out of tupperware bowls you wake up with a whole load of briefs to tackle and studio space and equipment to fight over. This is the START of ART SCHOOL.

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    In recent months the question of so-called spec work has been raised with us over social media in light of various design competitions we have helped promote. Off the back of that we have spent a lot of time discussing this thorny issue with various people so as to formulate a consistent approach, although the nature of these things is that each is best analysed on a case by case basis.

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    This week Rob Alderson reflects on the launch of the new Design Museum website and the strange suggestion that the redesign should have been given to a British agency rather than Dutch studio Fabrique. As ever you can add your thoughts using the comment thread below…

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    In the wake of the launch of Printed Pages Autumn 2014, Editor James Cartwright wonders and worries about the secret of designing a great magazine cover and asks for any handy hints you might have. Do him a favour and add your thoughts in the comments section below.

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    In light of New York Fashion Week’s main event, a star-studded play put on by Opening Ceremony entitled 100% Lost Cotton, the It’s Nice That team began to ponder their own individual dream play, and what that would look like if they were given the chance to direct it. The results are pretty weird to be honest, but you can’t deny the appeal of each and every one in its own way.

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    This week Editor Liv Siddall addresses the world’s distraught reaction to the announcement that MSN Messenger will terminate after 15 years in operation, and wonders if we should get so nostalgic and wet-eyed over technology.

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    This week editorial assistant Amy Lewin ponders the cultural impact of the potential England/Scotland split. As ever, feel free to leave comments below.

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    We’ve been posting music-related art and design articles on It’s Nice That since the very beginning. In fact the first music video ever posted on It’s Nice That is this one by Koichiro Tsujikawa back in May 2007. Since then we’ve covered countless festival posters and identities, record sleeves, band logos, ad campaigns and tour photography amongst pretty much every other kind of music-related content you can think of, barring only reviewing music itself.

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    This week editor James Cartwright wonders whether it was right to remove the Chapman Brothers’ controversial sculpture Piggyback from a Roman gallery or whether it’s an affront to creative freedoms. As ever your comments are welcome below…

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    Last week we were duped into running a project on the site that turned out to be a hoax. Here Rob Alderson explains what happened and why it’s left an unsavoury taste, while James Cartwright disagrees and congratulates the artist on a spoof well done. As ever you can leave your thoughts using the discussion thread below…

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    Two weeks ago we featured DesignStudio’s Airbnb logo. One week ago copywriter Rob Mitchell of We All Need Words wrote an Opinion piece calling for an end to convoluted brand stories. His article was cheered by some people and incensed others; Sam Peskin and Liam Hamill of VentureThree want to have their say and defend brand strategy. Again you can add your views using the comment thread below…

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    We were pretty impressed with the new Airbnb logo when it launched last week, but for a different perspective, here’s Rob Mitchell from We All Need Words. He tells us why he’s had enough of “over-cooked brand stories masquerading as strategy” and as ever you can add your thoughts below…

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    In light of our recent changes and the launch of the new-look Design Observer, Rob Alderson reflects on design websites’ redesigns. As ever you can add your thoughts using the comment thread below, and we’re particularly keen to hear what you’re making of our new look!

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    This week James Cartwright wonders what the V&A is up to with its policy of “Rapid Response Collecting” and whether it really marks a shift in their curation policy. As ever you can add your thoughts using the discussion thread below.

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    This week Rob Alderson considers the aftermath of the disastrous Robin Thicke Twitter Q&A and wonders how it was ever signed off when what was going to happen seemed entirely predictable. As ever you can add your thoughts using the discussion thread below.

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    This week assistant editor Maisie Skidmore asks what makes a good group show. Are they really all they’re cracked up to be, or are they poised for failure? Tell us what you think of them and which you’ve been to that were especially brilliant or terrible in the comments section below.

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    This week online editor Liv Siddall wonders if anyone actually enjoys the huge amount of wacky summertime events that are on offer in London. As always your comments and opinions are welcome below.

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    This week, editor Liv Siddall gets excited about the upcoming ELCAF festival in London, and tells you all sternly why YES it is very important that we keep going to live events surrounding graphic arts and comics.

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    This week Nat Hunter, director of design at The Royal Society for the Encouragement of the Arts (RSA) and a trustee of D&AD, welcomes awards being given to projects that make a real difference. It might mark, she believes, a fundamental shift in the design world. As ever you can add your thoughts using the comment thread below.