Product Design Archive

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    It’s the little things that make a difference, as the expression goes, and the creative brains behind memobottle have taken this sentiment very much to heart. In a pledge to reduce the consumption of single-use plastic water bottles and to get rid of annoying clutter in your bag,they’ve invented memobottle, a drinks container the same size and shape as a notebook, or laptop.

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    If we’re honest we lost interest in 3D printing for a bit there. After all the home-made gun controversy and the constant assurances it would democratise production processes forever more we had to deal very quickly with the reality that most desktop 3D printers were only capable of producing very small objects, and the materials they made them from were structurally unsound. We’re still holding out hope though.

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    Former Fabrica designer and art director Dean Brown has just upped sticks and left the confines of Treviso in Italy to set up shop in London. He’s spent the last four years honing his skills designing conceptual products, installations, interiors and exhibitions with collaborators at both Fabrica and COLORS as well as further afield. Last year we fell in love with his witty take on rug design, and now he’s impressed us again with his ability to turn knitwear into an engaging, immersive environment through texture and colour.

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    It’s no secret that Studio Swine are forever pushing boundaries in the world of product design, taking uncommon materials and putting them to universal use. But their latest project is extremely unusual, even by their own standards. For Hair Highway the pair ventured into the heart of mainland China to the epicentre of the global human hair trade. There they acquired enough human hair to use it as the basis for a number of luxury bespoke objects – the carefully-maintained strands preserved in deep amber resin, creating stunning patterns and textures. To top it all off they’ve made this lovely film to document their journey, the people behind this strange trade and the finished products themselves.

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    The interplay between design and the cultures they both respond to and help shape is not always easy to decipher. An interesting exhibition currently on show in London examines 20th Century Soviet Russia through the objects which defined it on a very human level – the toys and appliances, vehicles and sports equipment. There are products that became iconic such as the Chaika vacuum cleaner and others that may never have been feted before.

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    Epiforma is a brand new Portuguese design studio founded by Felipe Ferreira and Francisco Ribeiro in Porto. In spite of their newness it would appear they’ve long been busy working on all manner of projects across many facets of design. As well as practicing the more traditional graphic arts of branding and type design, they also produce high-end modular furniture, unusual board games and limited edition products. Judging by their website they’re also pretty good web designers and art directors too. In short, these guys appear to be very much the complete package and we’re excited to see what their first year of business holds in store.

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    I’m one of those people that will always need a desk-tidy. No matter how hard I try, I remain ineptly disorganised in the world of stationery – pens have missing lids, a pencil will rarely get re-sharpened and I’ve not been able to draw a straight line since I lost my ruler two years ago.

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    I’m always interested by the paradox which means that small exhibitions are often the most impactful, and the new show at the Design Museum, entitled Time Machines: Daniel Weil and the Art of Design is a prime example. Though it occupies a relatively small space, tucked in on the top floor next to the expansive Designs of the Year show, it seems to catalogue Daniel’s original approach to design perfectly.His new series of clocks demand attention first; finely made with all of their parts exposed, they maintain the dematerialisation that he first established with his Bag Radios, exploring new means of conductivity, but they seem to have progressed to a more finely-tuned, beautiful state.

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    Here’s an unbelievable statistic – 3.4 million people die every year due to water-related illnesses. The latest weapon in the ongoing war against this horrifyingly avoidable epidemic comes from ad agency DDB and super-clever scientist Dr. Theresa Dankovich who have created the world’s first Drinkable Book for the Water Is Life charity.

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    As part of this year’s DesignMarch in Iceland, one of our favourite illustrators and designers, Siggi Odds, got together with a few collaborators to produce something 3D and tangible. He and Geir Ólafsson, Hrefna Sigurðardóttir and Þorleifur Gunnar Gíslason all work in a predominantly digital fashion, producing things that are transient and rarely made physical. To counter that they partnered with product designer Jón Helgi Hólmgeirsson, and working under the name Børk created a selection of bespoke quilts, printed with custom graphic imagery that’s evocative of Iceland’s landscapes and natural environments, borrowing elements from traditional mythology and folklore.

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    We can all pretend that we don’t care that much about design awards but the truth is that it’s always interesting to see who wins what; particularly when it comes to the Design Museum’s prestigious Designs of the Year. This morning the seven category winners were announced and they are as below; the overall winner will be announced on 30 June and the show continues until 25 August.

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    It’s laudable that designers are working on worthy projects that will have a practical impact on building a better future, but we’re big believers that creatives should be engaged in making tomorrow a bit more fun too. Luckily for us, there are institutions like the Ecole cantonale d’art de Lausanne (ECAL).

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    Us Brits are meant to be huge fans of queuing but in actual fact we’re even bigger fans of speeding up these processes. Already we’ve seen contactless payments remove the time-consuming pin-entry procedure but now a Swedish student has gone one better with a system that SCANS YOUR VEINS.

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    Ever see “ice” hanging around someone’s neck and and think to yourself, “you know what, I could bloody do that.” Well, now is your chance! Brand new jewellery brand & Sparkles is offering you a chance to pick a design from a selection of over 150 different items in their collection and transform it into a personalised piece of exclusive jewellery. The company will then take what you create and craft out a real item from conflict-free gold or platinum.

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    StoreDot have just invented a small, rectangular device that when attached to your Smartphone can charge it from 0% to 100% in 30 seconds. I don’t want to appear shallow and disillusioned, but this is quite literally the answer to my prayers. Sometimes you wonder, don’t you, why things just don’t exist when they should, and this is a totally classic example of that. Just think in our lifetimes we’re going to wave goodbye to all of life’s annoyances. Goodbye, tangled cables! Sayonara, no WiFi! People still insisting on riding horses? See you later. I’m so excited about the future, and this is MERELY THE BEGINNING.

  16. Terrazzo-list

    “Terrazzo is a composite material produced from layers of cement interspersed with chips of glass, marble, quartz, granite and other appropriate material. The invention of terrazzo can be traced to the 15th Century when Venetian artisans started to exploit construction residues to make highly resistant, low-cost surfaces principally used in flooring." Interested? Probably not. But the Terrazzo Project wants to change that.

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    One of the best things about the internet is the proximity it creates between makers and and the people who covet their products. Hundreds of thousands of miles are almost magically reduced to a series of clicks, so that you can easily bypass mass-produced products and go straight to the source, to own the original inspiration behind some big company’s designs.

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    Joseph Guerra and Sina Sohrab are Visibility, a New York-based design studio specialising in the creation of simple, functional products. None of their designs rely on the use of expensive materials or fitting into a collective design aesthetic. Rather, each answers its own unique problem, exploring the limitations of products that currently exist on the market and improving them through small but important modifications to their function. Among other things they’ve created a beautiful briefcase fashioned from laser-cut polypropylene – which transforms it from luxury item into universal object – and they’ve revolutionised the humble broom, adding a pivoting head to give it increased usability and minimise damage in storage. Seriously clever stuff.

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    Lesser people might be insulted by the suggestion from a friend that their pottery “looks like fruit and vegetables”, but interior stylist and ceramicist Hsian Jung took the comment in his stride, transforming his burgeoning pottery project into The Fruit Shop, a greengrocer-inspired online store selling beautiful handmade pots.

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    The stars have aligned and two design worlds have brought their skills together to create something powerful! Big ol’ fashion house MANGO have had a helping hand in designing the new SEAT Mii and, rather than just releasing it to to the baying public, have asked a bunch of famous fashion bloggers to review it. Cool huh? Also, to mark this collaboration, SEAT and MANGO are inviting “global artists, illustrators, fashion designers and creators to use the template provided to submit accessory designs” as part of their fashion and design challenge.

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    The world would be a very, very sad place without beautiful objects. And I’m not referring to enormous oil paintings in the Louvre or really, really expensive and rare furniture in London boutiques – sometimes the more humble the object, the more magic it can contain. This project backs this theory, as it is a jumble of truly beautiful “things” created from discarded materials.

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    The start of February means only one thing for the people of Stockholm; Design Week. This year is no different from any other and the city’s streets will be littered with the produce of Scandinavian and international craftspeople. As ever the annual Örnsbergsauktionen is in full swing, with some truly bizarre and beautiful objects up for sale from the likes of Nathalie Du Pasquier, Lex Pott and Stina Lofgren. There’s luxury jewellery made from human hair, a table that glows in the dark and an extraordinary machine made from a mutilated SodaStream – which is why we keep on enjoying this auction year in, year out.

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    Berlin-based artist Maiko Gubler can usually be found creating deceptively three-dimensional imagery utilising a mixture of 3D modelling software. She’s created glossy ceramic-like fruits for magazine covers, metallic fish for German club albums but now she’s actually making objects that exist in the real world. Her collection of Gradient Bangles are created from 3D-printed gypsum and uniquely coloured to create an extraordinary range of jewellery. Lovely stuff.

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    Did you know that over 1.3 billion people in the world live without any access to electricity? It’s astonishing facts such as these that have spurred Panasonic to launch a project to start bringing light to dark places by donating solar lanterns to replace dangerous kerosene lamps. Now Panasonic is launching Cut Out The Darkness, a competition that asks the public to donate their own designs for solar lantern shades. Artists involved in the project so far include skilled paper-cutters Anna Howarth, Bovey Lee, Sarah Dennis and Julene Harrison among others.

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    Siren Elise Wilhelmsen is a Norwegian product designer based between Bergen and Berlin. She produces objects that challenge the concept of traditional functionality and transform natural materials into intricate mechanical objects. Through her practice she seeks to find “a conceptual way to stimulate ideas and discussions around our everyday objects, rituals and culture.”

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    Back in 2010 Hulger changed the way the world looks at energy efficient lightbulbs with the Plumen 001, a gorgeous product that was a pitch-perfect manifestation of Hulger’s idea that “reducing our energy consumption should feel like a positive, life enhancing choice, not a compromise.” Now some four years later they’ve followed up the multi-award winning original with the Plumen 002, launched amid much fanfare last week and surpassing its Kickstarter goal in just a few days. We caught up with Nicolas Roope to find out more about the newest member of the Plumen family…

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    Sometimes the best way to challenge injustice and inequality is through humour, an idea that Mother London have again explored in their new project. Horrified by the treatment of the LGBT community in Russia, where homosexuality has been classed as a mental illness since 1999, Mother have worked with The Kaleidoscope Trust charity to create something silly that has a serious point to make. To Russia With Love is a limited edition set of hand-painted Russian dolls but in place of bonneted matrons, the sets feature prominent British LGBT figures, namely Sir Elton John, George Michael, Stephen Fry, Graham Norton and Tom Daley (presumably a late addition). The dolls are being auctioned off on eBay to raise funds for the charity and sets are being delivered to both The Kremlin and the Russian Embassy in London.

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    I like to think of myself as a manly man, a man that other men look up to respectfully for my skilful ability to hew trees into windproof shelters, wrestle animals to the ground in a humane fashion and grow a thick, luxurious beard from my chiseled face. But in spite of all these enviable skills I still admire the disconcerting ability of a master potter to turn what is essentially a lump of mud into beautiful household goods. Look at Forrest over at Brooklyn-based Workaday Handmade. This guy’s capable of turning his stash of mud into exquisite pots of glorious azure blue and fruit bowls with swiftly-but-skillfuly-rendered geometric patterns. Not only that but each one of his pots is made-to-order in an edition numbering one. Quite frankly it puts my animal wrestling to shame.

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    Giant food! That you can sit on! But in spite of the title The Importance of the Obvious, that’s not all there is to Matthias Borowski’s MA project in contextual design from the Design Academy Eindhoven. Matthias decided to base his thesis around the transformations of various materials and with the cooking process being one of the most complex and common material transformations to to take place, he figured food might be a good place to start. Drawn in by the material conditions of sweets and confectionary (who isn’t?) Matthias set about translating the colours, textures and layers of sweets into his product design. I’ll take the liquorice allsort for my living room, if you don’t mind.

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    The Christmas nativity scene encompasses a great deal of efforts; from the Home Alone diorama to my mum’s oddly idiosyncratic collection of figures (there’s a kangaroo ffs). But my new favourite entry comes from Royal College of Art graduate Emilie Voirin who’s cut through all the usual cultural, sartorial and manger-based confusion with her fabulous Minimal Nativity Set. Simple wooden domino shaped blocks with clear character inscriptions mean you can wave goodbye to sacrilegious mistaken identity for ever (i.e. Is that one of the kings? No it’s an angel…). I imagine you’ll all be wanting to buy me a present so consider this firmly on my list (but I hope someone has drawn up a spereadsheet to prevent duplications).

  31. H%c3%b6vding-list

    Hövding is a mind-blowing new device that offers head protection for cyclists, particularly those commuting in built-up areas. It’s the result of seven years of hard research and development by Anna Haupt and Terese Alstin, two Swedish product designers with an extraordinary commitment to their cause. Together they’ve developed a product that could revolutionise the way people protect themselves while cycling in cities – though for some reason they’re relatively unknown despite having produced the invisible helmet for over a year.

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    So this is pretty exciting as far as technology news goes. Until a couple of months ago Dave Hakkens was just a graduate of the Design Academy in Eindhoven with a couple of internships and a few really lovely personal projects under his belt – one of them even caused us to write a poem in his honour. But since graduation he’s been beavering away on a project that he (and increasingly everyone else in the world) believes could change the mobile phone game forever.

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    Apart from pre-grated cheese which is RIDICULOUS, I’m usually pretty against things that take ages to make that you can just buy in a shop (bread, cakes, cider). But since seeing this simply beautiful bread oven designed by California’s Mirko Ihrig, I’m totally coming round to the idea. Mirko’s bread-maker is the final project in his MA in Industrial Design that he completed in Sweden and the project is “a reaction to the fact that many people don’t know where our food comes from anymore. Fast foods and other processed industrial foods determine our daily lives.”

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    Studio Swine have found themselves back in São Paulo where they’re continuing to produce some seriously exciting work that makes extraordinary use of recycled materials. Last time we checked in with them they were recycling beer bottles to use as lighting fixtures, but they’ve taken their sustainable objectives even further, democratising the means of production for the city’s population.

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    Here’s what Marta Veludo taught us today: if you’re a dab hand at creating an aesthetically pleasing image, why not print it on a silk scarf? In fact, why not print a whole collection of scarves, photograph them really nicely and then compile them into an equally fun lookbook?

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    Satta Skates is the brainchild of Brixton resident Joe Lauder, a guy who’s channeling the ethos of the Z-Boys in South West London. Joe’s an avid skateboarder and a really excellent woodworker, and has combined these two passions to create handmade skateboards in the traditional 1970s style (more like a mini surfboard than the curved decks I used to fall off in my teens). It’s not just the construction that makes Joe’s boards stand out though, each one is customised with hand-screened images designed by the man himself with occasional contributions from Stevie Gee. They also come with beautifully detailed inlays the likes of which it’s rare to find on a board designed for shredding the skate park (I love it when I get to say shredding). Joe assures us that’s not what they’re for though. His boards “are made for surfing the sidewalks of our cities…like rideable works of art”.

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    Hey you know what we like more than a super-silly bit of product design? A follow-up to a previous international smash hit bit of super silly product design, that’s what. And so just over two years after we introduced you to Kawamura-Ganjavian’s Ostrich Pillow – a device which enabled wearers to catch 40 winks wherever they were inspired by the big bird’s ability to bury its head in the sand – we are giddy to bring you the studio’s latest creation, the Ostrich Pillow Light. Aimed specifically at “commuters, frequent flyers and holidaymakers” this new model dispenses with the over-the-head design to create a more practical, portable and lightweight option, which also doubles as snazzy scarf.

  38. Db-list

    For an industrial designer there’s an enormous amount of conceptual thought present in Dean Brown’s work. He’s not one for post-rationalising his design decisions but instead creates a clear narrative around the objects he produces. Witness the Reservoir Rug a wall-hanging-cum-floor-covering that flies in the face of the our traditional conception of a rug and uses the real-world tonal subtlety of moving water to demonstrate complex processes in textile production. Similarly his most recent series, Shrines, reappropriates traditional commemorative shrines by adorning them with miniaturised household objects to encourage a more functional use. Dean’s a designer we’ve enjoyed seeing develop and are anxious to see what he’s capable of producing when he leaves the confines of Fabrica for good.

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    Kia Utzon-Frank designs products with the kind of genuine innovation that makes life easier, energy more efficient and rooms more beautiful. The designer recently graduated from the RCA with an MA in goldsmithing, silversmithing, metalwork and jewellery and a whole host of transferrable skills that have seen her move seamlessly from jewellery design to products, describing herself as “a goldsmith that can’t escape my sculptural and architectural heritage”.

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    There’s nothing quite like really lovely-looking product design, and when we discover that a creation we like the look of is environmentally-friendly too there’s nothing to stop us from gushing about it. And can we gush.