It’s a surprise I haven’t posted a gem from the Arctic Monkeys’ back catalogue of brilliantly shot music videos on a Monday before. This morning I’m putting an end to that and showing opening track from their break-through first record.
Stirring stuff for any aspiring drummers.
Lana Del Rey is something of an opinion splitter in the studio, so it’s with great relish that we’re posting her highly-anticipated new video for Ultraviolence. In a glorious twist from the super long epic Tropico that she released in December, it’s incredibly lo-fi and brings to mind that first video for Video Games. Directed to feel like a home video made by her husband on their wedding day, it focuses pretty heavily on Lana herself; putting her veil on, eating an orange and walking to the church. Whatever you think of it, it’ll likely make you long to whack out a Super 8 camera and start writhing around in a wedding dress. Which, let’s face it, we all want to do secretly.
Jack Featherstone, Hans Lo and Simian Mobile Disco have long collaborated on music videos for the band’s singles, using highly complex analogue techniques to generate visuals that complement each song. But their latest offering may well be the most complex yet. Six months in the making, Tangents features live-generated digital imagery fed through an oscilloscope. The guys filmed, it, manipulated it and then knitted it all together into a four minute epic that builds from monochromatic morse dots and dashes to a full-blown crescendo of strobed psychedelia.
I love how Beck is always pushing the boat out and doing something that bit more creative than other recording artists. Remember when he released stickers with his album so you could design your own CD artwork? Or that time he discussed the meaning of creativity with Doug Aitken for his show at the Liverpool Biennial? Or his astonishing Song Reader? Exactly.
We’ve all seen paper process films – all sun-dappled mills and babbling brooks – but we’ve never seen anything quite like Ben Stevenson and Made Thought’s jaw-dropping Bright Red for G . F Smith Colorplan. Borrowing more from the vernacular of horror than the usual creative fare, it’s an super-intense journey into the heart, and art, of making paper. Ben’s film was premiered at a series of Colour In Context events last month which took place in London, Manchester and Edinburgh. Each evening saw three speakers talk about how colour influences and inspires their practice, and you can now enjoy all the talks below. It’s Nice That was proud to media partner with G . F Smith for the series, on which we were able to work with some of our favourite creatives.
What’s more terrifying than a street gang? I’ll tell you, a Maori gang called the Mighty Mongrel Mob. In this haunting short film by filmmaker and photographer Tom Gould we are thrown into the personal history of famed Mighty Mongrel Mob gang member Martyka Brandt, whose tattoo-covered and weathered face speaks volumes of his turbulent life. In this short film we learn about the perils of being in a gang like the Mongrel Mob, the near-death experiences Martyka has escaped, and how a man can truly turn his life around to something rather magical indeed.
The Serpentine Pavilion is one of the most eagerly anticipated fixtures on London’s cultural calendar and once again COS have created a beautiful film featuring this year’s creation. It’s the work of Chilean architect Smiljan Radić, whose shell-like cylindrical structure rests on quarry stones; seemingly at once both spawned from a prehistoric past and/or dropped from a future galaxy.
When Gilles Peterson flew to Rio in January, he didn’t just gather a bunch of his Brazilian music heroes into one studio to make the album Brasil BAM BAM BAM. Oh no. He also made his first feature documentary.
Err, where has Jenny Lewis been for the past few years? She could have been running some sort of underground, political guerilla group, or designing jewellery, or maybe she was just locked in a cupboard. What I’m getting at is that it just doesn’t matter in the slightest – because she’s back with a totally killer video that she’s directed, and we all know that 99.9% of the time a brilliant, timely music video is the perfect solution to a difficult comeback.
Considering Kate Moss’ notorious silence throughout her career, it’s exciting to hear her actually spill the beans on what it was like to be photographed on Camber Sands beach with Corinne Day, or be painted by Lucian Freud. Similarly it’s equally thrilling to hear Lily Cole speak of being photographed by Terry Richardson underwater for the 2012 Pirelli Calendar.
As artisanal skills go, the world of ceramics is one of my favourites to peer into, and it’s as much because I know I’d be as useless as Demi Moore if I were plonked in front of a potter’s wheel as it is about the beauty of the craft itself. Whatever admiration I have for potters has just been magnified tenfold by this wonderful short film by North Sea Air about French ceramic brand Astier de Villatte. Founded by Benoît Astier de Villatte and Ivan Pericoli 18 years ago, the pair pride themselves on their traditionally-inspired handmade ceramics, and the authentic olde-worlde aesthetic that inspires everything they do.
It’s no secret that Studio Swine are forever pushing boundaries in the world of product design, taking uncommon materials and putting them to universal use. But their latest project is extremely unusual, even by their own standards. For Hair Highway the pair ventured into the heart of mainland China to the epicentre of the global human hair trade. There they acquired enough human hair to use it as the basis for a number of luxury bespoke objects – the carefully-maintained strands preserved in deep amber resin, creating stunning patterns and textures. To top it all off they’ve made this lovely film to document their journey, the people behind this strange trade and the finished products themselves.
London-based artist Aleksandra Mir has been busy over the past month investigating the process of drawing in a collaborative experiment that invites participants to contribute to a giant collage of the London skyline, rendered entirely with Sharpies. The process of creating the work was part of the exhibition itself, with Aleksandra and her team engaged in drawing everything by hand during the first days of the show. But for those that missed it there’s also a beautiful time-lapse film of the process, providing context and insight to this giant piece of collaborative draughtsmanship.
It is a universal truth that Andrew Telling plus extraordinary cyclists equals fantastic films. The London-based filmmaker is a regular fixture at Rapha HQ, heading out on the road at the drop of a hat to produce stunning films that showcase both the brand’s expertly-made wares in action and the thrill of cycling itself. In honour of this year’s Tour de France, Rapha sent a team of cyclists out across Yorkshire to take in the sights and sounds of the race’s latest leg. Unlike this weekend’s Tour activities however, the pace on this ride is a leisurely one, drinking in the English countryside and stopping for the occasional pint of ale and piece of cake. Nevertheless the film-making is as beautiful as we’ve come to expect from Andrew, creating simple, satisfying narratives around what is essentially a leisurely weekend jaunt.
