The Mill is a world-leading visual effects company with bases in London, New York and Los Angeles. They provide pioneering effects solutions to advertising, music and the entertainment industry.
In other words, they are responsible for some of the most memorable visual effects work, from the History of Honda Advert to the billions of beauties for Lynx. They’ve even bought Bob Monkhouse back to life. Pictured though is the ‘Drop pillows not bombs’, a piece for Absolute.
Check out their extensive archive and podcast that shows selected projects in more detail.
- Parterre de Rois: the Black issue features Anish Kapoor and Nina Chanel Abney
- Noah Beckwith’s experimental approach to his “stream-of-consciousness” posters
- Talya Modlin shares illustrated gems from her sketchbook
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors
- The exploratory and exciting typefaces of Out of the Dark
- MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris