And

Work / Graphic Design

And

Words by Alex Bec, Tuesday 04 August 2009

I really liked the look of Australian design studio _And_’s portfolio when I saw it yesterday. Especially their Eye Sceptre Booklet with these stunning white-out images, it’s also been a while since I posted a good bit of classic design. Drought over.

Photographer Peter Anderson on his experiments with a Widelux camera and their "wonderful distortions" 17 August 2017
"We are visual storytellers": studio Córdova Canillas talks us through the redesign of Fucking Young! magazine 17 August 2017
A sneak peak into Patrick Kyle’s new comic, Night Door 17 August 2017
Liam Cobb illustrates the collapse of the Heygate Estate in latest comic Conditioner 17 August 2017
“Imagination doesn’t compare to our real life design history”: Annie Atkins on the art of graphic design for film 17 August 2017
X-Rated Adult Movie Posters of the 60s and 70s celebrates gloriously crude B-movie artwork 17 August 2017

Features / Graphic Design “Imagination doesn’t compare to our real life design history”: Annie Atkins on the art of graphic design for film

Every month, ten people descend upon a basement studio in Dublin’s historic Merrion Square. The streets are lined with grand Georgian houses and pristine iron gates protect a well-kept public park. Each person is there to attend a two-day workshop organised by a tenaciously talented Welsh woman in order to learn how to make film props.

Rebecca Fulleylove — 17 August 2017
Work / Graphic Design Studio Frith on designing Alexa Chung's "formal but playful" fashion label

Earlier this year fashion icon Alexa Chung had her many fans reeling with the news of her own label. The campaign saw the model, muse, presenter and writer put her trend-spotting taste to use in creating her own collection. Such an exciting move from Alexa had to look slick and playful in every aspect, from the clothes to the branding, which was created by Studio Frith.

Lucy Bourton — 17 August 2017
Work / Graphic Design Greta Thorkels: a graphic designer creating Gilmore Girls zines and record sleeves

“‘Does it have to be readable?’ is a main theme in a lot of my work,” says Icelandic-born and Berlin-based graphic designer Greta Thorkels. This approach to design isn’t a usual one, but by turning design on its head Greta is carving her own eclectic graphic path.

Lucy Bourton — 16 August 2017
Work / Graphic Design Design studio Afrika talks custom typefaces and exhibition identities

Afrika is a design studio based in Switzerland, founded by Florian Jakober and Michael Zehnder. The studio works on a variety of projects, most recently finding itself designing custom typefaces for other studios and agencies. “It’s nice to have clients that understand as much about typography as we do. This way of working also allows us to work in bigger teams and learn a lot from everybody,” says Afrika.

Rebecca Fulleylove — 15 August 2017
Features / Graphic Design “Always more!” – a walk in the woods with Noma Bar

If you go down to Highgate Woods in London today, you might be in for a bit of a surprise. Among the dog walkers, the frazzled parents searching for their kids and the forestry workers making sure that the ancient woodland is being preserved, you might, if you look carefully, find one of the most prolific artists and illustrators working in the UK. Highgate Woods, all 28 hectares of it, is Noma Bar’s ‘office’. Everyday, come rain or shine, the graphic artist is there, somewhere, armed with his notebooks and pens, working through ideas that will appear in their final forms in newspapers, magazines, as part of a campaign or a gallery.

Owen Pritchard — 15 August 2017
Work / Graphic Design Wrong Studio combines well-executed typography with “flaws and errors”

Inspired by “wrong” design and a fondness for “flaws and errors”, aptly named Wrong Studio has been championing well-executed typography and graphic expertise by adding a twist of their own signature style. The studio was founded in 2013 by two colleagues, Andreas Peitersen and Jess Andersen, who decided it was time to steer things in a more personal direction. Since its launch, the duo have dabbled in various projects with a close-knit and collaborative ethos. We spoke to Andreas to find out more about some of its most studio-defining projects.

Ayla Angelos — 11 August 2017