And

Work / Graphic Design

And

Words by Alex Bec, Tuesday 04 August 2009

I really liked the look of Australian design studio _And_’s portfolio when I saw it yesterday. Especially their Eye Sceptre Booklet with these stunning white-out images, it’s also been a while since I posted a good bit of classic design. Drought over.

It's Nice That visits the Turner Prize 27 September 2016
Our Favourite Places is promoting the creative wealth of innovative Sheffield 27 September 2016
Meet tarot-obsessed Gucci illustrator Jayde Fish 27 September 2016
Julia Autz documents Transnistria, a country steeped in Soviet nostalgia 27 September 2016
Felicity Marshall, the illustrator merging editorial and fashion design 27 September 2016
Wow Factor: the eye-popping results of A Load of Jargon's printing workshops 27 September 2016

Work / Graphic Design Our Favourite Places is promoting the creative wealth of innovative Sheffield

Eleven is a design and visual communication studio based in Sheffield with its design inspiration and output firmly rooted in its home city. Priding itself on design that combines “high levels of craft, execution and clarity”, Eleven create accomplished products promoting the creative wealth of the Yorkshire city.

Lucy Bourton — 27 September 2016
Work / Graphic Design Shannon Jager, a graphic designer combining the technical and the thoughtful

Shannon Jager is a graphic designer whose work in layout design, art direction and UX and UI design creates a broad and accomplished portfolio. Not only do her previous clients include publications such as Quill & Quire, The Walrus Magazine and Elle, Shannon has her own publication which she completes whilst pursuing an MA and working at Pentagram Design under Eddie Opara.

Lucy Bourton — 26 September 2016
Work / Graphic Design Martin Müller designs covers for Specious Books that don’t, but could, exist

“The project was inspired by the dilemma graphic designers and illustrators are so often faced with in commissioned projects – all your efforts won’t heighten the quality of a poorly written book,” says Martin Müller of Berlin-based Dicey Studios. “And more importantly, why become an accomplice in spreading preposterous, even malignant works by helping to give them a more appealing visual form?” Martin’s response to this was to design a series of speculative and absurd book covers for the likes of Martin Heidegger, Beyonce and Canadian president Justin Trudeau.

Owen Pritchard — 22 September 2016
Work / Graphic Design Going Down Swinging, the publication visually representing literature

Going Down Swinging works across platforms to promote and produce a high quality publication that supports artists and writers. As a digital, print and audio anthology of creativity since 1979 they have become one of Australia’s “longest-running and most respected literary journals”, creating a platform for “writers and artists telling stories worth sharing”.

Lucy Bourton — 21 September 2016
Work / Graphic Design Väg: a new identity for Swedish band “owned” by design agency Snask

Stockholm-based design agency Snask has designed an identity for rock band Väg, a band that co-founder Fredrik Öst “bought” after a raucous rock and roll night out. The logotype is designed around the name of the band, which means ‘road’ in Swedish, written in bulging bubble type. “We wanted to get the feel of psychedelic 70s rock obviously. We looked at a lot of record sleeves from that period and genre as well as gig posters and found that nice roundy feel,” explains Fredrik. “We then had the logotype cut out in wood and painted in different colors. We really like sleeves when there’s an effect as you slide out the album. So we had the plastic protection cover screen printed.”

Owen Pritchard — 21 September 2016
Work / Graphic Design Ran Park explores the chaos of "Konglish" in a new zine

Konglish is the use of English words, or words derived from English words, in a Korean context. This simple premise was the concept behind Berlin-based designer Ran Park’s zine, Lost In Konglish. “The inspiration is a little bit whimsical,” explains the designer. “One day, I heard a gentleman explaining to a foreign tourist what a ‘banana’ was called in Korean. Phonetically it was the same, which made me think of the subtle alterations in the Korean language over the past decades.”

Owen Pritchard — 20 September 2016