Rebellion

Work / Illustration

Tiny Acts of Rebellion

Words by Alex Bec, Tuesday 11 August 2009

Mr.Bingo sent his new project over last week and although I’m sure you’ve all seen lots of them already, there’s so many to choose from it’d be a pity not to pop another one up.

Friday Mixtape: Visions Festival make us a mix of eclectic acts from its line up 28 July 2017
Evan M. Cohen’s black-and-white comics address modern anxiety 28 July 2017
Beyond Dementia exhibition features artworks and curation by people with the condition 27 July 2017
Creatives' favourite music videos: the inspirational, forbidden and political 27 July 2017
Scott Sheffield examines tourism in the small towns surrounding America’s National Parks 27 July 2017
ECAL photography graduate Cécilia Poupon elevates everyday beauty 27 July 2017

Work / Illustration Evan M. Cohen’s black-and-white comics address modern anxiety

Illustrator Evan M. Cohen has been working on a personal comic project, aiming to launch this autumn, addressing the anxieties many face in modern society. The series of illustrations depict “the noises that hinder us” from connecting with reality, such as stress, delusion, fear, city life, social media and modern technology.

Jenny Brewer — 28 July 2017
Work / Illustration Illustrator Franz Lang draws your daily struggles

Franz Lang is an Italian illustrator currently working and living in London. “I always had a passion for drawing. My mother recalls from when I used to paint on the walls of our apartment and how I yelled ‘I want to be an artist!’,” Franz laughs. When studying at the Venice Academy of Fine Arts, Franz decided to attend an illustration course. “It was love at first sight.”

Bryony Stone — 27 July 2017
Work / Illustration Noa Snir visualises mental disorders through her series of minimalist linocut prints

Illustrator Noa Snir’s black and white linocut series explores psychological disorders, phobias and syndromes through pared-back interpretations. The project first came to life as an A5 publication a couple of years ago and Noa has continued with the project since, which has led to an exhibition of the prints in O! Galeria in Porto opening this week.

Rebecca Fulleylove — 27 July 2017
Work / Illustration Michael DeForge’s mysterious, ominous illustrations

Illustrator and comics artist Michael DeForge is a man of few words: “I draw comics in Toronto, Ontario,” he tells us by way of introduction. With a Cintiq tablet as his main tool, Michael draws a daily comic called Leaving Richards Valley which he tells us he serialises online. Elsewhere, he makes books and illustrations.

Bryony Stone — 26 July 2017
Work / Illustration Jesús Sotés folkish work draws darker themes into his commercial illustration

Jesús Sotés’ dark, folk-like images can be eerie and unsettling. He is adept at finding ways to create uncomfortable forms and characters and over the past 15 years has been successful in finding commissions for his unconventional style across editorial and commercial projects. “I really think that it is my darker side that captures the potential client’s attention. But for different reasons I often end up with a kind of work that, sometimes, is far from the work that I really would like to do,” says self-taught Jesús. “Frequently, commissions are very defined and limited by commercial aspects and art directors. These parameters sometimes act as a brake to my creativity but I’m going to reconcile these two sides. I go looking for bold work with commissions, without detracting from requirements of clients. I think the best illustrators are those who are able to transfer the most authentic parts of themselves to commercial commissions. That is where I want to go.”

Owen Pritchard — 26 July 2017
Work / Illustration Julia Petrova conveys mystery and darkness in her landscape illustrations

Moscow-based illustrator Julia Petrova uses watercolour, ink and liner for her finely-detailed drawings and each one takes around one or two days to complete. There’s a gloomy and mysterious atmosphere to Julia’s landscape-based illustrations and while she depicts buildings, cars and other human-made structures, there’s a distinct absence of people in her work. When humans do appear, it’s just the back of someone or a dangling hand, and this only adds to the intrigue surrounding Julia’s drawings, which capture moments just before or after something has happened.

Rebecca Fulleylove — 24 July 2017