Originally guest posted by Grandpeople
‘The literary gatherings in the cafés weren’t bad either. Eighteenth-century Satanism was still a favourite dish in certain literary circles.’
– Jean Arp
This is a quote from the book ’Arp’ published by MoMA in 1958 and sums up my impression of Mr. Arp’s work: Naïve and serious (as hell).
Few forces shape the modern world more than the internet and yet it’s an invisible presence that we just understand is there. But PhD student Luis Hernan has changed that by designing a system which scans for wireless networks and creates images where different signal strengths are represented by different coloured LED lights. The results, in essence, allow us to see the WiFi around us.
Anyone in New York had better gallop over to Ed. Varie gallery to catch a new show by the ever-wonderful artist Ana Kraš. We’ve posted about Ana a few times, mainly about her beautiful lamps and designs to make your home/life better, and her fun collaborative photography projects. Her show at Ed. Varie entitled Mothers with Spoons and Relationships is an exploration into her more recent love of drawing, using predominantly back-to-basics art supplies such as wax, crayon and oil pastel.
When we last encountered Essex-based painter Simon Monk he was busy preserving toy superheroes in plastic bags and rendering them with hyper-real precision. Secret Identity explored the strange imbalance of the powers ascribed to superheroes and the powerless inertia of their model representations. Since then he’s focussed his attention on one plastic superhero in particular, treating Batman with torturous sadism and restricting him with any binding he finds to hand. He’s been netted, taped, cling-filmed and roped down, trapped forever in a compromised position thanks to Simon’s dangerously accurate brushwork.
I came across Graham Little when going through content from the site, he was one of the first people I ever put on the site about three years ago. To revisit his work reminded me just how much I loved him the first time around, particularly as he’s been very busy in the last few years and has created some absolutely stunning new work. There’s something about the poses, and the calm nature of his nymph-like female subjects that makes me slightly uneasy.
I’m the third person to take a turn waxing lyrical about the art of Bryan Olson (he was discussed here and here in the past), but I don’t mind, I’m just happy to have the opportunity. The North Carolina-based artist is arguably the master of his medium; a creator of collages so delicately crafted it’s often impossible to tell they’ve been made from hand-cut paper. Though it’s by no means his only concern Bryan focusses a great deal on the cosmos in his work, leaving strange portals into the unknown at the centre of his images or placing earthly objects within inter-planetary scenes. It’s a heady combination that lures viewers in, making them feel like children gazing at a dense night sky or an adult on one hell of a trip.
The phrase “artistic intervention” has a chequered past, but we’re struggling to think of a more impressive example than Frank and Patrik Riklin’s BIGNIK. The ongoing project aims to build a huge picnic cloth by 2040, made up of 252,144 panels – one for every person in the Appenzell region of Switzerland.
Sure, here at It’s Nice That we love fine art. You may even walk past us on the weekend ambling around in galleries, or poring over art books in libraries. We champion some of the most exquisite architecture, sculpture and filmmaking along with some of the most groundbreaking works of art made in modern times. What you define as “art” is a personal thing, but I can tell you now that when it came to voting on content for the site (we decide on content via a voting process around a table FYI) this Presidents with Boob Faces was a unanimous “YES” from each knowledgeable, art-loving member of the It’s Nice That team. When you can see hard, skilled craftsmanship and evidence of a brave artist taking one small idea and running really, really far with it, how can you resist loving it? These are amazing, and artist Emily Deutchman should be very, very proud of herself.
When something is well-designed, be it a magazine, building, fashion collection or car – it should be well-celebrated. To honour the spectacular and cutting-edge design of the brand new Lexus NX, a new digital art exhibition entitled NX-Perspectives has been launched. Gathering together some of the world’s leading creative thinkers, makers and doers, Lexus have assigned them to create a special piece of performance art inspired by the Lexus NX to exhibit in the digital show.
London-based artist Aleksandra Mir has been busy over the past month investigating the process of drawing in a collaborative experiment that invites participants to contribute to a giant collage of the London skyline, rendered entirely with Sharpies. The process of creating the work was part of the exhibition itself, with Aleksandra and her team engaged in drawing everything by hand during the first days of the show. But for those that missed it there’s also a beautiful time-lapse film of the process, providing context and insight to this giant piece of collaborative draughtsmanship.
I know what you’re thinking, you’re thinking; “How on earth did that priest train a dolphin to carry him like that?” Or maybe you’re thinking; “Where did the photographer have to stand to capture that image?” Or perhaps, in fact, you’re thinking; “This HAS to be fake.” But all of these lines of inquiry are valid in the world of Joan Fontcuberta, the Spanish artist and photographer who’s latest exhibition has just landed at The Science Museum’s Media Space.
You’re on the internet, so you probably like cats, right? Well, these woodblock prints by Tadashige Nishida capture all of those cat qualities that we love to love: his creepy but cute kittens are unafraid and alert, always listening and sensing, and very delicately, playfully poised. Tadashige renders the subtle lines of a cat’s body against brilliantly bold backgrounds, and it is very difficult to work out just what it is that makes his prints so hypnotically intriguing. Doris Lessing, one of literature’s best cat lovers, describes the curious creatures in the following way: “If a fish is the movement of water embodied, given shape, then cat is a diagram and pattern of subtle air.” Tadashige captures these dexterous and whimsical cat attributes beautifully in his surprising, minimalist prints.
The only real auction action we get exposed to regularly is top programmes like Bargain Hunt or Flog It! but recently the whole auction concept has started to be used in a way that removes our cliched expectations of a collection of people (eccentric oddballs) bidding on antiques (old stuff).
As artist mediums go, paper cutting has its limits, right? Fine spindly branches supporting layers of luscious foliage for example might be a challenging one to recreate with scalpel and paper, for example, as might the rippling shadows that fall across swimming pools. Not so if you’re Lucy Williams. The London-based artist is redefining the nature of mixed media artwork with her absurdly detailed paper cuts. No line is too fine, no detail too small for her to recreate, and it’s precisely this unstoppable eye for detail that’s basically crowned her the queen of the method. Her penchant for mid-20th Century architecture and landscapes has taken her work across the world in exhibitions, and her awe-inspiring portfolio spanning no small number of years functions as a fantastic heap of evidence to explain why. Rub your eyes and gaze on in wonderment at these beauties.
