I’ve had a bit of a soft spot of music videos that involve solo dancing this year. Whether this is something I need to seek help for, or just accept, it seemed a shame not to end the year with another. Eva Husson’s recent effort for Preset’s track If I Know You recently just picked up the best dance video at the UK Music Video Awards, and thoroughly deserves the accolade.
The Serpentine Pavilion is one of the most eagerly anticipated fixtures on London’s cultural calendar and once again COS have created a beautiful film featuring this year’s creation. It’s the work of Chilean architect Smiljan Radić, whose shell-like cylindrical structure rests on quarry stones; seemingly at once both spawned from a prehistoric past and/or dropped from a future galaxy.
When Gilles Peterson flew to Rio in January, he didn’t just gather a bunch of his Brazilian music heroes into one studio to make the album Brasil BAM BAM BAM. Oh no. He also made his first feature documentary.
Err, where has Jenny Lewis been for the past few years? She could have been running some sort of underground, political guerilla group, or designing jewellery, or maybe she was just locked in a cupboard. What I’m getting at is that it just doesn’t matter in the slightest – because she’s back with a totally killer video that she’s directed, and we all know that 99.9% of the time a brilliant, timely music video is the perfect solution to a difficult comeback.
Considering Kate Moss’ notorious silence throughout her career, it’s exciting to hear her actually spill the beans on what it was like to be photographed on Camber Sands beach with Corinne Day, or be painted by Lucian Freud. Similarly it’s equally thrilling to hear Lily Cole speak of being photographed by Terry Richardson underwater for the 2012 Pirelli Calendar.
As artisanal skills go, the world of ceramics is one of my favourites to peer into, and it’s as much because I know I’d be as useless as Demi Moore if I were plonked in front of a potter’s wheel as it is about the beauty of the craft itself. Whatever admiration I have for potters has just been magnified tenfold by this wonderful short film by North Sea Air about French ceramic brand Astier de Villatte. Founded by Benoît Astier de Villatte and Ivan Pericoli 18 years ago, the pair pride themselves on their traditionally-inspired handmade ceramics, and the authentic olde-worlde aesthetic that inspires everything they do.
It’s no secret that Studio Swine are forever pushing boundaries in the world of product design, taking uncommon materials and putting them to universal use. But their latest project is extremely unusual, even by their own standards. For Hair Highway the pair ventured into the heart of mainland China to the epicentre of the global human hair trade. There they acquired enough human hair to use it as the basis for a number of luxury bespoke objects – the carefully-maintained strands preserved in deep amber resin, creating stunning patterns and textures. To top it all off they’ve made this lovely film to document their journey, the people behind this strange trade and the finished products themselves.
London-based artist Aleksandra Mir has been busy over the past month investigating the process of drawing in a collaborative experiment that invites participants to contribute to a giant collage of the London skyline, rendered entirely with Sharpies. The process of creating the work was part of the exhibition itself, with Aleksandra and her team engaged in drawing everything by hand during the first days of the show. But for those that missed it there’s also a beautiful time-lapse film of the process, providing context and insight to this giant piece of collaborative draughtsmanship.
It is a universal truth that Andrew Telling plus extraordinary cyclists equals fantastic films. The London-based filmmaker is a regular fixture at Rapha HQ, heading out on the road at the drop of a hat to produce stunning films that showcase both the brand’s expertly-made wares in action and the thrill of cycling itself. In honour of this year’s Tour de France, Rapha sent a team of cyclists out across Yorkshire to take in the sights and sounds of the race’s latest leg. Unlike this weekend’s Tour activities however, the pace on this ride is a leisurely one, drinking in the English countryside and stopping for the occasional pint of ale and piece of cake. Nevertheless the film-making is as beautiful as we’ve come to expect from Andrew, creating simple, satisfying narratives around what is essentially a leisurely weekend jaunt.
If you’re working on your summer bod right now then you can either look away or take some inspiration from the guys in this music video. Some people are into the whole muscle thing, but I can tell you now that for me this is way more terrifying than it is a turn-on, I mean look at them! The shoulders of these muscle-men are the width of a small truck and their waists are teeny tiny, giving them a strange Donkey Kong look about them. Odd, but intriguing.
The description of this video reads: “A dancing egg wreaks havoc when people can’t take their eyes off him.” I mean as far as concepts go, that’s pretty strong. Basically a guy in an egg costume (note to self: purchase an egg costume) goes around distracting people as they get on with their day. It was created by directorial duo A Very Successful Business quite literally for a laugh. “We created it just for the fun of making it, and to add a bit of surreal silliness back into the world,” co-founder Dulcie told us. Sure, this isn’t a video that’s going to go down in the top ten music videos of all time lists, but it made every single person in the It’s Nice That office laugh, and surely that counts for something. Well done, egg-lads!
“This generation is not afraid, pay attention” – what a line to end on! This short film directed by the rather talented William Williamson takes a close look at residents of Lahore, Pakistan and contemplates their different, individual methods of expressing themselves through their clothing. From the transexual Hijra to confident policewomen in shiny new uniforms, this wondrous few minutes takes you on a powerful journey to loud, messy, jangly Pakistan and into the lives of people who are on the cusp of realising a fashion revolution. We take for granted what it means to express ourselves through what we wear, and it’s informed, intelligent films like this that are needed to remind us just how powerful that expression can be. Read a fantastic interview with William over on Dazed Digital.
I fear I’ve referenced this before, but one of my Desert Island Discs would almost certainly be Baz Lurhmann’s strange spoken-word track Everybody’s Free To Wear Sunscreen. I like it for many reasons, not least the opening phrase “Ladies and gentlemen of the class of ’99” which to a Midlands teenager felt exotic and American and important for ways I couldn’t really define.
“There’s nowt as queer as folk” begins this video created by Tate Britain to promote their spectacular exhibition, British Folk Art. The show has received critical acclaim for its curation, taking thousands of folkloric objects from the 1700s until now, and filtering them into a truly humbling exhibition that teaches you more about the underlying tone of our country than any history books ever will. From Morris Dancers to hen parties, and from leather Toby Jugs to tapestries woven by injured soldiers, these artefacts are a charming and often rather funny glimpse into what makes us all weird and British.
