A stunning looking ‘photographic projection’ exhibition running in L.A and Baltimore from 22 January. A whole host of people that deserve a bit of credit here in their own right, but firstly – a tipped hat to curators Jennilee Marigomen and Andrew Laumann. Pictured is an image from the portfolio of contributor Jesper Ulvelius from Gothenburg.
Dublin’s OFFSET festival is undoubtedly one of the highlights of the creative conference calendar, and early indications suggest that 2015 is all set to be another cracker (or craic-er, if you will). For three days in March the Irish capital is taken over by a brilliant line-up of art and design speakers (and a fair bit of socialising) and we’re looking forward to going back this year for another hefty dose of inspiration and enlightenment.
When we post work on It’s Nice That we don’t really know what that can lead to, but it’s always terrific to hear that creative collaborations have sprung from an article on the site. It’s even more terrific to hear of a coming together like this between Wild Beasts and animator and illustrator Mattis Dovier as part of The Jameson Works.
Last month we held an evening of talks at Mother London to showcase some of our favourite creative projects made possible through crowdfunding site Kickstarter. Since it launched in 2009, it’s no exaggeration to say the organisation has changed the way the creative world works and it was great to hear from some of those who had made the most of the new opportunities Kickstarter offers.
Just over a week ago It’s Nice That’s Jamie McIntyre and I took a train from London to Glasgow to the much-antiticipated Graphic Design Festival Scotland. We had been invited by Beth Wilson and James Gilchrist, two students who had recently graduated from Edinburgh College of Art. During their degree the two had found themselves working best when together, and decided to form Warriors Studio as a duo. They began thinking about the climate of graphic design in Scotland, the need for something new and exciting and – most importantly – what the hell they were going to do when term ends and they were turfed out to fend for themselves.
The House of Peroni is back and as bold as ever, this time celebrating the dizzying cultural diversity of Rome, the birth place of Peroni Nastro Azzurro. Combining the worlds of food, drink, design and film, contemporary Rome has been brought to London for one month only via a transformed townhouse; a four-storey exploration of how Rome’s rich heritage is being interpreted by a new wave of creative talent in Italy.
Few things fundamentally change the way the creative world works, which makes the rise and rise of crowdfunding site Kickstarter all the more remarkable. Now five years in, it’s one of those brands that’s become a verb and “to Kickstarter” is an increasingly common way of launching a project.
Back in the spring, The House of Peroni took over a central London townhouse with a celebration of the retro 1960s inspired creativity which so influenced Peroni’s founders. Next month it’s back and this time around it will be a feast of food, drink, art, design and fashion that reflects the cultural diversity of Rome.
As one of the most fundamental visual tools, creatives use colour in a multitude of ways. It’s Nice That is excited to be partnering with G . F Smith for three evenings exploring how an eclectic mix of visual practitioners think about colour and harness its power. They will take place across the UK and each evening will also feature an exclusive screening of the Colorplan film Bright Red. The exciting line-ups we have helped curate for the events are:
An elegant townhouse in central London has been transformed into a multi-storey, multi-sensory celebration of Italian style and culture. The House of Peroni, which opened last night, boasts a host of retro-inspired creativity – inspired by 1963, the year Peroni Nastro Azzurro was launched – and it brings to life a stylised version of la dolce vita.
I love Pick Me Up, especially the private view. Fine cheese, meats, booze and the best illustration and graphic arts you can hope for under one roof. In its fifth year the festival seems to have graduated from being a trade fair at which members of the public could by prints and knick knacks they wanted to hang in their kitchen, to being a place that celebrates the true craft of the world’s youngest and most talented artists.
We’ve featured Brinkworth’s beautifully designed skate parks on the site before when they launched Nike’s BaySixty6, a community project under London’s Westway that invited people of all ages to pick up a deck and try their hand on the ramps. The initiative was such a success that Brinkworth have become something of an authority on skate park construction and have since been invited to create a temporary set-up at the Old Selfridges Hotel, located inside Selfridges department store.
A lot of websites and magazines have technology and creative digital media as the forefront of their coverage. I never really got it before, until visiting Resonate festival in Belgrade last week when suddenly it dawned on me: turns out technology really is the future. Whoops!
It’s that time of the year – the YCN Professional Awards are now open for entries and once again competition is sure to be fierce as the freshest creative talent at work around the world battle it out for the prestigious prizes.
