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Illustration

Roderick Mills

Posted by Will Hudson,

This week’s guest posts come from illustrator and film maker Roderick Mills. A graduate of the RCA he has one of those styles that is often copied but rarely looks as good. To find out more about what the qualified ballroom dance teacher thinks and posts hit the link below.

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Posted by Will Hudson

Will founded It’s Nice That in 2007 and is now director of the company. Once one of the main contributors to the site he has stepped back from writing as the business has expanded. He is a regular guest on the Studio Audience podcast.

Most Recent: Illustration View Archive

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    Eike König and his HORT studio are celebrating 20 years of genre-blurring graphic design work with a show at London’s KK Outlet at the moment, and we felt this was a milestone well worth marking. So we’re excited and delighted to unveil three specially-commissioned t-shirts on which we have worked with Eike’s brilliant team.

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    Tokyo-based illustrator Hisashi Okawa is a veritable model of wide-eyed joy that we should all aspire to replicate. His charismatic illustration, rendered in painstakingly-applied felt tip and finished with his trademark Opie-esque dot eyes, is succinct and charming, securing him commissions from the likes of Bayerische Straatsballett, the Debrief, and Apartamento. Just see if you can scroll through his admirable portfolio without being drawn into the alternative universe he has constructed, full of artfully recreated street style shots, fantasy landscapes and sartorially sharp dogs.

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    Rachel Levit’s understated illustration lends itself perfectly to ending the week; it’s understated, oddly enamouring and full of the kind of humour which carefully treads the tightrope between sweet and sinister. The Brooklyn-based artist has perfected the simple line drawing, conjuring up figures with the vaguest impression of an outline. Don’t let that fool you into thinking it’s all she can do though; she’s just as happy creating fully fledged editorial illustration for The New Yorker website, communicating obscure and complicated ideas through the careful placement of an object or a witty observation.

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    If I were to draw my own picture of Thomas Colligan (having never met the talented chap) I’d attach a little funnel to his back, because the man is a veritable illustration engine, churning out heaps of great work just this year. This impression also owes something to the plethora of cars and factories and engines puffing out plumes of smoke in the busy worlds of his illustrations, where a population of Flat Stanley-like characters tootle about. Alternating between gouache and coloured pencils, Thomas creates scenes with grass as green as the Swiss hillsides he hails from, and balaclava-clad bank robbers as gutsy as those in the movies set in his new home of New York.

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    Using block pastel colours and precise pen outlines, Alessandro Apai is part of what seems to be a new trend emerging in illustration. His work is simple and funny, taking what could be perfectly normal everyday interactions and making them just that little bit odd and infinitely more interesting. Featuring a character who looks like a modern day, grown-up version of Hergé’s Tintin and some dark-haired playmates, his drawings show potential to tell even more quirky and fully developed stories. Italian Alessandro’s still a student, so we hope for great things in the future!

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    It isn’t often that we have a centenarian on the site, so today there’s double cause for celebration because not only is designer Mac Conner 100 years old, he’s also a ruddy legend. Mac spent the 1950s living and working in New York as one of the real-life Mad Men, illustrating for The Saturday Evening Post, Cosmopolitan and Good Housekeeping.

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    If you’re finding that your Monday is lacking in mystery (don’t they always?) allow me to introduce you to Nicholas Stevenson, an illustrator who practically daubs it onto his pages as he draws. Preferred subjects include long-armed humans, giant beasts, secret trapdoors and food fights, all of which are endowed with an equal measure of fantasy the likes of which doesn’t often exist beyond the pages of children’s books and the odd Wicca community.

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    If she’d been drawing back when I was consuming children’s books so fast that my parents ran out of printed matter and had to give me an Argos catalogue instead, one of Mari Kanstad Johnsen’s numerous children’s books would undoubtedly have been in my top ten. In fact, she might still be on that esteemed list given that my chosen career path allows me to spend an inordinate amount of time flicking through books intended for kids. It doesn’t even matter that I don’t speak Swedish.

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    Daniel Gray is an illustrator, but a past manifestation of himself wore a white coat and a stethoscope. He says he dropped out of Medical Science “when he realised illustration had a much lower patient mortality rate.” Looking at his portfolio though, I’d say he’s a guy drawn to tricky jobs.

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    Cosmic brilliance here from Jesse Fillingham, whose fantastical work is sending shivers all over me this morning. His confident line images seem to draw inspiration from teen sci-fi novels, video games, Shakespeare and the work of Roger Dean, bringing it all together to form a heady combination of past and future. Jesse graduated back in 2010 from Art Center College of Design in Pasadena and has since been exhibiting his work across American and Europe to what I can only imagine are die-hard fans. If you find yourself lost in the bizarre nature of his Kate Bush digital image or the transient surreality of Cosmic Contemplation 2, take your eyeballs for a gander at his simple line drawings. Extract / Sunset / Pointer is insanely well-drawn and I can’t stop looking at it. One for the “favourites” folder I think.

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    Looking at Pawel Mildner’s illustrations is like going on a little adventure. A really fun one. Your imagination is invited into lunar landscapes where grumpy flowers scowl at astronauts and wild woods where bearded Norsemen hunt for pesky rabbits which hop away gleefully. There’s a sense of wonder in the drawings; in one a giant dove gawps at a big yellow sphere which could be an oversize bowling ball or the moon or a previously undiscovered planet and in another a whale springs out of the sea. Some of Pawel’s work is editorial, but he’s also illustrated and written a children’s book, Ciekawe, co myśli o tym królowa, or “Wonder what the queen thinks about it” in case your Polish is a bit rusty.

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    We’d hate to say we told you so, but in the case of London-based illustrator Daniel Clarke, we definitely did. In January 2012 we crowned him our Student of the Month, and two years on he’s still going strong – actually he’s going even stronger. We were always drawn to Dan’s work for its stunning use of texture in the creation of atmospheric scenes; the smudge of ink on paper denoting a bitterly grim London day, or variations in pattern serving as an allegory for tower blocks.

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    Here at It’s Nice That we spend an awful lot of time talking about, thinking about and writing about creatives but ultimately we don’t get too many chances to really see what goes on in their day-to-day working lives…until now. Our new collaboration with super-cool eyewear brand Ace & Tate – who believe in great design and ultimate customer choice – is taking us inside the studios, and inside the minds, of a host of some of our favourite creatives.