Work / Miscellaneous

Aakash Nihalani: Stop, Pop and Roll

Words by Alex Bec, Friday 11 June 2010

Stop, Pop and Roll is the latest chunk of work to come out of the brain and studio of Aakash Nihalani. The Brooklyn street artist graced the pages of our third publication, and this little update makes me wish we could include him all over again. A rare glimpse to see the process of a man with a gift at subverting the standard.

Twin brothers V/A/B on their “difficultly simple” approach to design 21 July 2017
The people’s choice, it’s Best of the Web! 21 July 2017
Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand 21 July 2017
Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose" 21 July 2017
“The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility 21 July 2017
Peter Judson messes with depth perception in new personal project, Infection 21 July 2017

Work / Miscellaneous “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
“I’ve always been teaching and a part of education,” comments Dutch designer Jurgen Bey. “It’s the common place, it’s where all knowledge is shared. And it’s also the place where the future always exists. If you have students no matter how bad it goes with life or reality.” Such tenacious optimism for the future has illuminated Jurgen’s dual career as an influential designer and educator. Jurgen leads Studio Makkink & Bey in Rotterdam which works in applied art and public space projects, and he is also the director of the Sandberg Institute, the postgraduate program of the Gerrit Rietveld Academy in Amsterdam.

Ted Gioia — 21 July 2017
Features / Miscellaneous Colette, the trailblazer: creatives pay tribute to the iconic Parisian store and its legacy

Founded in 1997 by Colette Roussaux, cult Parisian store Colette has – in its two decade lifetime – established itself as one of the world’s most influential hubs for compelling, cutting-edge fashion and design. With Colette’s daughter Sarah Andelman working as creative director it also became a leading light in illustration and graphic art, giving a platform to the creative industry’s renowned innovators and creators. So, when last week the store posted a statement on Instagram saying “all good things must come to an end” and it would be closing its doors on 20 December 2017, there was an outpouring of love, support and reminiscences from across the industry.

Jenny Brewer — 19 July 2017
Sponsored / Miscellaneous Meet the winners of this year's MullenLowe NOVA Awards

At the end of the academic year, graduates from a breadth of courses at Central Saint Martins, UAL showcase their work to the creative industries in an impressive pair of degree shows. Global marketing communications agency MullenLowe Group sees this as an opportunity to invest in the university’s emerging talent, by sponsoring the degree shows and running the MullenLowe NOVA Awards, now in its seventh year.

Sponsored Content — 10 July 2017
Work / Miscellaneous “I hate the homogenisation of design” – Kate Moross on how her non-binary identity influences her work

“I always say that I don’t have big ideas, I just have lots of little ones that fill the same amount of time,” explains London artist Kate Moross. “I much prefer to take things a little bit at a time and change things that way. I think change is lots of small steps, not necessarily always the big things.” This small-idea ethos has helped Kate forge a genre-defying career as a graphic artist: she founded the London design agency Studio Moross in 2012, started the vinyl label Isomorph Records, and penned the DIY guide Make Your Own Luck. Her work has spanned from music videos to designing the tour visuals for One Direction. “I very much don’t conform to what most people think of what a graphic designer would be,” Kate confesses.

Ted Gioia — 07 July 2017
Features / Miscellaneous “It’s a psychological overload”: Weirdcore on creating Aphex Twin’s live visuals

The mystery that surrounds Aphex Twin is like no other, outside and within electronic music, a genre he has shaped over the past 20 years. A man of 18 different pseudonyms, the rumours that surround Richard D. James are absurd but often true. It is difficult to name another artist who encourages such hearsay as to whether he lives in a box structure on the Elephant and Castle roundabout, when he was actually living in abandoned bank office. He’s a musician who announces upcoming albums via blimps flying over London or by hiding a track list in a deep web server, an innovator across all aspects of his creative output. It comes as no surprise, the visuals of Aphex Twin have evolved with the increased sophistication of technology.

Lucy Bourton — 05 June 2017
Sponsored / Miscellaneous MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows

London art school Central Saint Martins is name-checked the world over as a creative incubator, bringing to life the industry’s best known talent and counting the likes of Stella McCartney and Jarvis Cocker as alumni.

It's Nice That — 22 May 2017