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Work / Interactive

TheGreenEyl

Words by Alex Bec, Monday 26 July 2010

I first came across the work of TheGreenEyl at the 2009 Designs of the Year exhibition, where their brilliantly intuitive and inclusive Appeel piece was displayed. Since then I’ve been intruiged and have kept tabs of their brand of interactive, audience-centric design practice. Their picks for their five posts this week are fantastic, and worth tuning in at noon every day to check out. For now, have a closer look at their work, and see what they have to say for themselves…

Work / Digital Studio Clam explores the architecture of BIG’s Serpentine Pavilion in a new app

A new app designed by Barcelona based Studio Clam allows users to learn more about this year’s Serpentine Pavilion, designed by architect BIG. The app has a clear interface that explains the different processes behind the construction of the structure, its operation and relationship with the environment. Users can explore the components that make up the temporary structure, currently installed in London’s Hyde park, and explains the concepts and processes that each piece assembled to create the sculptural pavilion. The app, developed as a personal project by the studio as they are such big fans of the architect, allows users to move around a 3D model of the buildings and focus on aspects of the design, such as the continuous, undulating seating, to find out how they are fundamental to the concept as a whole.

Owen Pritchard — 06 July 2016
Work / Interactive Yuri Suzuki's new invention lets users turn any object into a functioning musical instrument

Innovator and audiophile Yuri Suzuki has created an app that lets users turn anything, from Post It notes to plant pots and people, into a functioning musical instrument.

Jamie Green — 26 May 2016
Features / Set Design 15 years of doing it in public: Moment Factory’s “school of infinite amazement”

“We do it in public” is the proud mission statement of Moment Factory, a Montreal-based new media and entertainment studio that creates some of the most specialised multimedia environments in the world. From transforming Gaudi’s Sagrada Familia in Barcleona into a morphing, melting son et lumiere show to providing Arcade Fire, Jay-Z and the Nine Inch Nails with jaw dropping stage shows or permanent interactive artworks for LAX airport, the studio has established a global reputation for creating memorable experiences. Moment Factory’s 160-strong team of designers, directors, illustrators, architects, programmers, engineers and developers continually push the envelope of what is possible and what can be believed. “What we strive to do is create experiences that are relevant enough that people will be moved to go to and visit them,” says founder and creative director Sakchin Bessette. “It could be a rock show, a public space or a forest. It needs to be surprising. New technologies and new types of storytelling let us create new entertainments and experiences. We want to create goosebumps and memorable experiences.”

Owen Pritchard — 26 May 2016
Work / Graphic Design Designers create "male" and "female" robots that independently converse using phrases from Twitter

I recently spotted a furrowed-of-brow colleague completing an online quiz that asked: “will your job be taken over by a robot?” I’m not sure of the result, but what I am sure of is that machines certainly are becoming very like people. Even those with distinctly un-peoplely faces, like Michael Mason’s recent project She & He. The designer worked with his Mer/Sea collective created the graphics and interface for the installation, which uses two forms representing a male and female that talk to one another using nothing but randomly selected phrases nabbed from social media.

Emily Gosling — 17 September 2015
Sponsored / Interactive MINI creates two virtual reality films for a unique and immersive experience

There was a time when virtual reality was just fiction, a distant dream in the eyes of hopeful tech experts. But slowly the idea of Virtual Reality (VR) and immersive experiences are not only proving possible, but becoming the norm. Training programs for pilots are now achieved through VR, the gaming industry wouldn’t be half as booming were it not for virtual realms like World of Warcraft and we even have the indulgent choice to watch a film in 3D when we go to the cinema.

Sponsored Content — 10 September 2015
Work / Interactive The Mill shows its process behind creating those amazing Angry Birds pigs

Either I’m a real schmuck or The Mill is very, very good at what it does. In all truthfulness, it’s both of these things that have made me really believe that there was some Babe-grade pig acting going on in Wieden + Kennedy’s promo for the launch of the Angry Birds II game we covered on the site last month. In it, we see some adorable swimming piggies wearing little hats and running amok. But it turns out these pigs are 100% computer generated, and The Mill has now released a making-of film that shows how they were born as rough paper sketches and gestated by a lot of CG wizardry. It’s stunning work, even if you’re not as gullible or enamoured with anthropomorphised animals as I am.

Emily Gosling — 17 August 2015