Andreas rarely puts a foot wrong in the squishy ‘charmed’ bit of my brain. His site makes the corners of my mouth turn with every little addition, and my thirst for block coloured naivety has been well and truly quenched with his latest.
Christoph Niemann is one of our creative heroes, an illustrator and artist whose talent, imagination and sense of humour puts him smack bang in the top drawer. So imagine our excitement when we found out he was doing an Ask Me Anything on Reddit yesterday, where he held forth on all manner of topics, from serious illustration insight to his love of butter. Here’s some of the wit and wisdom he shared…
Illustrator and art director Charlotte Delarue’s varied work shows her to be an uncommonly talented illustrator, conjuring incredibly realistic portraits out of paper and pencil safe in the knowledge that she doesn’t need to do anything more to make them impressive. Her art direction is of another ilk entirely, however – she works with the likes of electro acts Chromeo, Justice and Kavinsky to draw up impactful logotypes and album artwork concepts that can be spotted from miles away, from the golden legs which reappear on almost every Chromeo album cover to Kavinsky’s mysterious blue-tinged scenes.
Sophy Hollington has been busy making some sassy new printed matter. With fan art, band T-shirts, record sleeves and commissions from The New York Times and Japanese gallery Parades, Sophy’s detailed, lino-cut and Risograph printed work is gorgeous, varied and often rather strange.
Interviewing cartoonist Joe Dator is a real honour, because he’s a total hero and also a spectacular interviewee. Listen to him talk about his working life: “Everything revolves around Tuesday. The New Yorker cartoon meeting is on Tuesday, so that’s the day we all submit our new ideas to the editor…I usually work over the weekend and by Monday night I’m in full-on lockdown to get my batch of ideas ready. Wednesday is a day off. If you ever want to socialise with a New Yorker cartoonist, Wednesday is the day to do it.”
New York-based illustrator Ben Mendelewicz draws comics, illustrates and animates for the likes of Adult Swim, Stussy and Funny or Die. He has contributed to Mouldmap, Happiness and Weird with comic horror stories of white collar jobs with fragmented scripts of bastardised professional jargon.
It’s great to see Rob Pybus’ work again after a little bit of a break. Like many illustrators at the moment, Rob has been unable to resist the allure of GIFs, and has clearly been spending a lot of his time recently turning his marvellous, perspective-skewing illustrations into mini films. Rob’s also been busy working for a whole bunch of exciting new clients such as Wired, The New York Times, Jacobin and Original Source, among others.
When we were up at Graphic Design Festival Scotland last year we met two nice guys called Dominic Kesterton and Orlando Lloyd who were assisting people in their design dreams by showing them how to make their own riso prints. A fantastic illustrator and designer respectively, Dominic and Orlando started up a small printing press, Workhorse Press, during their time studying in Edinburgh. We wanted to talk to them about why they’re still at it, the difficulties they face, and why Scotland’s print, design and illustration scene would be lost without them. Here they are…
Rand Renfrow is one of the illustrators we came across among the scores of upcoming artists and illustrators publishing with Clay Hickson’s independent project Tan & Loose yesterday, and seeing as how last time we featured him it was in our Introducing feature nearly two years ago, it seemed high time to check in.
Illustrator Graham Roumieu may be one of the most prolific creatives around. Already the 2015 tab on his website is populated with a load of work, less than two weeks into the year. And because it’s been nearly two years since we last featured him on the site, it’s no great surprise that there is a tonne of great imagery for us, and you, to enjoy. Regular clients include The Atlantic, New York Magazine and the Readers’ Questions feature in Popular Mechanics (where he brings to life such public puzzlers as “What do pilots talk about on long-haul flights?").
“All hail Hickson!” were the words with which we finished our last post about Chicago-based illustrator Clay Hickson back in 2012, and while it doesn’t give us much to improve on, the expression certainly still seems to fit our feelings for him. Since we last checked in, Clay has developed his practice immeasurably, stepping away from pencils to embrace Adobe Illustrator and printmaking all the more enthusiastically, and making a heap of new work in the process. He’s stuck to his old penchant for pop surrealist scenes and funny-shaped girl parts – he loves a boob and a sausage, does Clay – but the calibre of the work has improved in a striking way.
Orson is only 12 years old but has already achieved my unrealised childhood dream of publishing his own graphic novel. Last Saturday saw the launch of his latest title, The Adventures of Hal Dekenzin, at Orbital Comics in London – an event that included not only freshly printed comics, but also a plethora of live drawing by the author himself.
Presenting Matt Chase, the editorial illustrator living and working in Washington DC, who can transform a wishy-washy concept into a solid hunk of imagery with a snap of the fingers. You’ve likely seen his work already without knowing it – maybe in the New York Times, on the cover of one of Douglas Coupland’s novels, or perhaps in the Wall Street Journal if you’re that way inclined.
Giulia Garbin is carving out a very particular niche for herself, as a creator of great-looking tributes to the graphic design days of old. Her graduation project from the Royal College of Art was a stunning book celebrating the last printers in London’s Fleet Street and her new offering is a visual homage to the typographers of Turin.
