Fancy a daily comic strip from the pen of James Jarvis? I thought you might, so luckily the man himself has supplied. Nice to see a really spontaneous side to his work, and one that I’ll most definitely be keeping a keen eye on.
There was a time when we at It’s Nice That were inundated with internet art – we were having so much submitted to us on a daily basis that it was pouring out of our ears in waxy gifs. It’s pleasing to be faced with it again, a year or two after the craze has kind of died out, when it’s created by someone who actually has a passion and an eye for this stuff and isn’t just jumping on a weird bandwagon.
Considering I love smoking, guitars, bright colours and farts, I’m pretty overwhelmed by how great this work by Spanish illustrator Puño is. In a recent exhibition entitled Miseria the multi-faceted artist stuck drawings and coloured squares all over the walls much to the delight of his seemingly really good-looking friends who came to see it. Work like this, made in the gaps between Puño’s rather professional editorial illustration, is just joyous isn’t it? You can almost imagine him grinning as he cut out the yellow butts and sticky-out legs from the pastel-coloured paper. Don’t even get me started on this GIF that he made. You can see some shots of the exhibition plus arty French babes over here
Edward Cushenberry actually wrote to me to show me a really interesting photography project he’s working on at the moment. Unfortunately that was about the millionth interesting photography project we had seen this week, but one thing we were a bit short on was brilliant, entertaining, lo-fi illustration we could relate to. Let’s give a warm welcome then to Edward’s comics in which he deals with traumatic or memorable experiences from his own memory, or borrowed from this friends. His drawings cover such life topics as How to Properly Bury A Turtle and that awkward moment when the girl you kissed says that making out with you was “like drinking a glass of water.” Classic. Edward’s got his fingers in a lot of creative pies, but I’d say these comics were our personal favourites.
Girls just wanna… doodle! Celebrities including Yoko Ono, Sarah Silverman, Pussy Riot and Courtney Love are backing a Kickstarter project to inspire girls to get drawing. Confidence, curiosity, courage and creativity are terms being bandied around by the School of Doodle, which will be “a free online high school for the imagination” where teen girls can take part in lessons taught by artists or peers. It might sound a little cheesy, but with brilliant creatives like artist John Baldessari, Kim Hasreiter, founder of Paper magazine, and Salman Rushdie signed up as teachers, it promises great things.
It’s not especially often that creatives flock to Cornwall en masse, but the little nook of England has been awash with activity this weekend due to Port Eliot festival, featuring musicians, artists, fashion designers and journalists. It also saw the launch of The Girl Who Fell to Earth, a story written by Luella Bartley and illustrated by Zoë Taylor, a graphic artist we make no secret of our love for.
It’s not only the level of detail in Laurie Lipton’s drawings which is crazy; the illustrations are too. With charcoal and pencil she creates bonkers worlds in black and white which look like pictures for a short story written by the love child of Charles Dickens and George Orwell. The blacking factory meets Big Brother.
Ping Zhu is a force to be reckoned with in the world of illustration. Not only is she talented, mastering an inimitable style in every way imaginable, and then using it as very efficient bait to reel in the big clients, The Sunday Times, Pentagram and Nobrow included, but she’s also future proof – developing her style with every project she undertakes to make her as exciting as she is reliable, and delivering consistently good work to a broad spectrum of briefs.
There’s some schadenfreude at play in Masami Tsukishima’s illustrations. His series Life Of A Salesman follows lonely suited blokes trudging to and from work, talking on their phones and lugging their suitcases. I like how he plays with the angles of his illustrations; life is literally an uphill struggle for some of these poor office drones, as they plod along lanes slanting up and away from them. There’s also some sort of alternate universe in the series, where trains go up in flames and spread-eagled salesmen fall through the sky and run away from looming giant iPhones. One second the salesmen are sedately reading their emails, the next everything has spiralled out of control. The sentiment is a tongue-in-cheek 21st century Japanese rendering of “Slough”. I’m guessing Masami Tsukishima doesn’t wear a suit to work.
We adore this article from NYT’s T Magazine today, in which a heap of creatives sing hallelujah for old school artistic tools, with brilliant illustrations to boot.
There are several reasons why we love Kyle Pellet and everything that comes out of his Pellet Factory, but first and foremost on the list is that his work is good, plain, unadulterated fun. There’s no need to muse on his choice of medium, or the narratives which seem to run from one image to the next, or the squishy-faced characters who pop up again and again, because why would you when you can look at them, laugh and imagine you’re running through a gallery with a pack of assorted animals? Turns out he’s been incredibly busy churning out work at an impressive rate, so here’s an update on what he’s been up to! If you’re curious, you can also check out five of his favourite books over here on his bookshelf.
Doodling isn’t just for school kids. It’s about discovery. “It’s a healthy way to let it all out, with no restrictions or external rules,” says Guy, a designer and illustrator. “You just go for it.” Every single page of his sketchbooks is packed with faces, animals, monsters, questions and squiggles. “Sometimes you’ll draw a face or a hand or a dog in a way you’ve never seen or done before and that’s always a good feeling. And sometimes you just make yourself laugh!”
Scrolling through Marcel George’s hand-painted watercolour illustrations is like going on safari. Lipsticks hiding behind palm fronds, flamingos stalking around sunglasses, the Lacoste crocodile roaring at trainers.
There’s something otherworldly about Dadu Shin’s illustrations. Miniature people wander about an overgrown fairy-tale forest, an avatar-like hand reaches out into a tie-dye galaxy, a man walks a lonely path over rocks which form the silhouette of a woman’s face.
