Fred_butler_guest

Fred Butler

Words by Alex Bec, Monday 04 May 2009

Despite the bank holiday we are still kicking off this week’s guest poster on a Monday so that you don’t miss out on your usual weekly fix. Expect bags of colour and excitement this week as we are pleased to welcome Fred Butler to the It’s Nice That team to kick May off. I’m certain if you don’t know her work already, by the end of the week you’ll be a fan, so without further adieu…

Brian Blomerth illustrates a “trippers guide” to the iPhone 64 22 June 2017
Alex de Mora on shooting Vice parties and famous footballers 22 June 2017
Natacha Paschal’s “deformed” interpretations of mag covers and fashion ads 22 June 2017
Leipzig graphic design studio Lamm & Kirch on their shared ethos 22 June 2017
Photographer Adrian Samson plays with space and perspective in this series of “still lifes” 22 June 2017
Photographer Sophie Green captures pagans at Stonehenge's summer solstice 21 June 2017

Sponsored / Fashion London College of Fashion’s unique postgraduate courses in curation and culture

London College of Fashion, University of the Arts London, is the only college in Britain to focus solely on fashion education and its many realms, gaining the institution recognition worldwide.

Sponsored Content — 21 June 2017
Work / Fashion Exclusive: rediscover graphics from Fiorucci’s archival 1984 Panini collaboration

Since Fiorucci was founded in 1967, the Italian brand has been worn by everyone from Marc Jacobs to Cher, Calvin Klein to Douglas Coupland. The clout of a celebrity-studded fanbase solidified the label as a by-word for cool, earning Fiorucci a flurry of pop culture name-checks from Sister Sledge’s disco classic He’s The Greatest Dancer to Mark Leckey’s iconic video artwork Fiorucci Made Me Hardcore.

Bryony Stone — 21 March 2017
Work / Illustration From Frank Ocean to army jackets: meet illustrator Daniel David Freeman

Since illustrating for Vice straight out of university in 2008, illustrator and animator Daniel David Freeman has gone on to work with Boiler Room, Adidas, i-D, V&A, Converse, Dazed and XL Recordings, among many other collaborators. He had two solo shows at “the late great” Beach Gallery and a feature in Frank Ocean’s Boys Don’t Cry magazine, “a career highlight”, and now Daniel is preparing for a residency at Wieden+Kennedy London.

Jenny Brewer — 02 March 2017
Work / Film Lacey’s addictive film for Vogue Japan follows skater Hyojoo Ko through an architectural icon

When Korean longboarder Hyojoo Ko released an Instagram video early last year showing her expertly perform a choreographed skate through Han River Park in Seoul, it earned millions of views the world over. Now director Lacey has worked with production company Rita to create a fashion film for Vogue Japan starring Hyojoo, featuring some of the same moves but in an altogether more awesome environment.

Jenny Brewer — 07 February 2017
Work / Fashion North exhibition curators Lou Stoppard and Adam Murray pick their top images from the show

As the sweat, cigarette butts and class A drug debris of men’s fashion week are swept from the nightclub floors across the capital, our attention marches north to Liverpool, where Open Eye Gallery presents North: Identity, Photography, Fashion.

Bryony Stone — 12 January 2017
Features / Fashion In chaos lies opportunity: designer Liam Hodges on leading a dystopian army

In the three years since Liam Hodges launched his debut collection, the Hackney-based designer has scaled his way to the top of London’s creative pile. With his flag waved by Lulu Kennedy, who welcomed Liam into the Fashion East fold back in SS14, and continued support from Man, Newgen and Woolmark, Liam Hodges has cherry-picked UK culture from far-flung villages and satellite towns and sewn it onto the bodies of a “polysyllabic” tribe of likely lads. Roadies, morris dancers, scouts, cockney market stall-holders, boy racers and pirate radio producers: no corner of British masculinity has gone unprobed. “It’s not blokey for the sake of being blokey,” he insists. “It’s a masculinity that’s a little bit fragile and dishevelled.”

Bryony Stone — 09 January 2017