Quimby The Mouse
New video from the hand of Chris Ware. He never, ever disappoints and with music by Andrew Bird to boot it’s a bit of a treat.
Found via The Tantramar (Thanks Charlie)
Further reading:
Most Recent: Animation View Archive
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If the sole intention of animation was to create visuals nothing short of magical then Parabella would get my vote as the very best in the game every single time. The “young but experienced Bafta award-winning animation studio” (their words) co-founded by Mikey Please and Daniel Ojari has made truly astounding work from the off, gathering up awards alike they were marbles hard-won in the playground. Hard-won being the operative term here; the six minute-long stop-motion film was a year in the making, and features, as Parabella explain, “the voice of comedy wiz Josie Long, one zillion hand-carved tiny things, literally tens of carved foam puppets, two eyefuls of in-camera, long-exposure light trickery and a pair of tiny dolphins, smooching.” Safe to say, the efforts paid off; the final short is a masterpiece of patience and enchanting filmmaking.
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Ever since it was announced earlier this year that FOX was working on a Simpsons and Family Guy crossover hour-long special, fans of one or both shows have been interested to see how it would work. And yesterday they got their first glimpse when a five-minute excerpt was screened at Comic_Con which gives us a taste how these two cartoon competitors will be joined in creative matrimony. So it seems we can expect beer, bonding, brawls and bitchiness when the Griffins wind up in Springfield; consider our appetites well and truly whetted.
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Simple story, this one. A man gets a new next door neighbour and watches her through a hole in the wall (don’t try this at home, folks) and one day when she returns from a jog he gives her an ice lolly. Wanting to see her eat the lolly he looks through the hole but sees her instead dabbing it on her sweaty armpits. Enraged, he breaks into her house every day for the next few weeks when she’s out and wrings out her clothes into a bottle to make sweat ice lollies from there-on out. You know someone’s a consistently entertaining animator if the top comment on their Vimeo is: “Wow! you finally made something that is safe for work.” Bravo Wong Ping, bravo!
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To tell the truth, when I heard that Morph’s creator was bringing him back around again for another go, I wanted to hate it. Being a true child of the 90s I feel like our little orange plasticine friend belongs solely to that era, and to attempt to bring him back for the soiled, desensitised, X-Box-obsessed youth of today is akin to animating Rosie & Jim and plonking them on a speedboat with a robot where the duck should be.
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Self-initiated projects are the best, aren’t they? I think of them as an excuse to peel the dollar signs off your eyeballs and replace them with love-hearts for a while, and more often than not it’s a transaction that pays off a hundredfold in the long run.
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There’s nothing quite like when someone takes something you associate with your innocent childhood and uses it to slap you across the face with a controversial, dark statement. That’s what Greenpeace tend to do to get their point across, and boy does it work. Their most recent plea is directed at LEGO, urging them to discontinue the production of kits for children that are emblazoned with the Shell logo. I’ve seen a lot of LEGO parodies in my time here at It’s Nice That, but none have made me feel dark to my very core like this one did – nothing says wake up and address this horrible issue more than smiling children’s toys drowning in a sea of black oil. Bravo Greenpeace.
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Anyone that played (and now misses) Monument Valley will love this new animation from Fabrice Le Nezet. It was a bit weird to get an email from Fabrice with this animation, as last time we checked up on him he was making enormous sculptures of metal and stone. People change I guess. Anyway, what he’s doing now with the help of Benjamin Mousquet and Raphael Azel Martinez is totally fine by us, as it’s one of the most spectacular and unique animations we’ve seen in a very long while. Watch as teeny little men manoeuvre their way around a monochromatic, cubist landscape and get chased by enormous marbles and climb the infinite stairs of winding minarets. It isn’t as weird as it sounds, but it is seriously impressive, enjoy.
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There’s no shortage of comics, books, films and radio programmes that deal with the subject of dystopian futures. If you believe the predictions of our greatest sci-fi auteurs, the distant future will be one in which governmental control is complete and our civil liberties and basic human rights lie in tatters; emotion, procreation and relaxation banned in favour of order and efficiency.
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One of my favourite columns in the New York Times, apart from all of the important news bits of course, is Modern Love. While I’ve only been able to read the ones they publish online, it’s still a fascinating glimmer into the absolute highs and desperate lows of love. The stories and the honesty within them are what make them so compelling and because love is so universal you can somehow connect with each author.
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Whenever Tom Darracott and Carl Burgess join forces the results are spectacular. The two directors and digital specialists are experts at creating polished 3D-generated worlds that feel part computer game, part hyper-real dream – every element a slightly altered version of a recognisable, real-world object. Even when they’re advertising clothes the pair produce unconventional results that delight and disorientate your eyes with their effortless surrealism. Their latest campaign for Loft is no exception, showing the brand’s brightly coloured collection folding itself into a state of geometric order.
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Of all of the areas of art and design that I write about on a daily basis, animation is probably the one that falls furthest from my realm of understanding. No matter how many behind-the-scenes pictures I stare open-mouthed at, or how many conversations I have about the hours that went into constructing one perfect shot, I’m absolutely torn between disbelief that anybody has the patience for such a meticulous process and relief that somebody has the right composure for it.
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If you haven’t yet found yourself clicking waywardly through to Patatap only to while away several hours idly composing beautiful melodies and weirdly syncopated rhythms when you were meant to be working towards that deadline, then frankly I don’t know what you’ve been doing. We found the website a little while back, but little did we know at the time that it was created by the spectacular mind of Jono Brandel who was also responsible for Anitype, or that it would swiftly be used to create some incredibly elaborate pieces which spread like wildfire online.
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I’m going to admit to a certain bias towards Nicos Livesey’s latest animation before I say anything more about it. As a teenager every bag and garment I owned was plastered with patches that I’d picked up in Camden – or at a horrible little shop in my hometown called Tiger Lily – paying homage to any number of death metal bands I was obsessing over at the time (and some embarrassingly poor nu-metal ones too). I couldn’t get enough of them. But in spite of this penchant for embroidered badges I’m going to go out on a limb and say that Tharsis Sleeps will appeal even to those who don’t like to wear their bands on their sleeves.
