I once boldly proclaimed to my colleagues that I didn’t rate any publication that you couldn’t read comfortably on the train (I hadn’t thought it through truth be told) but if I really did believe that then I’d happily make an exception for the new issue of design agency Fivefootsix’s 56+1 magazine. For their third publication they’ve collaborated with Beach London and ten really talented young illustrators taking their first tentative steps into the professional world. Kicking off with the simple question “what next?”, first creative James Jessiman has provided an image and then set the question for the next illustrator and so on throughout the series taking in inspiration, motivation and post-project celebration among other themes.
It’s a neat enough central conceit but the work’s what makes it, with no fewer than four of last year’s It’s Nice That graduates included (Ellie Andrews, Grace Helmer, Lorna Scobie and Joshua Checkley) alongside some new names we’re sure have got big futures ahead of them. And yes the oversized format really works really well!
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s