I once boldly proclaimed to my colleagues that I didn’t rate any publication that you couldn’t read comfortably on the train (I hadn’t thought it through truth be told) but if I really did believe that then I’d happily make an exception for the new issue of design agency Fivefootsix’s 56+1 magazine. For their third publication they’ve collaborated with Beach London and ten really talented young illustrators taking their first tentative steps into the professional world. Kicking off with the simple question “what next?”, first creative James Jessiman has provided an image and then set the question for the next illustrator and so on throughout the series taking in inspiration, motivation and post-project celebration among other themes.
It’s a neat enough central conceit but the work’s what makes it, with no fewer than four of last year’s It’s Nice That graduates included (Ellie Andrews, Grace Helmer, Lorna Scobie and Joshua Checkley) alongside some new names we’re sure have got big futures ahead of them. And yes the oversized format really works really well!
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here
- Upcoming Eduardo Paolozzi exhibition pairs key works with his daughter’s designs
- The brilliant Mat Maitland is back with more luxuriously surreal collages
- We chat to Snøhetta about designing banknotes, studio rituals and the problems with civic commissions
- Art and architecture get exhibitions and galleries: graphic design should too
- Candy colours, surreal scenes and unconventional couples in Bex Day's Manic Ovation series
- New Channel 4 identity by creative dream team of 4Creative, Jonathan Glazer, Neville Brody and DBLG
- A new stop-motion Honda advert took four months, dozens of illustrators and thousands of drawings
- Pentagram Partner Michael Bierut shares his wisdom on what makes a truly great logo design
- Photographing the choreography and chaos of the England cheerleading team
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- Phwoar! Typophiles, swoon over this cornucopia of contemporary typography