Film

Pash*

Posted by Will Hudson,

Not quite sure how I came to be watching this one but if you’ve got two and half minutes it’s almost worth watching, ‘1st Ping-Pong Lesson With Lucha Lib’, directed, shot and written by Pash*.

Wh-300

Posted by Will Hudson

Will founded It’s Nice That in 2007 and is now director of the company. Once one of the main contributors to the site he has stepped back from writing as the business has expanded. He is a regular guest on the Studio Audience podcast.

Most Recent: Film View Archive

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    As London’s Crossrail development project has rolled loudly, slowly on, it’s probably fair to say the project has been accessorised with a few eye (and ear) sores – cranes, rubble, road closures, dust…you get the idea. But in the bid to make tunnels from Liverpool Street to Farringdon, something beautiful has emerged in the shape of this Barbican commissioned film Pipe Dreams, animated by Daniela Sherer. The film marks the passing of Crossrail’s tunnel boring machines (apparently named Elizabeth and Victoria) beneath the Barbican Estate.

  2. Erikshirai-birthofsake-itsnicethat-list

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    There’s a reason why a long pan-out is such a recurrent feature at the end of feature films: it reminds us that the characters we’ve been engrossed in for the past couple of hours are just some more tiny ants in the nest of a bigger picture. The same goes for zooming in at the start of movies, and for the concept of this short by Luke Carlisle that takes us fleetingly into the serene, somewhat surreal life of a London drug dealer. We swoop around his day-to-day activities on steadicams, watching him (David Ajala) like a hovering dragonfly as people get in and out of his car, and his phone vibrates on the table prompting a Pavlov’s Dog effect.

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    “Their agenda is that they want an activist film that goes into the history of their struggle and presents a contemporary portrait of what’s happening in Black Mesa right now. But it’s not an activist film. I think ultimately it has undertones of activism because of the subject matter, but an activist film follows a certain structure and I’m definitely moving more towards something else.”

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