Garytaxali

Work / Illustration

Gary Taxali

Words by Will Hudson, Monday 30 June 2008

I was going through some old posts and stumbled upon the work of Gary Taxali, initially posted by Alex, Gary has some great work and one that I missed first time round.

Pictured is ‘Bad Haircut/Stupid Haircut’ for Men’s Fitness.

Noa Snir visualises mental disorders through her series of minimalist linocut prints 27 July 2017
Look up and embrace the chaos: what we learned from Nicer Tuesdays July 26 July 2017
Scarlett O’Flaherty’s photographs focus on social documentary and slow-journalism 26 July 2017
Fatima Al Qadiri is mono.kultur magazine’s latest muse 26 July 2017
Michael DeForge’s mysterious, ominous illustrations 26 July 2017
Jesús Sotés folkish work draws darker themes into his commercial illustration 26 July 2017

Work / Illustration Noa Snir visualises mental disorders through her series of minimalist linocut prints

Illustrator Noa Snir’s black and white linocut series explores psychological disorders, phobias and syndromes through pared-back interpretations. The project first came to life as an A5 publication a couple of years ago and Noa has continued with the project since, which has led to an exhibition of the prints in O! Galeria in Porto opening this week.

Rebecca Fulleylove — 27 July 2017
Work / Illustration Michael DeForge’s mysterious, ominous illustrations

Illustrator and comics artist Michael DeForge is a man of few words: “I draw comics in Toronto, Ontario,” he tells us by way of introduction. With a Cintiq tablet as his main tool, Michael draws a daily comic called Leaving Richards Valley which he tells us he serialises online. Elsewhere, he makes books and illustrations.

Bryony Stone — 26 July 2017
Work / Illustration Jesús Sotés folkish work draws darker themes into his commercial illustration

Jesús Sotés’ dark, folk-like images can be eerie and unsettling. He is adept at finding ways to create uncomfortable forms and characters and over the past 15 years has been successful in finding commissions for his unconventional style across editorial and commercial projects. “I really think that it is my darker side that captures the potential client’s attention. But for different reasons I often end up with a kind of work that, sometimes, is far from the work that I really would like to do,” says self-taught Jesús. “Frequently, commissions are very defined and limited by commercial aspects and art directors. These parameters sometimes act as a brake to my creativity but I’m going to reconcile these two sides. I go looking for bold work with commissions, without detracting from requirements of clients. I think the best illustrators are those who are able to transfer the most authentic parts of themselves to commercial commissions. That is where I want to go.”

Owen Pritchard — 26 July 2017
Work / Illustration Julia Petrova conveys mystery and darkness in her landscape illustrations

Moscow-based illustrator Julia Petrova uses watercolour, ink and liner for her finely-detailed drawings and each one takes around one or two days to complete. There’s a gloomy and mysterious atmosphere to Julia’s landscape-based illustrations and while she depicts buildings, cars and other human-made structures, there’s a distinct absence of people in her work. When humans do appear, it’s just the back of someone or a dangling hand, and this only adds to the intrigue surrounding Julia’s drawings, which capture moments just before or after something has happened.

Rebecca Fulleylove — 24 July 2017
Work / Illustration Peter Judson messes with depth perception in new personal project, Infection

Illustrator and designer Peter Judson has become widely known for his vivid isometric room depictions – too well known, in his opinion. “I’ve been asked time and time again to reinvent these environments for various clients to a point where it was becoming pretty repetitive and dull,” he says. In an attempt to spice up the work that’s become his signature, Peter has been literally taking them apart just to put them back together in inventive new ways.

Jenny Brewer — 21 July 2017
Work / Illustration Kyung Me’s detailed series tells the tale of a cat struggling with identity

Illustrator Kyung Me has created a series of illustrations about a character called Copy Kitty, whose quest it is to be adored. “Copy Kitty’s target of affection is an innocent, cherub-like, blonde boy with a nebulous gaze. Copy Kitty plants herself in the world of the boy and expends all her energy trying to belong in his world,” explains Kyung Me. To blend in, Copy Kitty disguises herself in elaborate gowns and adorns a “blank, inscrutable expression”.

Rebecca Fulleylove — 21 July 2017