• Michaelbojowski
Graphic Design

Michael Bojkowski / Boico

Posted by Alex Bec,

Michael is a fine purveyor of Graphic Design and Creative Direction, specialising in the various shades of publishing. He is a self-professed ‘design tourist’ and has been fortunate to work with a number of ace design studios and organisations such as YCN and The Future Laboratory. Currently on assignment at Nick Bell Design, Michael has maintained the Boicozine blog since October 2006.

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Posted by Alex Bec

Alex is one of the directors of It’s Nice That who now oversees our sister creative agency INT Works. For several years he oversaw the Monday Morning Music Video feature until it came to an end in 2014.

Most Recent: Graphic Design View Archive

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    I’d say that when one of the few companies lauded by children the world over commissions you to design artwork for the interior walls of their HQ, you know you’ve made it. This actually happened to Patrick Savile, the graphic designer and illustrator responsible for splashing his irrevocably diverting artwork throughout the building that houses kids TV channel Nickelodeon, resulting in playful digital illustration, typographic experiments and cartoon eyes a plenty.

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    Just as you were thinking you hadn’t seen some truly joyous graphic design infused with sunshine for such a long time BAM! Here’s a bunch of magazines that are designed with one thing in mind: happiness. Javas Lehn Studio are based in New York and spend their days commissioning fantastic illustrators and not worrying about overusing exclamation marks for big brands that want a slice of the nice. Although a lot of this studio’s work is digital or signage-based, for me where they really come into their own is in the world of print. Saturdays Magazine looks delicious, and you could argue that Ace of Faith – the book they created for artist Brian Paumier – is even more lust-worthy than the art itself. I urge you to go and spend some time on their site, if it doesn’t make you want to start up your own design practice then at the very least you’re going to want to go and leave small offerings on the doorstep of Javas Lehn HQ.

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    It’s not immediately easy to get a handle on Casper Heijkenskjöld’s portfolio, but right from the off you realise you’re in the presence of an impressive creative mind. The Copenhagen-based designer and art director worked for a time for Sagmeister in New York, and seems to have brought the Austrian’s taste for pushing boundaries to his own studio which he set up in 2011.

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    With the many branches of Stoptober currently encompassing the social media feeds of our nearest and dearest, the notion of resistance is in full swing. For Muslims, the month of Ramadan is a lunar-based 30-day fast in which food and drink are consumed pre-daybreak and after sunset and other behaviour such as smoking, swearing, sex and many other sinful activities are forbidden.

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    We’re suckers for a bit of nostalgia here at It’s Nice That and this blog by renowned designer Emilio Gil provides it in gratifyingly regular doses. But to suggest that Emilio’s archive is just a way of getting a fix of retro imagery is to do it a disservice as Graphic Pioneers; Spanish Graphic Design 1939 – 1975 does much more than that.

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    Many of you will have seen Emma Watson’s spine-tinglingly good speech at the United Nations this week, calling on men to stand up and be counted in the fight for gender equality (and for the feminist movement to work with men rather than against them).

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    When I first joined It’s Nice That more than three years ago I had never heard of Elephant magazine, but it was one of those titles talked about in hushed and revered tones. As such it’s always a publication I’ve approached with high expectations, so it was interesting to hear that for the next issue, number 20, Astrid Stavro and Pablo Martin of Atlas Studio have overseen a fairly comprehensive redesign.

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    If you’re ever looking for a great reason why good graphic design is important, Pentagram partner Michael Bierut sums it up in this Kickstarter video. “New York City is a chaotic place and in the 1960s nowhere was more chaotic than the subway system,” he says. There was a “profusion of inconsistent signs” but “a lot of people were convinced that was the way it had to be; New York’s a complicated place, figure it out…”

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    It’s been eight years since the London Design Museum last redesigned its website, but last week one of the design-world’s most enduring riddles – why does one of the world’s leading design bodies have such an anachronistic web presence? – was resolved. Dutch consultancy Fabrique worked with q42 developers to create a new site with pared-back navigation, new type treatments and a much-needed elevation of big, beautiful imagery to the level it deserves.

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    To celebrate the launch of their new Paris-based art direction studio Avant Post, Quentin Berthelot, Johan Mossé and Adrien Weibel created Stop Départ. They worked with photographer Samuel Guigues to make a whole series around the neat motif of the start of an athletics race and so open their studio with a bang. Simple, stylish and well-executed, the theme hints at the studio’s ambition, gunning for gold, and suggests that it’s more than capable of achieving greatness with repeated gilt tones throughout the posters and cards. If they keep producing work of this calibre, we expect to see them on plenty more podiums in the future.

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    The mass Scandinavian cultural crush which saw us all become obsessed with the food, TV shows and chunky knitwear of our northern cousins seems to have abated somewhat but that won’t stop Lundgren + Lindqvist.

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    Ghent-based graphic designer Jelle Martens makes work which might be described as design with a heavy dollop of fine art added in. Working predominantly on record sleeve design since graduating two years ago, he has created projects for record labels Other People, Software and Unday Records among others, employing his unique mixture of colour, texture and manipulated imagery to create designs which are unlike anything I’ve ever seen before.

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    NACHTDIGITAL was once described as Germany’s “best kept festival secret” but now with a cult following that snaps up its entire ticket allocation in minutes, maybe organisers can be a little more creative with the visuals they commission.