Thanks to the rise and rise of a certain anonymous Bristolian, street art went through a period of taking itself slightly too seriously. It was obsessed with making statements which appeared punchy on first glance but pointed to a slightly grating sixth form sense of smash the system (the brilliant @banksyideas Twitter stream satirises this trend with unerring piquancy).
But certain practitioners have an effortless ability to create fun, funny and fabulous interventions and the brilliant Aakash Nihalani is certainly one of the best. His newest work Sum Times is a series of street art pieces which eschews questions of geopolitics or corporate greed in favour of pure silliness giving us the opportunity to reassess the mathematics apparently present in our everyday surroundings. Lovely stuff!
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Balkan peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Smart, funny and expertly executed party posters from German designer Mark Bohle
- Vice, despair and a bafflingly fertile imagination from Brooklyn-based Milton Melvin Croissant III
- A focus on typography in Ghent-based designer Corbin Mahieu's updated portfolio
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web