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A red brick house is partially covered in thick, reddish-brown climbing plants. The upper windows are broken and draped in dried foliage, while a green door sits centrally beneath an arched window.

Alex Chinneck's life-size house of wax will melt over its 30 day lifespan

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Date
28 October 2014

Head down to Southwark Street just south of the River Thames, and you’ll find Alex Chinneck’s large-scale project, A pound of flesh for 50p. Starting as a life-size two-storey house made out of 8,000 wax bricks, the sculpture will eventually be a mess of rooftop and melted wax come mid-November.

The sculpture is part of Merge Festival, an annual series of art, music and performances that draws on the heritage and culture of London’s Bankside, and Alex’s project celebrates the history of an old candle-making factory from a few centuries ago. It’s a stunning tribute that not only required a colossal build but also involved the artist spending a year talking to numerous engineers, chemists and wax manufacturers to develop scarily convincing bricks that mimic real walls.

In place until 18 November, the installation is set to disintegrate over 30 days and will be melted manually to allow for some control over the work’s appearance and changing shape. But the beauty of using wax as a material is the dropping, dripping and warping can only be manipulated so much, meaning beautiful stalactites of paraffin wax are already forming in wonderful irregularity.

While Alex’s jaw-dropping sculpture in the Covent Garden Piazza garnering so much attention over recent weeks, it seems like the artist’s work is taking over London at the minute, which is absolutely fine with us.

A small, two-storey red brick house with a grey slate roof. A green front door is centred under an arched window, flanked by white-framed windows and a black metal fence.
Above

Alex Chinneck: A pound of flesh for 50p

A small, two-storey brick house with a grey slate roof stands against a high railway wall. Dried brown vines cling to the red brick walls, partially obscuring the windows and a green front door.
Above

Alex Chinneck: A pound of flesh for 50p

Reddish-brown, hair-like fibres hang in long, dense curtains across a red brick wall. The fibres drape over the edges of two windows, partially obscuring the glass.
Above

Alex Chinneck: A pound of flesh for 50p

Thick, glossy brown paint drips down a textured brick wall. The paint forms long, vertical streaks and heavy droplets that partially obscure the masonry.
Above

Alex Chinneck: A pound of flesh for 50p

A window in a brown brick wall is covered in melted, dripping brown and white material. The substance clings to the frame and glass, hanging in thick, organic strands from the sill.
Above

Alex Chinneck: A pound of flesh for 50p

A small, two-storey red brick building is almost entirely covered in thick, reddish-brown climbing plants. A green door sits beneath a rounded arch, flanked by white-framed windows.
Above

Alex Chinneck: A pound of flesh for 50p

Thick, reddish-brown paint drips down a red brick wall. The paint forms heavy, textured streaks and clumps that partially obscure the masonry.
Above

Alex Chinneck: A pound of flesh for 50p

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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