My bedroom used to be covered in a lot of posters as a youngster and it’s only recently that I’ve realised how awfully designed they all were. To be fair though, my eight-year-old self didn’t really care about the type used on my Smash Hits poster of the Spice Girls – it was their cheeky attitude and sisterhood principles I was most interested in.
Since moving on from my bad choices, it’s opened me up to a whole host of talented poster makers, including Atlanta-based Alvin Diec. Featured among this graphic designer’s extensive portfolio are 2D wonders for gigs, bars, playhouses and restaurants. His style is pared back, using simple shapes and small colour palettes combined with clever type and often one strong image. It’s lovely stuff and the kind of posters I’d now be proud to hang on my wall.
- Cheer Up Luv: the photography project sharing womens' experiences with sexual harassment
- “Bold, concise, minimalist and sometimes abstract”: a look at Jeong Hwa Min’s new illustrative approach
- Patrik Mollwing’s illustrations and wigglegrams depict a cast of colourful characters
- Between the pages of Polanski’s suburbia-themed sixth issue
- Hacking Heidelberg: how Erik Spiekermann came to reinvent the printing process
- ManvsMachine on its hugely diverse campaign for Air Max Day
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU