When something looks like it’s been done on a computer but it’s actually been created by hand I’m instantly impressed and it’s even better when that work is actually really good (rather than just those weird painted replicas of Johnny Depp or David Beckham you see on the market sometimes).
Take the work of Amze Emmons for instance whose work explores disaster and refugee architecture but depicts them in a simple line drawn style with sweet, ice-cream colours that jar beautifully against the isolated, dilapidated spaces and makes us question the reality Amze has captured. Using a range of techniques including stencilling, etching, silkscreen, relief with materials including graphite, gouache and watercolours all on paper, his work is engaging and superbly realised.
- Submit Saturdays: Should you create a portfolio website when you’re a student?
- Reactions to the referendum and our weekly Best of the Web
- Ben Hill and Daniel Oeffinger offer helping hand on Bucks' new animated spot for Cree
- Kristen Liu-Wong’s wild fluoro illustrations of empowered women
- Thoughtful composition and colour blocking in Martin Steiner’s sleek portfolio
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- Ten of our favourite collage artists on Instagram
- Creative industries make last attempts to sway EU referendum voters
- North evolves Tate identity to be more adaptable
- Monotype unveils its redesigned Transport for London typeface, Johnston100