When something looks like it’s been done on a computer but it’s actually been created by hand I’m instantly impressed and it’s even better when that work is actually really good (rather than just those weird painted replicas of Johnny Depp or David Beckham you see on the market sometimes).
Take the work of Amze Emmons for instance whose work explores disaster and refugee architecture but depicts them in a simple line drawn style with sweet, ice-cream colours that jar beautifully against the isolated, dilapidated spaces and makes us question the reality Amze has captured. Using a range of techniques including stencilling, etching, silkscreen, relief with materials including graphite, gouache and watercolours all on paper, his work is engaging and superbly realised.
- A treasure trove of goodies, it’s Best of the Web!
- Donald Sanger illustrates a grotesque and humorous version of humanity
- Photographer Joshua Osborne takes a closer look at Havana’s male subcultures
- Friday Mixtape: Ghostpoet’s “drum worship mix” for all your percussive needs
- Yann Kebbi’s chaotic pencil drawings depict various forms of catastrophe
- Viva MS Paint: illustrators pay tribute to (the now saved) program
- The New York Times Magazine’s new cover is actually a painting
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- “It needs to be normalised that women masturbate”: meet illustrator Jordyn McGeachin
- Life through the lens of enchanting photographer Vicki King
- Six months in the (enviable) life of photographer Ryan Lowry
- We get to know hilarious and thoughtful illustrator, Ruby Etc