Anglo–Spanish photographer Arnhel de Serra has a talent for capturing the idiosyncrasies of our culture which I presume is at least partly down to the perspective inherent in having mixed heritage. In projects like Shows and National Trust he succeeds in showing that these quintessentially British features are not abstract environments but events where people come together and passions are shared.
His is a multilayered approach, which sets as much store in the dozing elderly National Trust visitor as it does the sweeping vista of the property itself, and values the intimate moments in a shady vegetable tent as much as the big set-piece country show stalwarts. As a mirror on ourselves it’s not just accurate, but charming too.
His work will be on show as part of the London Festival of Photography which starts in June.
- Photographer Peter Anderson on his experiments with a Widelux camera and their "wonderful distortions"
- "We are visual storytellers": studio Córdova Canillas talks us through the redesign of Fucking Young! magazine
- A sneak peak into Patrick Kyle’s new comic, Night Door
- Liam Cobb illustrates the collapse of the Heygate Estate in latest comic Conditioner
- “Imagination doesn’t compare to our real life design history”: Annie Atkins on the art of graphic design for film
- X-Rated Adult Movie Posters of the 60s and 70s celebrates gloriously crude B-movie artwork
- The New York Times Magazine’s new cover is actually a painting
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- “It needs to be normalised that women masturbate”: meet illustrator Jordyn McGeachin
- Life through the lens of enchanting photographer Vicki King
- Six months in the (enviable) life of photographer Ryan Lowry
- We get to know hilarious and thoughtful illustrator, Ruby Etc