Anglo–Spanish photographer Arnhel de Serra has a talent for capturing the idiosyncrasies of our culture which I presume is at least partly down to the perspective inherent in having mixed heritage. In projects like Shows and National Trust he succeeds in showing that these quintessentially British features are not abstract environments but events where people come together and passions are shared.
His is a multilayered approach, which sets as much store in the dozing elderly National Trust visitor as it does the sweeping vista of the property itself, and values the intimate moments in a shady vegetable tent as much as the big set-piece country show stalwarts. As a mirror on ourselves it’s not just accurate, but charming too.
His work will be on show as part of the London Festival of Photography which starts in June.
- Parterre de Rois: the Black issue features Anish Kapoor and Nina Chanel Abney
- Noah Beckwith’s experimental approach to his “stream-of-consciousness” posters
- Talya Modlin shares illustrated gems from her sketchbook
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors
- The exploratory and exciting typefaces of Out of the Dark
- MullenLowe Group’s Global Creative Officer José Miguel Sokoloff on judging CSM's degree shows
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris