When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.
“The room housing these canisters is an attempt at order, categorisation and rationality to be imposed upon randomness, chaos, and the irrational.” Says David, “The canisters, however, insistently and continually change their form over time; they are chemical and alchemical sites of transformation, both organic and mineralogical, living and dead. The Library of Dust describes this labyrinth, and in doing so, gives form to the forgotten.” You can see an interview with David about the project over here.
- Victoria Vincent’s animation captures the tragic pitfalls of online dating
- Adam Birkan captures the diverse and juxtaposing landscape of Hanoi
- Submit Saturdays: So you’ve built your website, what’s next?
- Kalen Hollomon's collages mix sex with fortune cookies
- Best of the web: a whole host of internet goodies
- Mould Map's latest issue is brought to life as an exhibition
- “Nymphomaniac” photographer Casper Sejersen's explosive images
- Anja Wicki's sarcastically sweet comic illustrations
- Logo Pizza is selling 50 ready-made logos that increase in price with each one sold
- London Design Festival: where to go and what to see
- Caitlyn Murphy's paintings elevate the charm of everyday life
- Sean Lotman’s serenely psychedelic photographs of Japan