When David Maisel was visiting an old, disused psychiatric hospital, he was beckoned into a small room by a prisoner who had been brought in from the local jail to clean up the building, who had gotten to know the building well. The prisoner referred to the room as The Library of Dust and David was soon to discover that it was crammed floor-to-ceiling with nearly 4000 identical copper tins containing the ashes of patients who had died in the hospital from the 1880s to the 1970s. Respectfully, David took a selection of the canisters and photographed them in turn, segregating them and focusing on the incredible, luminous patterns that had now formed on the decaying copper.
“The room housing these canisters is an attempt at order, categorisation and rationality to be imposed upon randomness, chaos, and the irrational.” Says David, “The canisters, however, insistently and continually change their form over time; they are chemical and alchemical sites of transformation, both organic and mineralogical, living and dead. The Library of Dust describes this labyrinth, and in doing so, gives form to the forgotten.” You can see an interview with David about the project over here.
- Submit Saturdays: Take advantage of your website to show varied work as a creative collective
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity