With a heritage spanning more than 60 years and a roll call of contributors that includes Matisse and J.G. Ballard, a redesign of a title like Art Review cannot be undertaken lightly. The magazine’s design team have worked with John Morgan Studio to ensure that the new look and feel, which made its bow in the recent September issue, lived up to its illustrious pedigree.
There’s a new masthead, a simplified, pared-back page layout with an extra five mm of space to give everything a bit more room to breathe. There’s a switch to Lexicon for the typeface and text bubbles scattered throughout the publication aim to ensure it keeps a lightness of tone.
Overall it’s impressive stuff; personally I felt it was less headachy claustrophobic than some of its art world competitors. And I’m loving Fernanda Gomes’ cover photo as well and with plans for even more specially-commissioned covers over coming issues, I can’t wait to see what else they come up with.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich