Anyone who has been to the excellent David Pearson show at London’s Kemistry Gallery will know that there’s an awful lot of creative mileage to be had from limiting book cover design to type-based solutions. I’ve become quite obsessed in hunting out other examples of this craft and although this work from Astrid Stavro is a couple of years old now, it deserves a fresh airing in this context.
The multi award-winning Mallorca based writer and designer worked on this essay collection for Sol de Ícaro in which she used “playful typographic combinations” to add “variety and richnesss to the collection while maintaining a strong and coherent identity.” To say she pulled it off is something of an understatement, and it confirms my suspicion that my favourite book jackets let the type do all the talking.
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?