Anyone who has been to the excellent David Pearson show at London’s Kemistry Gallery will know that there’s an awful lot of creative mileage to be had from limiting book cover design to type-based solutions. I’ve become quite obsessed in hunting out other examples of this craft and although this work from Astrid Stavro is a couple of years old now, it deserves a fresh airing in this context.
The multi award-winning Mallorca based writer and designer worked on this essay collection for Sol de Ícaro in which she used “playful typographic combinations” to add “variety and richnesss to the collection while maintaining a strong and coherent identity.” To say she pulled it off is something of an understatement, and it confirms my suspicion that my favourite book jackets let the type do all the talking.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich