Anyone who has been to the excellent David Pearson show at London’s Kemistry Gallery will know that there’s an awful lot of creative mileage to be had from limiting book cover design to type-based solutions. I’ve become quite obsessed in hunting out other examples of this craft and although this work from Astrid Stavro is a couple of years old now, it deserves a fresh airing in this context.
The multi award-winning Mallorca based writer and designer worked on this essay collection for Sol de Ícaro in which she used “playful typographic combinations” to add “variety and richnesss to the collection while maintaining a strong and coherent identity.” To say she pulled it off is something of an understatement, and it confirms my suspicion that my favourite book jackets let the type do all the talking.
- A bonkers 360 degree trip inside Julian Glander and Parallel Teeth's Kooky Kitchen
- Pictograms and symbols: how branding and visual language has to adapt in a digital age
- Codeluxe creates a powerful identity for Topography of Terror
- Tightly composed images of complex subjects by illustrator SHOUT
- Alejandra Carles-Tolra captures a women’s rugby team from all angles
- Cats flying out of speakers and our technology addiction: highlights from Channel 4 Random Acts
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- The best design courses in the UK, according to The Guardian University Guide 2017
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"