Anyone who has been to the excellent David Pearson show at London’s Kemistry Gallery will know that there’s an awful lot of creative mileage to be had from limiting book cover design to type-based solutions. I’ve become quite obsessed in hunting out other examples of this craft and although this work from Astrid Stavro is a couple of years old now, it deserves a fresh airing in this context.
The multi award-winning Mallorca based writer and designer worked on this essay collection for Sol de Ícaro in which she used “playful typographic combinations” to add “variety and richnesss to the collection while maintaining a strong and coherent identity.” To say she pulled it off is something of an understatement, and it confirms my suspicion that my favourite book jackets let the type do all the talking.
- Vanguards magazine explores Scotland's undiscovered creative treasure
- Yoko Yuki takes us on a bizarre jaunt into town in this kaleidoscopic animation
- Director Nick Ahlmark captures the thrills of night riding for Vice and Samsung
- Marion Jdanoff's skillful screen prints and books are packed with vibrancy
- Illustrator Zoë Taylor’s heroine escapes a party through clichéd melodrama and sporadic linework
- Björk Vulnicura: inside the creation of the kafkaesque headpieces by James Merry and Neri Oxman
- Airbnb launches its own in-house design studio, Samara
- Subway unveils redesigned logo and new symbol
- Neubau introduces its latest immaculately minimal typeface, NB Akademie
- PES creates an epic scale, long-exposure stop motion film for Honda
- Rio Olympics 2016: the creative projects inspired by the Games
- Erin M Riley’s hand-woven tapestries re-contextualise online pornography (NSFW)