Launch Recite Me assistive technology
The cover of Elephant magazine features a grey background with the title “ELEPHANT” at the top. Centred text in pink reads “THERE’S A NEW ELEPHANT IN THE ROOM” above an image of two stacked, weathered coins.

Astrid Stavro and Pablo Martin redesign Elephant magazine

—
Date
24 September 2014

When I first joined It’s Nice That more than three years ago I had never heard of Elephant magazine, but it was one of those titles talked about in hushed and revered tones. As such it’s always a publication I’ve approached with high expectations, so it was interesting to hear that for the next issue, number 20, Astrid Stavro and Pablo Martin of Atlas Studio have overseen a fairly comprehensive redesign.

Working closely with editor-in-chief Marc Valli, editor Robert Shore and publisher Rudolf van Wezel, the pair have sought to redefine the look and feel as part of a wider rethink of what the magazine wants to be. As Astrid told Frameweb: “From the initial discussions with the editors and publisher it was clear that the new tone of magazine had to reflect a more lifestyle and journalistic approach. Serious and provocative without being cold and conceptual. Spontaneous, accessible and aesthetically intriguing without being formulaic.” 

So she describes the new Elephant as “more in line with the accessible look of a well-designed Sunday supplement. A lifestyle magazine that speaks to a broad, varied and multicultural art loving audience.”

There’s a new, less serious masthead, and the opening section of the magazine is much more image led in terms of its rhythm, playing off typographic openings to good effect. The Paper Galleries section has different paper stocks and a wraparound sleeve that is meant to act as a physical respite from the rest of the content.

One of the overarching principles was apparently to make Elephant look “less like a design magazine” which these first release shots suggest has happened; we’re looking forward to having one in our hands now.

An open book shows a landscape of crumbling, tower-like concrete ruins under a pale sky. Bold text laid over the image reads “A VISIT TO BARJAC”.
Above

Atlas: Elephant (Issue 20)

An open book shows a large black ampersand on the left page, flanked by the words “Bubble Gum” and “Crushed Depressant”. On the right, a black and white photograph of a boot is held in place by a 3D yellow cross.
Above

Atlas: Elephant (Issue 20)

An open book showing a two-page spread. The right page features a painting of a person in a long red dress sitting against a dark blue background, with the title “Ways of Looking: How to Experience Art” and the name “Ossian Ward”.
An open magazine spread features a high-contrast black and white photograph of a person lying down. The figure is covered in dark, splattered patterns that resemble ink or paint. Above them, a bold white headline reads “Self-stalker”.
Above

Atlas: Elephant (Issue 20)

An open book shows a collage on the left page and text on the right. The collage features a profile of a face merged with an abstract gold shape and a figure in a red dress. The opposite page reads “Everything is Made Out of Smaller Parts” in a scattered layout, with a short paragraph of text below.
Above

Atlas: Elephant (Issue 20)

Share Article

About the Author

Rob Alderson

—

Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

It's Nice That Newsletters

Fancy a bit of It's Nice That in your inbox? Sign up to our newsletters and we'll keep you in the loop with everything good going on in the creative world.