I’m going to go ahead and assume that all other places of work foster the same strange fascination myself and my colleagues have with each other’s lunches. Our editor, for example, inexplicably eats two of everything, one of the directors goes through a lot of pate and the other day someone from design ate burger and chips in a wrap. For me though, it’s all about the vessel. I thought I’d found it, the perfect container – an enamel tiffin with compartments and carry handle – but then the internet presented me with Utilitarian Ceramic by Ben Fiess and I was left wanting.
Ceramic surfaces are an endless source of fascination for Ben and these forms, “inspired by mass-produced objects and architecture” are tangible elements of a process-led curiosity. His prolific preoccupation with materials and colours has driven this Minnesota-based designer to record a brilliantly insightful database of clay and glazes that he uses when creating these functional wares, stacked and arranged in colour-ways with a copacetic joy. I want one, I want one.
- Elliott Arndt, an upcoming director with narrative flair
- Scott King, Roger Hiorns and Tom Morton discuss provocation for new book The Creative Stance
- Flaneur explores the magic of Moscow in its biggest issue yet
- Brooklyn illustrator Ping Zhu and her breezy brushstrokes full of energy
- Irreconcilable Truths: a 1500-page survey of legendary photographer Don McCullin’s work
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design