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The interior of a small, tunnel-shaped tent with blue camouflage patterned walls. Sleeping bags and clothing are piled on a yellow mat on the floor.

Photographer Ben Roberts explores the secret spaces of London's Occupy movement

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Date
15 May 2012

The Occupy Protests which started in NYC and spread around the world are remembered as a socio-economic snapping of patience, when people’s anger with the way of the world boiled over in a visceral, bitter and noisy few months. But photographer Ben Roberts’ Occupied Spaces series takes a different tack, focussing on tents used by the protestors at the two London sites by St Paul’s and in Finsbury Square. Devoid of people we are left to take in the prosaic details, the quiet behind-the-scenes worlds away from the mainstream media’s incessant glare. But they also make you wonder where everyone is, and the mind starts to make certain assumptions in line with your views on the movement.

Ben was inspired to make the series after sneering press reports based on controversial thermo images suggested the majority of the tents were empty, leading many to dismiss those taking part as fair-weather f**k-the-system types. By deliberately removing people from the shots, Ben is making his point in a mischievously tangential way.

The pictures have also been collected together into a really nice publication, with an essay by Naomi Colvin contextualising but not overshadowing the project.

The interior of a white marquee with a cobblestone floor. Patterned floor cushions, a whiteboard and a sign reading “Tent City University” create a makeshift classroom.
Above

Ben Roberts: Occupied Spaces (Tent City university)

A table covered in a red and white polka-dot cloth is piled with food, drinks and kitchenware. Behind it, a green banner against a red backdrop reads “THE THEOCRACY OF PROFIT MUST END”.
Above

Ben Roberts: Occupied Spaces (Cafe Tent)

The interior of a green tent filled with sleeping bags, blankets and two acoustic guitars. A wooden board rests on a purple striped duvet, covered in small tools, electronics and art supplies.
Above

Ben Roberts: Occupied Spaces (The Peace Tent)

A dark wood upright piano sits inside a makeshift tent alongside a white sofa covered in blankets. A lime green banner hangs behind the sofa with handwritten text including “NO STATE NO WAR”.
Above

Ben Roberts: Occupied Spaces (International Commission Tent)

The interior of a tent lined with blue and white polka-dot fabric. A teal sleeping bag and blue clothing lie on the floor alongside a piece of paper that reads “EAT ME”.
Above

Ben Roberts: Occupied Spaces (Tent occupied by Cyrille from London)

A pair of black headphones and a tangled cable rest on a beige sleeping bag inside a blue tent. Piles of dark and light grey clothing surround the bedding.
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Ben Roberts: Occupied Spaces (Tent occupied by Simona from Lithuania)

A cluttered living space inside a tent, with clothes and belongings scattered across a wooden table and the floor. A green plastic sheet and a purple fabric with leaf patterns hang from the walls.
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Ben Roberts: Occupied Spaces (Clothes Store and Design Workshop)

A large, green-faced sculpture of a bearded figure wearing a gold crown. To the right, a white fabric figure stands behind a sign that reads “ZOMBIE BANKER”.
Above

Ben Roberts: Occupied Spaces (Theatre Tent, Finsbury Square)

The interior of a white canvas tent contains makeshift bedding and blankets spread across the floor. Two yellow posters featuring a portrait of a man with a moustache hang on the walls alongside a green flag with a yellow sun.
Above

Ben Roberts: Occupied Spaces (The Kurdish Tent)

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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