It’s been a long-held belief of mine that creating graphic design for cultural and arts projects is more or less the best gig going. You’re given the freedom to push the concepts behind you’re designs to the very limit, the solutions don’t HAVE to communicate to a sprawling demographic that your client can’t quite quantify and (if you’re good at what you do) you’re always making work that promotes creative practitioners that are great at what they do. What’s not to like?
With that in mind allow me to introduce you to the Parisian design duo of Thomas Bizzarri and Alan Rodriguez, or Bizzarri Rodriguez as they like to be known – two guys producing crisp, clean and intensely desirable print projects for a range of fine artists and cultural institutions. They also design beautifully embellished typefaces to adorn their one-off projects. With a portfolio that’s filled with great work themed around poetry, science fiction and conceptual fine art practices, these guys are doing nothing to allay my suspicions that they have the best job in the world.
- How I Got Here: Marco Velardi and Omar Sosa, Apartamento magazine
- It’s Nice That x Channel 4 Random Acts: “It’ll be like a guided acid trip”
- Felicity Hammond's art sends up the visual language of luxury property developers
- Gillian Wearing uses the public's work to examine privacy and individual vs collective experience
- Anna Beil defies convention with "trashy" illustrations and animations
- Polish illustrator Gosia Herba interprets myths and legends in pastel tones
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Yoshinori Mizutani captures the colourful, rain soaked commuters of Tokyo
- Poem Baker photographs the Jûngølā drag clowns of London’s Deptford
- Stack founder Steven Watson shares five of his top magazines
- Photography: New show at LCC shows young travelling communities of the 90s
- Hilarious and charming new Maynards Bassetts' Liquorice Allsorts ad by Jack Sachs