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A white bookshelf is packed with art and design books, magazines and records. A portrait of a person with blonde hair leans against the middle shelf, surrounded by titles including “Art Now” and “Magnum Stories”.

Bookshelf: This week it's Creative Director of Mr Porter, Leon St-Amour

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Date
17 June 2014

Sometimes at It’s Nice That we like to dip our timid toes into the world of fashion, and what better way to do so than to approach a big dog at one of the best online fashion resources known to mankind? Leon St-Amour is the Creative Director of Mr Porter, the luxury menswear site that – much like us – likes to make people happy each and every day. Where we do it with featuring people’s work, Mr Porter do it with a very special knack for delivering their goods in the most luxurious and hand-clappingly exciting way possible, usually involving a very beautiful white shopping bag being hand-delivered to sartorially-minded folk all over the globe.

Sure, the clothes Mr Porter peddle are exquisitely designed – but would Mr Porter be as appealing without its entire aesthetic, tone and notoriety being as on-point as it is? I don’t think so. That’s why Leon is so important, and that’s why we asked him which books have inspired him over the years. Take it away, Leon.

A book cover featuring a blue and white geometric design. The text reads “The cover art of Blue Note Records: The Collection” and lists the authors as Graham Marsh and Glyn Callingham.
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Graham Marsh and Glyn Callingham: The Cover Art of Blue Note Records 

An open book displays a collection of jazz album covers and credits. The right page features a black and white image of a person fragmented by vertical black bars, with the text “speakin’ my piece horace parlan quintet” below.
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Graham Marsh and Glyn Callingham: The Cover Art of Blue Note Records 

An open book displays two album covers. The left page shows a black and white design for Freddie Hubbard’s “hub-tones”, and the right page shows a cover for Johnny Coles’ “little johnny”.
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Graham Marsh and Glyn Callingham: The Cover Art of Blue Note Records 

Graham Marsh and Glyn Callingham: The Cover Art of Blue Note Records 

The early 1960’s is my favourite period for design. The Blue Note covers by American graphic designer Reid Miles epitomised the optimistic spirit of that period and still look really fresh today. I love the restricted colour palette, modern typography and bold and playful use of scale, I often use this book for inspiration.

A magazine cover featuring a blue background and a large, grey object engulfed in orange flames. The object displays the “Ray Gun” logo and the words “OUT OF CONTROL”.
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David Carson: Raygun, Out of Control

An open book shows a spread of photographs. On the left, a blurred figure in a white outfit leans back in a dynamic pose above the quote, “I used to be afraid of ghosts but now I love ‘em.” The right page features a collage of smaller, fragmented images of a person in various acrobatic positions.
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David Carson: Raygun, Out of Control

David Carson: Raygun, Out of Control

When I was at school in the 1990’s David Carson was a bit of a rock star in the graphic design world, his punk attitude towards layout, type and photography broke all of the existing rules of magazine design. Despite barely being able to read the articles he designed for Raygun, I appreciated the mood they created and the confidence he portrayed as a designer.   

A hardcover edition of Treasure Island by Robert Louis Stevenson. The cover features a blue and gold illustration of swirling ocean waves beneath a cloudy sky.
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Robert Lewis Stevenson: Treasure Island

An illustration on a book cover shows stylized, swirling ocean waves in blue and gold. A dark blue sky above features a gold crescent moon and small stars. Small white text at the bottom reads “Seaward ho! Hang the treasure! It’s the glory of the sea that has turned my head”.
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Robert Lewis Stevenson: Treasure Island

Robert Lewis Stevenson: Treasure Island

I could have picked one of many covers by book design titan David Pearson. This one was published on his own imprint Whites Books and features cover artwork by English artist Stanley Donwood of Radiohead fame. It’s an epic story which I think the cover manages to do justice.

A close-up portrait of a person with blonde hair and fringes, looking directly at the camera. The image is printed on a square card resting on a textured grey surface.
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Juergen Teller

An open book shows a photograph of a person and a child bathing in milky blue water. In the background, steam rises against a dark, rocky coastline under a cloudy sky.
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Juergen Teller

Juergen Teller

I bought this book in the mid 90’s, long before I worked in the fashion industry, on the strength of its cover image, not knowing who Juergen Teller was at the time. It sparked my interest in the world’s of fashion and art photography, Teller has skilfully made the space between the two his own since then. 

A book cover titled “Philip Treacy by Kevin Davies”. It features a person wearing a dramatic, spiked black headpiece while another person in a red sleeve adjusts it. The Phaidon logo appears at the bottom.
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Kevin Davies: Philip Treacy

An open book shows black and white photographs of people in a studio. One image shows two people sitting on a low bench, while another shows a person being fitted for a jacket.
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Kevin Davies: Philip Treacy

Kevin Davies: Philip Treacy

I love this book because it reminds me of my late friend Isabella Blow who I worked along side during my time on staff at Tatler magazine. Issy discovered the hat designer Philip Treacy, the pair had a very special creative relationship captured beautifully on the pages of this book by Kevin Davies. 

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About the Author

Liv Siddall

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Liv joined It’s Nice That as an intern in 2011 and worked across online, print and events, and was latterly Features Editor before leaving in May 2015.

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