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The red cover of a book features a white triangle pointing upwards. The word “Himmelstraße” is printed across the centre in a black gothic typeface.

Brian Griffin's haunting new photography book documents paths that led to the Holocaust

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Date
2 September 2015

Subdued, disquieting and ultimately devastating, Brian Griffin’s photography series Himmselstrasse forms a solemn documentation of the Nazi Holocaust. The Birmingham-born photographer’s monochrome images depict the Polish railways tracks that carried around three million people to Nazi WWII extermination camps, and the haunting silence and desolateness in them is profound. The title of the series is taken from “a cynical Nazi joke used to describe the final journey to the gas chambers,” and translates as Heaven Street. A stark reminder of the barbarity of the Holocaust, the images have been drawn together in a book published and designed by Browns Editions that reflects the tragedy’s perpetrators, taking its typography from the Blackletter favoured by the Nazi Party and its colourways from the red and black of its insignia. Himmelstrasse launches at the Photographers’ Gallery in London tomorrow.

A black and white photograph of a curved railway track leading towards a distant industrial tower. Two worn sofas sit abandoned on the grass beside the rails.
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Brian Griffin: Himmelstrasse

A black and white photograph of a single railway line stretching into a misty distance. The tracks are flanked by dense pine forests and a line of utility poles.
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Brian Griffin: Himmelstrasse

A black and white photograph of a railway line leading towards a concrete bridge. Bare winter trees line both sides of the tracks under a pale, overcast sky.
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Brian Griffin: Himmelstrasse

A black and white photograph of railway tracks splitting into two directions across a flat, wintry landscape. Overhead power lines run alongside the right-hand track under a pale, overcast sky.
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Brian Griffin: Himmelstrasse

A black and white photograph of a narrow railway track curving through a dense forest. Tall, thin trees line the path, and the ground is covered in fallen leaves.
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Brian Griffin: Himmelstrasse

A black and white photograph of a straight railway line disappearing into a distant, misty horizon. Bare trees line both sides of the tracks, their branches dusted with snow.
Above

Brian Griffin: Himmelstrasse

The red cover of a book features a large white circle in the centre. Inside the circle, the name “Brian Griffin” is written in a black gothic typeface.
Above

Brian Griffin: Himmelstrasse

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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