The words “annual report” conjure up images of grey men in grey suits compiling charts and graphs on grey paper ready to be distributed to grey clients in a decidedly grey world. Pretty darned grey – and I can’t be the only one that thinks this. There must be thousands of offices worldwide churning out these drab documents every year.
International lighting giants Zumtobel have clearly gotten wise to this phobia of tedious corporate documents and decided to buck the trend, commissioning Brighten the Corners and Anish Kapoor (no big deal) to produce a sensationally designed double-volume that utilises no less than ten overlaid neon inks. Take that grey!
In one volume, the meat of the report is discussed – the highs, the lows, the challenges overcome – and in the second we’re treated to an explosion of neon solar flares that leap from the page. We’re at a loss as to how this magnificent volume was printed, suffice to say whoever was responsible knows their Heidelberg inside out. Incredible work from everyone involved. Now let’s just hope more annual reports start to look this good.
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?