The words “annual report” conjure up images of grey men in grey suits compiling charts and graphs on grey paper ready to be distributed to grey clients in a decidedly grey world. Pretty darned grey – and I can’t be the only one that thinks this. There must be thousands of offices worldwide churning out these drab documents every year.
International lighting giants Zumtobel have clearly gotten wise to this phobia of tedious corporate documents and decided to buck the trend, commissioning Brighten the Corners and Anish Kapoor (no big deal) to produce a sensationally designed double-volume that utilises no less than ten overlaid neon inks. Take that grey!
In one volume, the meat of the report is discussed – the highs, the lows, the challenges overcome – and in the second we’re treated to an explosion of neon solar flares that leap from the page. We’re at a loss as to how this magnificent volume was printed, suffice to say whoever was responsible knows their Heidelberg inside out. Incredible work from everyone involved. Now let’s just hope more annual reports start to look this good.
- Artist Matthew F Fisher paints seascapes and wildlife with vivid precision
- Hayley Louisa Brown on travelling to Memphis as part of Ace & Tate's Creative Fund
- Photographer Roe Ethridge’s images blur the lines between commercial and sentimental
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich