Belgian graphic designer Broos Stoffels has it all; great poster designs, great typefaces, great Dance Organ-powered drawing machine for the creation of custom vinyl sleeves – no really! The young designer is a former student of Sint Lucas in Ghent, a institution with proven design pedigree, and has spent the last few years honing his practical and conceptual skills into a fantastically coherent body of work.
Like many of his Flemish and Dutch counterparts there’s a healthy nod to modernism in his work and an affection for heavyweights of the movement like Wim Crouwel. But outside of the works on paper Broos has the experimental mind of a craftsman, capable of turning his hand to any design-related project he’s tasked with. His Decap Drawing Device is clear evidence of this; a project that places the designer’s responsibility into the hands of a mechanical drawing machine such that tempo and chance both shape the final product with the helping hand of Broos’ pre-designed geometric grids.
- Nine vital nuggets about the hows and whys of being a project manager or producer – and why all the hard work is worth it
- Stars, drag queens, and the literati: Avedon and Warhol’s heroes and antiheroes
- Designer Morag Myerscough gives us a peek at her bookshelf
- Photographer Matthew Brown explores the forgotten details in a university campus
- First Dates for those who create: Studio Swine tells us about their working relationship
- Experimental Jetset, Build and others' war posters curated by Pentagram's Alex Brown
- Racy photography from the new issue of Odiseo
- VSCO develops new typeface and a symbol-based language as part of its rebrand
- When to wake up, what to drink and how to work: “how to live like a creative” unveiled
- How to beat creative block: one designer offers his invaluable advice
- DesignStudio rebrands the Premier League
- Meditation and creativity: should we believe the hype?