If you read Issue 8 of our magazine last year you’ll know that we’re pretty damn keen on the output of Bureau Mirko Borsche. It’s not just the work they produce, although that is undoubtedly excellent, but also the ethos of the studio is one of creative experimentation and artistic freedom. Under the guidance of studio director and namesake Mirko Borsche, a group of designers, illustrators, photographers and art directors produce some of the most exciting creative work out there for clients as diverse as Die Zeit, Intel, Bayerische Staatsoper and queer lifestyle mag extraordinaire, Horst.
For anyone not well versed in their output we’d recommend spending some time on their site to enjoy the sheer breadth of work on display, but for anyone short on time, here’s one of our favourite projects; a series of illustrated posters for Symphonieorchester des Bayerischen Rundfunks that recalls the golden age of 1940s cinema and the identities of Hollywood staples like 20th Century Fox. Illustrated by Beni Haslimeier they’re a prime example of the blank canvas potential of printed posters to advertise cultural events (they make us desperately want to attend these concerts) – a fact that some of the UK’s institutions would do well to bear in mind.
- Best of the Web is here, and so is the weekend!
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- Friday Mixtape: Legendary record label, 4AD
- Risograph photograph journal, This is the Same Ocean, returns with a sixth issue
- Illustrator Gizem Vural impresses us with attention-grabbing personal work and commissions
- Colophon Foundry re-releases its road-sign inspired typeface, Montefiore, with new specimen
- Jon Burgerman on his utterly brilliant Instagram experiments
- The photos Juergen Teller took while waiting for Rihanna
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Meet Berlin-based studio Büro Bum Bum
- Matthew Raw: the east London artist making clay great again