If you read Issue 8 of our magazine last year you’ll know that we’re pretty damn keen on the output of Bureau Mirko Borsche. It’s not just the work they produce, although that is undoubtedly excellent, but also the ethos of the studio is one of creative experimentation and artistic freedom. Under the guidance of studio director and namesake Mirko Borsche, a group of designers, illustrators, photographers and art directors produce some of the most exciting creative work out there for clients as diverse as Die Zeit, Intel, Bayerische Staatsoper and queer lifestyle mag extraordinaire, Horst.
For anyone not well versed in their output we’d recommend spending some time on their site to enjoy the sheer breadth of work on display, but for anyone short on time, here’s one of our favourite projects; a series of illustrated posters for Symphonieorchester des Bayerischen Rundfunks that recalls the golden age of 1940s cinema and the identities of Hollywood staples like 20th Century Fox. Illustrated by Beni Haslimeier they’re a prime example of the blank canvas potential of printed posters to advertise cultural events (they make us desperately want to attend these concerts) – a fact that some of the UK’s institutions would do well to bear in mind.
- Dime Shriyeav’s textured poster designs incorporate hand-drawn and digital elements
- Hai-Hsin Huang’s detailed and delicate illustrations present “the lightness of being”
- Laurent Eisler draws playful figures in “precariously balanced compositions”
- Small Gods magazine explores “anomalies of the drone”
- Adam Wells animates Love and Radio’s Dan Deacon interview through obtuse vignettes
- Cat Sims confronts issues of social housing in latest zine, Space
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s