Cuba – and Havana in particular – is one of those places that immediately conjures up certain visual connotations; brightly coloured walls, slightly battered classic American cars, cigar-toting dandies. But there’s another site of the Caribbean island – the mundane manifestations of its decades as a committed Communist state.
Bereft of the trappings of capitalist consumerism, the shop windows display a rather sad selection of goods; the cheap, the dull and the practical. Photographer Catherine Losing and set deigner Anna Lomax have taken this idea and photographed these objects – plastic chairs, toilet rolls, fans and the like – in the trendy visual vernacular found in the product shoots of countless glossy magazines.
The results are tremendous images and a thought-provoking project to boot.
- M/M (Paris) and the ongoing conversations that define its practice
- Mari Kanstad Johnson's wonderful work picks apart complex narratives
- Bradley Pinkerton’s projects combine handmade gestures with scanned-in textures
- Roberts Rurans uses acrylic paint to add depth and warmth to his illustrations
- The prodigal return of “iconoclastic” artist Danny Fox
- Jump into the world of Ben Jones’ post-internet, psychedelic paintings
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books