It feels like forever I’ve been on the hunt for a really great illustrator making work almost exclusively about the dark ages. Most commercial image-makers are so caught up in the here and now that they forget the wealth of inspiration available from mankind’s most barbaric era; the bear-baiting, the bloodthirsty duels, perpetual burning of witches and the frankly disgraceful personal hygiene.
But French illustrator Célestin Krier eschews all the nonsense of modern living to focus on these exact subjects. His portfolio is littered with barbaric imagery, rendered in a childlike hand on primitive software. There’s enough violence in there to sate even the most savage of minds, so pick up your gauntlets and longsword and wade in to the stinking cave of Célestin’s imagination.
- Lili des Bellons illustrates a fluoro world of monsters and robots
- Type tells Tales: Steven Heller and Gail Anderson explore the performative traits of type
- Things: The post full of positivity we received this April
- Photographer Louis De Belle’s unconventional portraits of New York commuters
- M35 creates a topographical identity for a project about Australia's rural landscape
- We speak to the three creatives behind a Nigerian-focused editorial and film for Kenzo
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again