American cartoonist and illustrator Charles Burns first acquired a gaggle of avid comic book fans in the early 1980s with his drawings for avant-garde comic magazine RAW and his portfolio of stomach-churningly visceral ink illustration, not least the seminal graphic novel Black Hole. He’s had us screwing up our eyes in equal parts tense astonishment and discomfort ever since.
Alongside the mutation, violence and disease of Black Hole, however, he has also been creating covers for literary magazine The Believer with his stark black line drawings for over a decade. The result is a spectacularly expansive catalogue consisting of over 300 portraits of artists, musicians, actors, writers and people of note which is on display in New York for your viewing pleasure.
Charles Burns: Cover Portraits for the Believer 2003-2013 is at the Adam Baumgold Gallery until July 26.
- All of human life was there: welcome back to the Best of the Web
- Jody Barton's passionate and political work masters many disciplines
- A Hail Mary pass: how to win the ads at the Super Bowl
- February diary: Where to go and what to see
- Hey Studio’s athletic and geometric typeface for ESPN’s magazine
- Karl Hab’s hypnotic photographs taken out of a plane window
- Racy photography from the new issue of Odiseo
- How to beat creative block: one designer offers his invaluable advice
- Bureau Mirko Borsche works with Nike Basketball on a new graphic language
- Challenging sexism, workplace stress and mindfulness through illustration
- Meditation and creativity: should we believe the hype?
- Why Fonts Matter, and how they impact your mood