American cartoonist and illustrator Charles Burns first acquired a gaggle of avid comic book fans in the early 1980s with his drawings for avant-garde comic magazine RAW and his portfolio of stomach-churningly visceral ink illustration, not least the seminal graphic novel Black Hole. He’s had us screwing up our eyes in equal parts tense astonishment and discomfort ever since.
Alongside the mutation, violence and disease of Black Hole, however, he has also been creating covers for literary magazine The Believer with his stark black line drawings for over a decade. The result is a spectacularly expansive catalogue consisting of over 300 portraits of artists, musicians, actors, writers and people of note which is on display in New York for your viewing pleasure.
Charles Burns: Cover Portraits for the Believer 2003-2013 is at the Adam Baumgold Gallery until July 26.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio