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    Charlotte Bassett: Architecture & Interiors

The Graduates 2014

Meet Charlotte Bassett, the next of our 2014 Graduates!

Posted by Maisie Skidmore,

University of Brighton graduate Charlotte Bassett’s work is so carefully considered that if you saw it in an art gallery or publishing house, nobody would blink an eyelid. There’s nothing rash or impulsive about her design, which focusses primarily on “curation, interdisciplinary collaborations and publishing”; instead, she combines diverse elements and a thorough knowledge of her subjects in a measured, sensitive and effective manner to create lasting impact.

Her recent projects include exhibition graphics, catalogues and branding proposals for two other exhibitions alongside her own degree show. Impressed and excited to see what Charlotte gets up to next, we spoke to her to find out about her love affair with letterpress and who she’d show her portfolio to if she was given half a chance.

Why or who or what made you go to art school?

I have a natural curiosity and have always had a desire to line things up! But I had never fully found a way to channel that, I always felt that there was something else I should be trying or doing until I was introduced to design on my foundation year. I owe an awful lot to my foundation tutor, he taught me that graphic design ran far deeper than a logo or a poster, that instead it was what you wanted it to be; a publication, moving image, a vehicle and a way to make changes. I feel as though I’ve carried that attitude with me.

Tell us about your best project…

My best work always spawns from collaborations. I find working with people and sharing ideas hugely motivating and a lot of my most recent work has come from interdisciplinary collaborations with Katy Angus, Rachel Dalton and Elina Linina. We each have different strengths so it is always a wonderful process to see our ideas come together – despite the all-nighters we often endure to get there! Being able to work with people from different disciplines and with different skills each day is, for me, the most privileged part of a designer’s role.

Tell us about your worst…

A lot of my worst work happened in the first semester of this year. There was suddenly an unspoken pressure to produce greatness; to create show-stopping work, and it took time for me to shake that off. I needed to find my feet among the slightly uneasy turmoil and panic of it being the final year – to take a step back and to make work that I wanted to make again.

If you could show one person your portfolio, who would it be and why?

If I could cheat and show my work to two people it’d be Lucienne Roberts and Rebecca Wright of GraphicDesign& – I find their work fascinating (I’ve lost count of the amount of times that I’ve read Page 1!) and would love to talk to them about their collaborations and ways of crossing disciplines so seamlessly within their work.

What was the best moment of your three years at uni (extra curricular included)?

Discovering letterpress was a huge turning point for me. Somewhere between the physicality of the type, the ink and the paper I found a way to surpass any sticking points that I reached in a project. If I ever got stuck with type on a project or felt like I had begun to get tunnel-vision with it, I’d make the type up in letterpress. There’s something so satisfying about shutting your laptop and doing and playing.

A lot is changing – would you recommend art school to someone who is considering going?

Yes! Art school, for me, exists so far beyond the “school” – it’s the people you meet and the things that come from this. For three years, you are surrounded by like-minded people who are passionate about what they do, who want to push boundaries and challenge things, and there’s something magical about this. Art school gives you the freedom and independence to find yourself, to experiment and to make mistakes and as much as things change, I’m not sure that this does – or could ever – exist anywhere else.

Finally, if your dreams come true, where will you be in a year’s time? 

It feels as if a year will pass in the time it takes Monday to become Sunday again – things are moving and changing fast, and that is exciting and scary in equal measure. I’d love, this time next year to be working in editorial design or publishing, but so long as I’m still collaborating and making work, I’ll be very happy.

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    Charlotte Bassett: Architecture & Interiors

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    Charlotte Bassett: Architecture & Interiors

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    Charlotte Bassett: Blind

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    Charlotte Bassett: Blind

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    Charlotte Bassett: Blind

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    Charlotte Bassett: Dementia

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    Charlotte Bassett: Fine Art Sculpture

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    Charlotte Bassett: Fine Art Sculpture

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    Charlotte Bassett: Fine Art Sculpture

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    Charlotte Bassett: Show 2014

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    Charlotte Bassett: Show 2014

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    Charlotte Bassett: Show 2014

Supported by Represent

We are very pleased that The It’s Nice That Graduates 2014 will once again be supported by Represent Recruitment. The graphic design recruitment specialists have developed a peerless reputation working with designers of all levels and matching them up with the right positions in some of the top agencies around. Represent’s support has helped us grow the Graduate scheme over recent years and we are thrilled they have partnered with us again in 2014.



Posted by Maisie Skidmore

Assistant Editor Maisie joined It’s Nice That fresh out of university in the summer of 2013 and has stayed with us ever since. She has a particular interest in art, fashion and photography and is a regular on our Studio Audience podcast.

Most Recent: The Graduates 2014 View Archive

  1. Jj_judge

    It was something of an honour to have illustrator Jean Jullien in the studio to help judge this year’s It’s Nice That Graduates. Not only is he a really nice guy, but he’s also one of our favourite artists who – in our eyes – can do no wrong. His style is effortless and full of humour, grinning at our modern world through a wry squint – an ability that most of the great illustrators through time have nearly all had in common. Another thing we can all learn from Jean is that he works harder than most people we know and rarely says no to a project, making him in-demand and always on everyone’s radar. Here he is on what he learnt from helping us judge the It’s Nice That Graduates 2014.

  2. Michael

    Graphic designer and Manchester School of Art student Michael Crook is the 15th and final of our Graduates of 2014, securing a spot up there with the best of ’em with his incredibly sharp and effortless-looking design. The projects he won us over with include an identity for an event called The Science of Fashion in which he used thermochronic ink to create a disappearing design, a book about American hobo culture and the secret written languages nomads use to communicate with one another, and an original take on book cover design, in which he made Ray Bradbury’s Fahrenheit 451 look like a book of matches ready for the striking. Read on to find out about his favourite project to date, and the perfume-soaked tab he’s hoping never to encounter again. Well done Michael!

  3. Main

    Our penultimate It’s Nice That Graduate of 2014 is Falmouth Illustration grad Lauren Humphrey, whose style is fun and playful and brilliantly authentic without sacrificing her message. It’s not often that you find a creative fresh out of university who so effortlessly aligns meaning with a recognisable and accessible aesthetic, but Lauren does so effortlessly, combining a style she has firmly established with the brief she’s set. She’s one to watch out for! Find her in a swanky studio, or potentially restoring an old boat, before you even know what’s happening.

  4. Charlotte

    University of Brighton graduate Charlotte Bassett’s work is so carefully considered that if you saw it in an art gallery or publishing house, nobody would blink an eyelid. There’s nothing rash or impulsive about her design, which focusses primarily on “curation, interdisciplinary collaborations and publishing”; instead, she combines diverse elements and a thorough knowledge of her subjects in a measured, sensitive and effective manner to create lasting impact.

  5. Grads_judge_accent

    We’ve almost finished our selection of It’s Nice That Graduates 2014, and we’ve well and truly established that this year has produced some of the most talented and exciting creative talent to date. We had a selection of handpicked judges to help us select the entrants who most deserved to make it through to the final 15, and in corner of publishing are Lydia and Lucy from Accent Magazine, “a global celebration of lives lived outside the ordinary.” They kindly left us with a few nuggets of wisdom for new graduates to show what they were looking for.

  6. Grads_thursday_17

    Going through nearly 600 applicants for the It’s Nice That Graduates was a long process, and in it we saw countless photography submissions. To come across a portfolio like Portsmouth graduate Alecsandra’s was truly special, as her website was utterly brimming with fascinating, in-depth projects that stood out as being truly well-researched, full of passion and rather unique. Her love of storytelling led her to focus on politics, family, tradition and emotion, making her body of work alive with folklore and wisdom. How great is it when someone’s work truly opens your eyes to something you had previously never encountered? Here she is on her degree, her passion for photography, and her future.

  7. Tris

    Sleek vintage cars, mousetrap swings, chance encounters with rainbows and days out at the races all feature in the varied portfolio of Tristan Cluett, a recent graduate from Kingston University. He’s spent three years immersing himself in his medium, getting out in the field to shoot cyclists in action or creating polished sets in the studio to provide backdrops for his unusual ideas. What seems key to the success of Tristan’s work is his openness to experimentation – he’s not content to be a one-trick pony – and the level of polish he applies to every one of his projects.

  8. Hannah

    LCC Photography graduate Hannah Burton has spent her three years of undergraduate study working out ways to get as close as possible to her subjects. She’s worn their clothes and camped out in their rooms for shots in which she embodies the subject, trawled east London’s Gascoyne Estate, getting to know its inhabitants as she shoots their pictures and explored her personal relationship with her mother in a series of intensely revealing portraits.

  9. Main4

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  11. Joe

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  12. Main3

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  13. Alice

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