The nature of the fashion industry (determined, pervasive, ubiquitous) means that after a while those ads that are on every magazine stand, every billboard and every double decker bus get a bit… boring. Even the most impressively designed garments can become as objectionable as an itchy animal onesie when you’ve seen too much of the same glossy images, and this is perhaps why Charlotte Trounce’s work is so easy to enjoy.
A freelance illustrator by day, she’s been testing her painting skills by trying to recreate the elaborate patterns, prints and textures of the new season’s most exciting catwalk shows, with watercolours. The resulting images are very impressive; J.W. Anderson’s intricately pleated menswear garments and Marni’s voluminous fur overcoats are all recreated with careful brushstrokes, creating new iterations of well-known images, to cleanse your palate. Somebody give the girl an ad campaign, stat!
- Yayoi Kusama brings infinity and her iconic pumpkins to two stunning new London shows
- How I Got Here: Kim Gehrig, director
- Founder and creative director of ManvsMachine, Mike Alderson on his most-loved books
- From big cats to commuters, Reece Wykes creates characters using the subtlest of details
- Back to the Future: what today's creatives can learn from yesterday's design principles
- Moniker’s crisp and colourful laser cut posters for Designer Fund
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- Strange posters and superb typography from Venetian studio Tankboys